In Our Time: When Playing the “Macho Man” Leads to Stage Fright Ernest Hemingway’s collection of short stories, In Our Time, portrays multiple examples of men trying to prove their masculinity in exorbitant manners, only to be met with disgrace. Thomas Strychacz points out in his essay, “Dramatizations of Manhood in Hemingway’s In Our Time and The Sun Also Rises” that Hemingway’s male characters’ “…sense of self rests precariously upon the audience’s decision to validate or reject ritual gestures toward manhood,” (Strychacz 247). This concept reoccurs multiple times throughout the book, particularly in Nick Adam’s father and the former fighting champion Ad Francis. In both cases, the men act in extravagant ways as a method to show their dominance, yet when placed in front of a new audience, it leads to their defeat and humiliation. Nick Adams’ father, a doctor, is one of the first characters Hemingway introduces who behaves in an exaggerated way to assert his authority. In “Indian Camp”, we see Nick’s father perform an emergency caesarean section on an Indian woman who had been in labor for several days with a breached baby. In this story, the Doctor is shown as the brave, masculine “hero”. The woman’s screams do not bother him, and he does not notice how gruesome and traumatizing this scene is to his young son. In fact, he finds the experience rather thrilling. Post-operating, it says the doctor “…was feeling exalted and talkative as football players
"In Our Time' is a modernist impression compiled as a collection of short stories that are set thematically to be emblematic of the experiences had in the War.
In Paul Theroux’s article “The Male Myth” Theroux makes a point that he does not like the stereotypes placed on men in today’s society. Theroux’s article is focused on exposing the stereotypes that men face and the reasons for their occurrence. He claims that writers and many others are directly affected by the expectations of masculinity that are thoroughly incorporated in America. The ideas of masculinity are deeply rooted in high school sports, in the view of the president, and in many other areas. Theroux attempts to prove that being a man in American is, “…pitiful, a little like having to wear an ill-fitting coat for one’s entire life.”
When defining the term ‘manhood’, many people may use terms such as courage, strength, or bravery. Throughout history there have been many pressures on men to be as stereotypically manly as possible. If men don’t conform to those stereotypes, they may be looked down upon by society as a whole. Richard Van Camp’s short story ‘The Night Charles Bukowski Died’ is a prime example of the dangers of nonconformity to stereotypically manly traits. The story is an intense first person stream of consciousness from the point of view of an unnamed narrator that follows the narrator and three of his peers: Mikey, Jason, and Scott. The use of metaphor, point of view, and setting in “The Night Charles Bukowski Died” exposes how stereotypical expectations of manhood can lead to dangerous situations not only physically, but also socially and emotionally.
Hemingway, to illustrate the theme of sovereignty, uses the character of Nick Adams. Nick is a character who has been injured in the war and, though his wound has healed over, Nick has yet to recover mentally from the attack. Hemingway’s portrayal of Nick is of a man who is trying to regain his identity. Hemingway depicts this through stream of consciousness and symbolism. The stream of
The movie surveyed a wide array of the troubles faced by boys and men as they try to navigate the realm of masculinity. A common theme was the command “be a man” and the cultural baggage that comes with living up to that ideal. To “be a man” means to not cry, to not be sensitive, to not let people mess with you, to respond with violence, to be angry, to drink, to womanize.
Hemingway's "Indian Camp" concerns Nick Adams' journey into the unknown to ultimately experience and witness the full cycle of birth and death. Although Nick's experience is a major theme in the story, cultural inequality also is an issue that adds to the the story's narrative range. Throughout this short story, there are many examples of racial domination between Nick's family and the Indians. Dr. Adams' and Uncle George's racist behavior toward the Native Americans are based on the history of competition between Caucasians and America's indigenous peoples.
In Hemingway’s collection of short stories, In Our Time, we follow a character by the name of Nick Adams. We are introduced to Nick in “Indian Camp” as a young boy, and follow him to adulthood in both Parts I and II of “Big Two-Hearted River”. Through this we see Nick develop and learn about some major facts of life. Nick is a character who changes through the effects of war on many different levels. Although Hemingway hardly mentions the war, he uses the stories to express different effects and emotions caused by the war.
When thinking of masculinity in literature, one author has who has become synonymous with manliness comes to mind, Ernest Hemingway. Critics have spent countless hours studying his writing in order to gain insight into his world of manly delights, including his views on sex, war, and sport. His views can be seen through his characters, his themes and even his style of writing.
The characters in Hemingway’s stories reveal much about how he feels about men and the role they should play in society. Most of Hemingway’s male characters can be split into one of two groups. The first of which is the “Code” Hero. This is the tough, macho guy who chooses to live his life by following a “code of honor,
Ernest Hemingway’s short story collection is, in part, about being initiated into adulthood. Hemingway elucidates the development into adulthood in the short story, Indian Camp, through the young boy, Nick Adams. The introduction begins with an adolescent boy, who had not yet grown to be an adult. This is first shown when Nick and his father were going to the Indian Camp. “Nick lay back with his father’s arm around him” (Hemingway 91). When Nick cuddled up in his father’s arms it indicates to us that he has still has not matured because of his high dependence on his father and it additionally demonstrates a young boy with little obligation. Nick’s immaturity is also seen when he asks his father, “Where are we going, Dad?” (Hemingway 91). This
In many of his works, Ernest Hemingway depicts physical and psychological wounding through the main character. In “The Doctor and the Doctor’s Wife”, Hemingway portrays human behavior in its simplest form: that it is presented purely and stripped from his own life. Structured into three different scenes, this short story describes the character of Doctor Adams. The main character experiences a central conflict within a male-male relationship with his employee, who attacks his dignity as a man and . The development of the protagonist, Doctor Adams, in his relationship with women and the Indians, provides insight into masculinity and how it can bring out painful and ambivalent feelings towards one man’s self. Tracing back the notion of manliness in this work will not only show the importance of pride that the protagonist struggles to maintain but also will demonstrate the vicious correlation between a lack of understanding and an internal tug-of-war.
Everyone is born to live and to die. People go through life fearing the inevitable which in the end is always death. Ernest Hemingway wrote two short stories that examine this idea of life and death through the use of a variety of different symbols. In both “Indian Camp” and “The Killers”, Hemingway examines these ideas by putting forth a character named Nick Adams. Nick Adams develops as a character throughout these stories ultimately learning lessons about life and death that will better his understanding of the world. Nick goes from having an imperfect immature understanding of death in the “Indian Camp” to a more mature and grown up understanding in “The Killers”. In “Indian Camp”, Nick believes that the only way one will die is if they kill themselves. Nicks father also brings Nick to the Indian Camp where his father will deliver a baby. Nicks father wants Nick to watch the birth and learn the importance of life, but instead the procedure takes a turn for the worst and Nick becomes disturbed by what he sees. In “The Killers”, Nicks understanding of death becomes more understood when he notices how Ole Anderson has given up on life and has ultimately taught Nick the lesson that death is inevitable. By his use of light and characters lying down in bed facing the wall in both “The Killers” and “Indian Camp”, Hemingway is attempting to show us how Nick develops a better understanding of light and death.
Ernest Hemingway wrote many largely autobiographical stories about a fictional character, Nick Adams. In each of the Nick Adams stories, Hemingway looks back on and displays his relationships throughout his life. By telling stories about key points in his life, Hemingway draws a strong picture of Nick Adams relationship with his mother, first girlfriend and most predominantly his father. Now, as a father, Nick makes connections between the past and present … the father and self. He also fears connection because he doesn’t know if his image of his father, and the part of the father which lives within him, should be embraced or killed.
In Hemingway's collection of short stories, In Our Time, we follow a character by the name of Nick Adams. We are introduced to Nick in "Indian Camp" as a young boy, and follow him to adulthood in both Parts I and II of "Big Two-Hearted River". Through this we see Nick develop and learn about some major facts of life. Nick is a character who is changes through the effects of war on many different levels. Although Hemingway hardly mentions the war, he uses the stories to express different effects and emotions caused by the war.
In the essay “Our Time” by John Edgar Wideman he often takes a break from the narrative to address that he has many problems as a writer. He does this to try to consciously address these problems and hopefully solve these problems. He believes that if these problems are not rectified he would destroy any chance he has at telling a truthful account of his brother’s story. To rectify these problems he employs a variety of unique techniques in his writing. Looking at these techniques it is not always 100% clear how these are fixing his problems. It is also evident that the way he is writing may be going against a lot of things we were taught in school about our writing.