The title of my project is called The Things I Know Nothing at All: A Little Thing from Experience. The genre is diverse and falls under the categories of prose poetry, micro fiction, or creative non-fiction. It is inspired by Anne Carson’s Short Talks where she analyzes different subjects that are interconnected on a grander scheme. I used Janet Burroway’s Imaginative Writing: the Elements of Craft to create my creative non-fiction piece and to develop its subjects. The goal of my project is to offer a different perception on subjects that are deemed irrelevant, but present an insight that shows a collective meaning.
The genre of creative nonfiction is evolving and hot publications such as Penguin Random House and Fourth Genre are taking advantage of it. Creative Nonfiction Magazine deems Penguin Random House a top publisher for creative nonfiction because of best seller Unbroken: A World War II Story by Laura Hillenbrand. Its website houses Vintage International Series, which is founded in literary fiction and also published Anne Carson’s Planiwater: Essays and Poetry. Annette Gendler, a writer and photographer, who has published in the Wall Street Journal and Tablet Magazine rates Fourth Genre against the criteria of winning either a 2010 Pushcart for Nonfiction or Best American Essay of 2010. She also excluded venues who did not allow simultaneous submissions. Fourth Genre among the other eleven publishers mentions that they are looking for innovative work that is
I gained a new perceptive during class, when reading “George Saunders Explains How to Tell a Good Story”. The reading of this article help me understood how to use more details to makes my story’s more meaningful. The reading of this article help me build up my paper on “No such Things” to use details to descipbe a story. Through the reading of the article, it help me to use experience through my life to build on my topic “…memory is an unreliable traveling companion through the years”. The reading of the article help me to create a meaningful story to blend it in with experience in my life and also to blending in with the topic of my paper.
Miline, Ira Mark. Short Stories for Student. Presenting Analysis, Context, and Criticism on Commonly Studied Short Stories Volume 8Virtual Reference Library. Detroit, Mich: Gale. Web. 13 Jan. 2010.
4. “There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated
When taking English Composition 2 I have learned various things that I can carry through with me throughout the rest of my academic and social life. The class English Composition 2 touched on the components of character, setting, short story, drama, and poetry. With each section and a lecture on each section I have taken away a piece away from each section, one thing that is for sure I will never read literature the same after this class. When talking about character we looked into the story Gorilla My Love and how the story is told through the eyes of a young black girl named Hazel. Concluding from this section of the class I learned that if the characters were to be different characters the story would change as whole. When looking deeper into the concept of setting as a class we had the opportunity to learn how to depict where the setting is, and learn how the setting can make a difference in any type of literature. For the concept of short stories as a student I looked deeper into the story of 20/20. After, a struggle on the topic of short stories I learned the different compontes that go into and are used in making a short story. For an example, the story 20/20 uses the model Freytag’s Pyramid to tell the story line. The component of Drama happened to be my favorite component of the class. I
The literary canon is those works considered by scholars, critics, and teachers to be the most important to read and study, which collectively constitute the “masterpieces” of literature. (Meyer 2175) In the past there has been much debate on whether non-fiction should be considered for inclusion in the canon, but non-fiction writers being considered part of the canon is not unheard of, and is already a reality – George Orwell, Henry David Thoreau, Ernest Hemingway- all had a significant body of non-fictional work and are well respected, well established members. Sonja Livingston’s work is part of a genre called creative non-fiction. As stated in his article for The Writer, Lee Gutkind states, “Creative nonfiction-also called "new
When we were given the final assignment’s instructions, I was very confused by it. I did not understand what were we supposed to do and how to do it. I had an idea on mind, however after talking to Professor McNair, I understood what the assignment was and I realized that I needed a new pitch for the final project. The task was to create a short 30 seconds story with no dialogue, which had a beginning, middle and end. In addition, the story needed to have a motive for action. The character was to move within the frame but with a purpose. This is the most important part of the project because it leads to everything else. After thinking about this assignment over and over, one day I finally got a divine insight. I realized that I needed to do something simple that several people could relate to.
Short-stories have made a name for itself through the various accomplished publications by initiating emotions, imagination and love between the characters and the reader. As Harold Goddard in The Meaning of Shakespeare stated “The destiny of the world is determined less by the battles that are lost and won than by the stories it loves and believes in.”
Thus far the project has been tough, yet rewarding. Initially, there was a class decision on what project we wanted to work on, after voting, the Gloria Gemma’s Gidget’s Corner project came out as the victor. After collaborating amongst each other, we came up with how a plan to break down the project. We picked which group we wanted to be a part of and began to work in according to our broken-down project assignments. Although we just breached the amidst of the preliminary stages of this project, there have been several learning outcomes met: rhetorical knowledge, metacognitive knowledge, and genre knowledge.
To begin with, the most striking feature of this work is that it is a story
Knowledge. A powerful weapon overlooked by many people. I hope one day, as a society, we can come together and use education to change the world. We could end poverty, inequality, disease, and bring a new era of peace to a planet that has been fighting itself for too long. As a student and officer of both Biology Club and Tri-Beta, I hold personal responsibility to expand my own knowledge on a daily basis and try my best to reach out to the scientific community as well.
Once there was a woman who told a story. However, she had more than just an entertaining tale to tell. She chose common images that everyone would understand, and she wrapped her story around them, and in this way she was able to teach the people . . .
The topic of discussion for this essay is a story written by Charlotte Perkins Gilman called "The Yellow wallpaper. Firstly, several pieces of evidence within the text prove that the genre of the story is irony, in accordance with Frye 's "theory of myths". This essay shows exactly how those instances exemplify the genre of irony. Additionally, from a deconstructive point of view, there is a central binary of constraint and freedom. The examples from the text show both evidence of constraints within the story as well as freedom. Thus, proving this to be the central binary of this piece of literature. Finally, these two aspects can be used to show the similarities between this text and the short story "How to Become a Writer" by Lorie Moore.
To a reader unfamiliar with his work, Raymond Carver's short story, "Little Things" may seem devoid of all literary devices owning to good writing. Fortunately, these people are mistaken. With his minimalistic style, it is what Carver doesn't write that makes his work so effective. Most of Carver's short stories describe situations that many people could find themselves in and that is why his work is so appealing to readers. They are not restricted to harsh explicative details or over-dramatized language, but are allowed to create their own rationale for the actions of the characters and the consequent results.
When I think about what counts as learning to me, I think about my life. Just being able to live in this world to me is a learning experience, because I feel that my life is full of lessons and I believe that it takes lessons to learn in life. I feel that I have learned to understand learning more and to also understand the value of learning. As I get older I can comprehend subject matters more than I could ever do before. I am learning to be more serious and I find myself not taking life for granted anymore.
What I have learned about research is that it is a process, a scientific process that psychologist and scientist develop that includes many different approaches and that is carefully peer reviewed and evaluated. There is what is called the Scientific Approach where scientist have an idea or theory and based on their observation will either support the theory or the theory can be falsified by their peers. Data also goes through a review period before it is published in a scientific journal by scientist who have the knowledge and expertise to evaluate it.