The Transformation Of A Cockney Flower Girl By George Bernard Shaw

Do you ever think about the way you speak and why? Well, Paul Robert does an excellent job explaining why people use the dialect they use in Speech Communities. He discusses that people change their use of language throughout their lives to conform to either society or to what kind of person they want to be, or to just conform to who they need to be at a particular moment, in which I agree. People’s choice of language, including myself, are affected by many of their surroundings, such as where they live and grow up at, their peers, and a person’s work place.

In beginning of “Marigolds,” by Eugenia Collier, Lizabeth is indirectly characterized childish and disrespectful as she shows that doesn’t really care about anybody other than herself. In the story, Lizabeth mentions an event in which she did not act like a child and calls it “devastating” Since Lizabeth finds the idea of maturing devastating, Lizabeth’s motivation is that she does not want to grow up. Since she does not want to grow up, she creates an internal conflict for herself. As the story progresses, Lizabeth and her friends are looking for something to do and they come to the idea to terrorize their neighbor, Miss Lottie. The story states,” The idea caught on at once, for annoying Miss Lottie was always

The play also arguably acts as a critique of Victorian-Era notions of middle class philanthropy towards the poor who believed themselves to be socially superior and had severe moral judgements towards the poor. It also represents the differences and the struggles between the younger and older generation. “Perhaps I ought to warn you that he’s an old friend of mine and that I see him fairly frequently.” This quote clearly suggests that Mr. Birling is trying to bully the inspector through his status and authority in society and the power he has over him, Mr. Birling is comprehending that he is more important than the officer. He believes that having political and social power over people makes him all-powerful, even when he refers to the working class or the middle class. He thinks that the working class is just there to serve you as a labor. Mr. Birling suggests that the working class are not worth crying over, when he uses the quote ‘Several hundred women’ he sees Eva as just one of those worthless girls who worked at his money-making factory. This shows us his overall mindset that all his workers had not more value to him than that they were workers who just earned profits for him. By saying “they keep changing” he shows the readers that he wouldn’t have cared if any woman or man would’ve left his factory. Sheila also argues that her dad had a

Pygmalion by George Bernard Shaw is a play that shows a great change in the character Eliza Doolittle. As Eliza lives in poverty, she sells flowers to earn her living. Eliza does not have an education. This shows through the way that she does not have the most proper way of speaking. This happens through when Eliza is speaking to the other characters when she meets then when she is still at a low level of poverty in her life. To understand the reasons Eliza is able to change and be changed into an almost Cinderella like character. With Eliza going from and growing and changing through the hardship she faces. In the play Eliza begins with no confidence and works towards having a way to reach trough from learning during her life

Regional dialects were seen to be used by those from a lower class and being less intelligent. However, regional dialects were given points for sounding warm, trustworthy, friendly and honest. These positive connotations are usually for rural, beautiful landscapes. To find this, he got the same actor to read a passage but in different accents and listeners had to score them.

George Bernard Shaw and John Edwards seem to share some quite similar beliefs regarding language and identity. More specifically, how language alters one’s identity. Edwards uses discussions involving class, gender, and dialect; while Shaw uses his character, Eliza Doolittle to discuss these connections between language and identity. Both authors debunk the stereotypical perception about language and groups, just in two separate ways. Edwards explains it over several chapters of his text “Language and Identity”, whereas Shaw demonstrates it through one person.

This sudden change in character shows that an upgrade in social class not only changes the way that people look at you but that it can also have many benefits as well. Going against the thesis, there is one character, Colonial Pickering. Colonial Pickering is a friend and a safe haven to Miss Doolittle. She trusts him, and with good reason, from the beginning to the end of the play, he treats her the same, like a lady. ?Colonial Pickering is a compete contrast to the character of Henry Higgins in terms of manners and behaviour. Colonial Pickering is Shaw?s evidence that wealth and poverty can mix.? (Galens and Scampinato, 245). Most characters in Pygmalion expect the rich and poor to stay separate except for the open hearted and minded, Colonial Pickering.

As different dialects of a language develop they are shared with the people of the area. People often use the dialect of those that they interact with most. To explain this simply, a person who only speaks Chicano English is fine in their daily interactions with other speakers of the dialect but they may have trouble speaking with a Northern Dialect. The spread of language change depends on the factors that are causing it. The natural change in language over time smarts in a small area and spreads to everyone that it comes in contact with.

In the movie, Higgins targeted phonological features proper of Eliza’s Cockney dialect. According to Higgins, Eliza’s accent should be modified to “transform” her into a fine lady. The undesired behavior was weakened by a series of reinforcements based on punishment and reward. Eliza was offered chocolate, for example, when she correctly pronounced a set of sentences. Once Eliza achieve the “correct” pronunciation she was offered multiple rewards. For example, she attended the Ascot Horse Race, for which she was offered a new wardrobe.

The different classes in both plays had their advantages and disadvantages; however, some classes had more benefits than others. In Pygmalion, the upper-class was the most privileged money-wise. Henry Higgins was an upper-class educated man who had quite a reputation and enough money to take on the challenge of transforming Eliza, a lower-class woman, into an upper-class citizen. As a member of the upper-class, Higgins had access to “chocolates, and taxis, and gold, and diamonds” that members of the lower-class didn’t necessarily have (Shaw 19). These objects are associated with

The adaptations of George Bernard Shaw’s drama Pygmalion (1914) have been a successful classical collection in the world. Somehow people forget that the important character as well as the real pygmalion is Prof. Henry Higgins, but not the flower girl Eliza. This is especially due to the cast of Eliza in the Hollywood movie My Fair Lady (1964) -- Audrey Hepburn’s great charms and her ‘idol’ effect.

     After long, excruciating lessons, Eliza starts to get it and begins to talk in perfect English. Now, its time to try her newly learned skills. In the play, Higgins takes her to his mother’s house, while in the musical he takes her to the Ascot Races. Here they learn that she may speak perfectly, but she still can revert to her “flower girl” ways. This is where Freddy Eynsford-Hills falls in love with Eliza. Eliza’s father is forced into Middle Class after he inherits a large sum of money.

In the Victorian England period, how a person is viewed by society determines everything. What kind of jobs are available, who it is ok to marry, and even who is acceptable to interact with. How a person is viewed can change their life for better or for worse, and sadly women during this period must work twice as hard as their male counterparts to get the crucial social respect needed to succeed in their societies. How a person appears and how they dress plays a big part on how someone is viewed, but flower-girl-turned-duchess Eliza Doolittle must learn the hard way that just because a person fits the outside criteria of a lady does not exactly mean she would be treated as so, by society and most of all her mentor Henry Higgins. Throughout the play, Pygmalion, By George Bernard Shaw, the author makes the theme of prejudice against women very apparent by the way they are treated in society and the unreasonable expectations they are held up to, making it very difficult for women like Eliza Doolittle to move up in society and be seen as equal in the eyes of those above them.

Class distinctions are made abundantly clear in Shaw’s “Pygmalion.” Eliza is representative of Shaw’s view of the English working class of the day: Crude, crass, and seemingly unintelligent yet worthy of pity. Equal criticism is leveled at the upper classes, who pass judgement upon the poor precipitated by their appearance and mannerisms. Higgins and Pickering’s attitude towards Eliza is one of derision, stemming from their difference in social status. For instance, Higgins’ open mockery of Eliza’s speech: “You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days.” (Shaw.

By naming his drama "Pygmalion," Shaw reminds people of the ancient Pygmalion Myth. Pygmalion, a sculptor, makes a beautiful statue and falls in love with his own creation. He prays that life may be granted to it. The gods give him his wish. The statue becomes a living girl named Galatea. In Shaw's play, Eliza, the heroine, is transformed from a flower girl into a graceful lady. This change is like that of a stone into a statue of perfect beauty. But just as