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Theme Of Feminism In Medea

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In Euripides’ play, Medea, the storyline introduces the audience to a bold feminist character and confronts the central ideas of femininity in Greek culture. Throughout the play, Medea transforms from the typical emotionally weak character that women usually portray, to a strong-willed manipulator that is capable of violence. As Medea relentlessly pursues her ambitions, her character defies the typical typecast behavior of a female and approaches her desire for revenge as a male protagonist would. As a result, Euripides’ Medea presents as a feminist text – one that portrays the female character as a tragic heroine in the tradition of the Greek male warrior. However, this portrayal does not depict an elegant or noble view of feminism, but one that describes it as evil and immoral.
GENDER FRUSTRATION AND WEAKNESS
In a very explicit way, Medea expresses her frustration with the traditional female role. Whether she is speaking with the chorus, reflecting to herself, or facing off with Jason, Medea repeatedly emphasizes the shortcomings of being a female. At first, the target of her anger is Jason’s betrayal. She admits that her difficulty is the helplessness of being a woman in love. During her speech to the women of Corinth, she requests that they do not hinder her plans for revenge and says, “Of all things which are living and can form a judgment, we women are the most unfortunate creatures… the question is serious whether we take a good or bad (husband); for there is no easy escape for a woman.” (67) Similarly, when castigating Jason, she asks, “Why is there no mark engraved upon men’s bodies, by which we could know the true ones from the false ones?” (75) The traditional role of a female dependence on a male rather than that of an independent life is the source of her frustration. Consequently, this is a stereotypical gender role problem existing for ages not only in the Ancient Greek tradition but in most societies. In any case, Medea curses this weakness of women - “For in other ways a woman is full of fear, defenseless, and dreads the sight of cold steel; but, once she is wronged in the matter of love, no other soul can hold so many thoughts of blood.” (67) We see this statement hold true in Medea’s vows

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