Theme Of Blackberry Picking By Seamus Heaney

In Yusef Komunyakaa’s “Blackberries,” a youthful speaker seems to be living past the boundaries of city life and exhibits qualities of rural living. The poem tells of the speaker’s adventure of picking blackberries from a thicket and encountering the duality of urban society. Readers of “Blackberries” might at first be puzzled by the speaker’s youthful memory of picking berries, but a closer analysis of the poem allows readers to recognize that the speaker’s internal conflict originates from strict societal boundaries and the loss of his childhood innocence.

One of the most pervasive themes in this passage is that of a spreading decay that is taking over the society. This is first expressed in quite a literal sense, as an actual decay of fruit and produce, which spreads like a virus across the American countryside and farming lands. Due to the economic mismanagement of the farming industry, fruit and other produce are left to rot and decay on the trees because they are not picked by the farmers. The text gives many examples of different fruits being left to decay on the farms. We see, for example, the cherries, that are described at first as “full and sweet”, being left to turn into seeds which “drop and dry with black shreds hanging from them”. The purple prunes, which now “carpet the

There is a conflict between practicality and sentimentality conveyed through the use of both literal and figurative language by poet Mary Oliver in “The Black Walnut Tree.” There is an alternation from a debate between mother and daughter rationalizing reasons of selling the black walnut tree- that sits in the family’s backyard- in order to pay off their mortgage, to the symbolic viewing and characterization of the tree as a reflection of the family’s history and what value it holds to further generations. Despite the “whip-crack of the mortgage” experienced every month, cutting down the black walnut tree would be a heinous deception on the family’s heritage.

“It was a spring afternoon in West Florida. “First Janie is exploring the nature of spring. Spring as being part of a season. A season that seems to her like a regrowth of flowers and life. “Spending every minute that she could steal from her chores. “Janie has being putting aside her chores to explore nature. “It had called her to come and gaze on a mystery.” Jamie felt that there was something that nature or the blooming pear tree want to teach her. Janis’s attraction with the pear tree blooms open her mind to concedes with her occurrence as sexual being. One that is “stirred’ that make her feel like the caress of an awaking sexual feeling was starting in her life. With all this changes in her innocent mind and body she start asking herself “What? How? Why?” Of this things.

fair”, you can tell this is the voice of a child. There is also a

Walker uses the words “gigantic” to describe the size, “delicious red and thirst¬¬-quenching” for the look and taste of the watermelons. When Walker and her daughter are in the potato garden she compares the experience to digging up gold by doing this she reminds us of our innocent amazement as children reminding the viewer of their past.

In “The Mower Against Gardens,” Andrew Marvell uses a conceit to liken the plants in an English garden to the women of a brothel, exemplifying the theme of man’s perversion of nature. Three main metaphors are used, the first being mankind as the brothel owner. The second metaphor is the flowers as prostitutes, and the final metaphor is the flowers’ offspring as abandoned children.

Written in 1980, Galway Kinnell's Blackberry Eating is a poem which creates a strong metaphoric relationship between the tangible objects of blackberries, and the intangible objects of words. The speaker of the poem feels a strong attraction to the sensory characteristics (the touch, taste, and look) of blackberries. The attraction he feels at the beginning of the poem exclusively for blackberries is paralleled in the end by his appetite and attraction to words. The rush the speaker gets out of blackberry eating is paralleled to the enjoyment he finds in thinking about certain words; words which call up the same sensory images the blackberries embody.

Imagery in “Blackberry Eating” Memories of late summer. Free from all inhibitions, the ideas of family and plentiful growth are on the mind. As the growing season concludes and the produce ripens, the ease at which they fall from the vine heightens. This scene is depicted in Galway Kinnel’s poem, “Blackberry Eating” and he uses several literary devices to describe this scene and compare the nature of blackberry eating and the nature in which humans speak. Moreover, Kinnel employs the use of imagery in the poem by describing the quality of the blackberries and the manner in which they are eaten.

Seamus Heaney and Thomas Hardy both depict images of rural life as difficult and uncomfortable. In their poems ‘At a Potato Digging’ and ‘A Sheep Fair’ they describe different aspects of rural life; these were elements of life that would have been familiar to the poets and ones that they would have experienced. In their poetry Heaney and Hardy

The poem “Blackberries” is a deep and well thought out story of a man’s time in slavery. As you read the poem, there are obvious meanings the reader will pick up on right away, while there are also much deeper meaning to many of his words. The title suggests that blackberries play a significant role in the deeper meaning of the poem. When analyzing the text, it is easy to see the surface meaning saying that the author is simply picking the blackberries from the field. After a deeper evaluation, it is clear that he is referencing the hardships of his time as a slave. In the word blackberry, the root black can be used to show that he views the times are harsh or dark. Black is often used to show either sadness or nervousness, which can both

Once the reader can passes up the surface meaning of the poem Blackberry-Picking, by Seamus Heaney, past the emotional switch from sheer joy to utter disappointment, past the childhood memories, the underlying meaning can be quite disturbing. Hidden deep within the happy-go-lucky rifts of childhood is a disturbing tale of greed and murder. Seamus Heaney, through clever diction, ghastly imagery, misguided metaphors and abruptly changing forms, ingeniously tells the tale that is understood and rarely spoken aloud.

In the poem “After Apple-Picking”, Robert Frost has cleverly disguised many symbols and allusions to enhance the meaning of the poem. One must understand the parallel to understand the central theme of the poem. The apple mentioned in the poem could be connected to the forbidden fruit from the Garden of Eden. It essentially is the beginning of everything earthly and heavenly, therefore repelling death. To understand the complete meaning of Frost’s poem one needs to be aware that for something to be dead, it must have once had life. Life and death are common themes in poetry, but this poem focuses on what is in between, life’s missed experiences and the regret that the speaker is left with.

References to the tastes the reader might know such as “vanilla” and “cinnamon” creates a very personal connection to the reader, since these references maybe remind the reader of a similar experience and therefore the reader can further understand the narrator, increasing pleasure of reading. The tone of the second extract creates a sense of trust since the reader is supplied with “extra” information such as “cocoa pods (there are around 45 beans in every pod)”, which may interest the reader an

The writer draws reader's attention with the words like, 'look (line102)' and 'listen (104)' followed by exclamation marks and metaphors. The writer says, 'That deep red glow in your mahogany dinner table is the blood of murdered Indians (line 102-103)' and another metaphor with the use of alliteration, 'The clatter of your mahogany luxuries is the gunfire that killed Indian children'. These two metaphors are very