Theme of Hope in Jane Harrison's Play, Stolen Essay

Respect for Aboriginal culture and traditions which is part of the Aboriginal reconciliation and integration movement in Australia is highlighted many times throughout Crow Country and illustrates the best and worst of Australians. The way different characters show respect towards aboriginal culture and feelings contrasts two different attitudes. Today, opinions about aboriginal life and culture are shared through politics, social media and protests. Kate Constable’s book portrays extreme behaviour with racism and provides the reader with a perspective on just how cruel people can be. We have a very superficial understanding about aboriginal culture and this novel encourages readers to explore aboriginal culture and beliefs.

Michael Downey’s essay, “Canada’s ‘Genocide’: Thousands Taken from Their Homes Need Help” (Downey 445-448), imparts a harrowing account of the hardships and trauma induced by the controversial child apprehensions, often referred to as the ‘Sixties Scoop.’ The essay opens with Downey’s heart-rending recount of Carla Williams’ story, detailing her first-hand experience as a subject of this abuse, who managed to survive and come out triumphant. This explicit topic introduction foreshadows and gives invaluable warrant to his thesis: that the forced adoptions that occurred within Aboriginal communities during this era resulted in cultural and individual upheaval, as well as a belief that both the individuals and communities affected can

“Is that you Ruthie?” brings to light the negative aspects of these camps and, in particularly, how Aboriginals were taken advantage of throughout their working careers as well as how they were lured onto the reserves.

‘The Sapphires’ by Wayne Blair was the trigger that led my research into the effects of the Stolen Generation on Aboriginals in Australia. This film is about an Aboriginal singing group who want to make a name for themselves, but find it difficult because of the racism against them. This film also tells the stories of their cousin Kay, who was a half-caste and was stolen from her Aboriginal family at a young age to be taught the ways of white people, and forget her culture. This film made me realise that I am lucky to live in a country where racism of such an extent in which children are stolen from their indigenous families, isn’t part of our history, and has not affected me personally. From my research, I have found six main sources that have helped me to understand how large this problem was and continues to be. My sources: ‘The Sapphires’ by Wayne Blair; a film about a group of Aboriginal singers who are affected by racism which is based on a real life singing group; ‘The Sorry Speech’, by Kevin Rudd who was the Prime Minister of Australia in 2008 who explains the damage and apologises for the way that the actions of past governments tore apart the lives of their indigenous people. Then there is ‘Blind Eye,’ the documentary in which people who were stolen are interviewed and tell their stories. The film, ‘Rabbit Proof Fence’ this tells the story of two girls who were stolen and gives us insight into how brutally that they were treated after being ripped apart from

The play the dreamers is about the impact on modern Aboriginals since the settlement of the “white” community it focuses on the

The Stolen Generation has had a great effect on Aboriginal rights and freedoms as Aboriginal and Torres Strait Islanders didn’t even have the rights to raise and look after their children and as a result 100,000 Aboriginal Australian’s were displaced and placed into white families. The lack of understanding and respect for Aboriginal culture also meant that many people who supported the removal of these children really thought they were doing “the right thing”. The impact on Australian life today is still being felt as the Stolen Generation is seen as a recent event has it only ended in the early 1970s. Children that where taken away back then now cannot trace back their roots and therefore have no record of their family history or where

The Stolen Generation has left devastating impacts upon the Aboriginal culture and heritage, Australian history and the presence of equality experienced today. The ‘Stolen Generation’ refers to the children of Aboriginal descent being forcefully abducted by government officials of Australia and placed within institutions and catholic orphanages, being forced to assimilate into ‘white society’. These dehumanising acts placed these stolen children to experience desecration of culture, loss of identity and the extinction of their race. The destructive consequences that followed were effects of corruption including attempted suicide, depression and drug and alcohol abuse. The indigenous peoples affected by this have endured solitude for many

This narrative text is based off the film The Sapphires set in Australia in the 1960s. In The Sapphires we see a flashback of Kay’s childhood and how she is part of the Stolen Generation. I will use this storyline as the starting point for my diary entries. The film gave me background knowledge on Stolen Generation and their experiences they faced. However, I need to know extra information so I will do further research about the Stolen Generation, in order to give an accurate description of their experiences. This narrative is targeted towards everyone. It is designed to inform them about the Stolen Generation and how they changed when forcibly moved to an Aborigines White Institution. This piece of text will be written in a diary entry form. I will use informal and conversational language. I will also use descriptive language when describing objects and sceneries throughout the text.

Throughout the early 20th century, the Australian public was led to believe that Aboriginal children were disadvantaged in their communities, and that there was a high risk of physical and sexual abuse. Aboriginal children were being removed in order to be exposed to ‘Anglo values’ and ‘work habits’ with a view to them being employed by colonial settlers, and to stop their parents, families and communities from passing on their culture, language and identity

Government policies authorising the removal of Aboriginal children have caused extensive and unrepairable damage to every aspect of Indigenous culture. It could be argued that the emotional turmoil which occurred as a result of this policy, is greater than any physical abused ever faced by the Australian Aboriginal people. The act of child removal would be a scarring experience for parents and children of any race or culture. This policy had a particularly damaging impact on the Indigenous people as their identity is based within a set of strong traditional guides and teachings. These lessons are not recorded, but can only be taught through speaking with elders and learning through a connection to others within the mob, connection to art forms

Jane Harrison’s play Stolen and Garth Davis’ film Lion both explore the experience of being adopted under different circumstances. Stolen is set in Australia and follows the journey of characters, such as Anne, who are from the Stolen Generation and go into foster care, whereas Lion is the story of Saroo, a young Indian boy who is lost and ends up being adopted by a Tasmanian couple. Both characters, Saroo and Anne, struggle with their identities, feeling torn between their biological and adoptive families. However, they both come to accept and love their families after going on a journey to understand who they are and where they’ve come from.

Contentious debate continues to rage in present society opening a floodgate of ethical issues which can have detrimental effects on all parties involved. Ethics vary from each individual and tend to stem from their own belief systems external to that person (Dosen, Harris, Brock, Imariso and Smith 2007:336). These ethics give rise to conflicting arguments in present society. 50 years ago, Indigenous Australians were not entitled to enter a bar, cafe, swimming pool, or a cinema, if that deprivation of basic rights wasn’t enough; they then took children from their mothers later on known as the ‘stolen generation’ (www.creativespirits.2008). The stolen generation, estimated at over 100,000 children were taken from their homes and placed in missions, reserves or dormitories (www.creativespirits.2008). “I feel our childhood has been taken away from us and it has left a big hole in our lives” an Indigenous Australian part of the stolen generation (www.creativespirtis.2008). The loss of ones culture and identity was deemed worse then being poor and living in sub standard living with their families.

The play presents complex notions about family bonds, based upon their shared cultural experiences and the way in which they reinforce their cultural Australian identity and help members of the family endure the physical hardship and social isolation. Jack Davis’ social realist drama, ‘No Sugar’ explores how the varying levels of family unity, rebellion and cultural identity depicted in different characters influences their survival. In this play, the term ‘survival’ operates on two continuums. It is conveyed as the physical sense of life and death through the play’s protagonist, Jimmy Munday, as well as the pursuit of happiness. This pursuit is predominantly reflected in the parallel yet contrasted lives of Mary and Billy Kimberley as well as Gran’s deteriorating health after losing family members. Although Davis articulates the endurance of the Indigenous Australians, he incorporates figures of white authority who seek to demolish the Indigenous race and culture. Set in the time frame of 1929 to 1934, ‘No Sugar’ presents a critique of the conventional colonial British views of that era; and their effect on the preservation of Indigenous spirit and culture.

In conclusion the stolen generation was a traumatizing time for young indigenous children, as being a children were torn from families and forced to live with white people and forget their heritage and culture which lead to the aboriginal culture which would lead to the culture being forgotten. The policy assimilation was introduced by the government, individuals were traumatized by assiliamation. The stolen generation affected the whole indigenous

Through our exploration within class, Andrew Bovell’s adaption of The Secret River has shown us its righteous place as a remarkable Australian play. The various themes throughout the novel highlight issues revolving around ownership and dispossession as well as reiterating how important reconciliation amongst white and indigenous Australians is. Bovell’s adaption is captivating, poignant and opens the door for a conversation of our nation’s history that has been silenced on many occasions.