reading the preceding line. I feel the rhetorical situation is the narrator telling a story, perhaps something that happened long ago, and reflecting on it. Dickinson’s use of dashes—though she uses them frequently in all poems—assists to the feeling of story-telling. There are a few occasions throughout the poem when the use of dashes gives the idea of the narrator pausing and adding in a little extra information, maybe something that helps the reader understand the situation more. I think the
In stanza two, the near rhyme is “And now We roam in Sovereign Woods—/And now We hunt the Doe—”, where the reader is able to detect the long ‘o’ in the two end words. In stanza three, the rhyme is in lines two and four: “…Upon the Valley glow—/It is as a Vesuvian face/Had let it’s pleasure through—”. The ‘oh’ sound
Alliteration: The repetition of identical consonant sounds in the stressed syllables of words relatively near to each other (in the same line or adjacent lines, usually) (Literature: A Portable Anthology). Example: In Fahrenheit 451, Montag states, “It’s fine work. Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn’em to ashes. That’s our official slogan.” The repetition sound of “M,” “W,” and “F,” show alliteration (Bradbury 6). Allusion: A reference to a well-known person, place, place
MINISTRY OF EDUCATION AND SCIENCE OF UKRAINE IVAN FRANKO NATIONAL UNIVERSITY OF LVIV ENGLISH DEPARTMENT LEXICAL AND STYLISTIC DEVICES IN LEWIS CAROLL’S NOVEL «ALICE’S ADVENTURES IN WONDERLAND» COURSE PAPER PRESENTED BY
alienation and disconnection people unable to communicate effectively fear of eroding traditions and grief over loss of the past Genre/Style: highly experimental allusions in writing often refer to classical Greek and Roman writings use of fragments, juxtaposition, interior monologue, and stream of consciousness writers seeking to create a unique style Effect: common readers are alienated by this literature Historical Context: overwhelming
Surrounds 3 families Roy and Coral – lost their son in the Vietnam War (resort = wealthy) Vick, Harry and Tom – dealing with Tom’s Illness (camping ground in tent = average) Gwen, Jim and Meg – Gwen is head of the household (Caravan Park) Away is about reconciliation and the power of healing through love and compassion This play is about the experiences of a dying school boy, it is a celebration of life and the power to heal through gaining insight. At the end, the characters accept their
and qualifiers of meaning and effect. This is particularly the case in poetry. Especially the analysis of the use of imagery is important for any kind of literary text. (For further details see Analysing a Metaphor and Symbol). Figures of speech in classical rhetoric were defined as “a form of speech artfully varied from common usage” (Quintilian, Inst. Orat. IX.i.2). The forms of figurative languages are divided
machines, with their bodies. They are the standing army, and the militia, jailers, constables, posse comitatus, etc. In most cases there is no free exercise whatever of the judgment or of the moral sense; but they put themselves on a level with wood and earth and
TEXT INTERPRETATION AND ANALYSIS The purpose of Text Interpretation and Analysis is a literary and linguistic commentary in which the reader explains what the text reveals under close examination. Any literary work is unique. It is created by the author in accordance with his vision and is permeated with his idea of the world. The reader’s interpretation is also highly individual and depends to a great extent on his knowledge and personal experience. That’s why one cannot lay down a fixed “model”
Water Imagery in Seize the Day Saul Bellow's Seize the Day is one of the most profoundly sad novels to be written since Tender is the Night. On this day of reckoning, during the seven hours or so that comprise the action of the novel, all the troubles that constitute the present condition of Wilhelm Adler descend upon him and crush him, leaving him penniless, alone, and in such profound misery that one can hardly imagine his going on. He is, as he says, at the end of his rope. This has been one