I found the text material from chapter one (Giroux, Pollock, 2010) and the Pinsky and Brode handouts pertaining to Walt Disney’s film Snow White to be very interesting reads, all with very specific and distinct arguments that were made. The handouts presented not only ideas, themes, and messages that the film incorporated, but also what Pinsky refers to as Snow White “being the template and or foundation for the Disney gospel and its value systems”. The text went on to suggest that parents at the time of Snow Whites release, “put their faith in Walt Disney, and believed that he would not disappoint them or betray their values”, which he did not up until the time of his death (Pinsky, 2004). After reading that bit of information, I’m left wondering why someone would put that much trust, faith, and the fate of their child’s development and future in a person that they do not know, who happens to be in the movie industry. I believe that any true Disney fan would be intrigued and want to explore the article much further, as I did. The article that I found to have the most compelling arguments, was the Pinsky article entitled “Snow White and the Seven Dwarfs, Sin and Salvation”. Pinsky with assistance from Reverend Charles W. Brashares suggested that much of the films plot, themes and messages were not merely visual representations of the constant battle between good and evil, as most of us as small children assumed, but however, a direct representations of Biblical scripture.
Walt Disney once said, “Our greatest natural resource is the minds of our children.” Natural resources are controlled by various people. Our children are controlled by Disney. However, I don’t think society realized who they were entrusting their child’s innocence and minds with. In 2016, the Walt Disney Corporation grossed a whopping $55.6 billion, which is a 6% increase from the previous year. The power of Disney over children has only grown since its creation in 1923. But one can’t help but ask who is Walt Disney? Was he racist? If so, was it because of when he grew up or in response to when the company began? Furthermore, is the Walt Disney Corporation still racist today? Or is this just one of those over-analytical, outrageous
Cinderella has changed so little over time that it seems we’re still in the 1700’s listening to Charles Perrault. And yet it remains of the most popular fairy tales read to children. The role of women continue to be either the cruel, evil one or the good, docile one while the prince continues to be the saving grace of the helpless girl. The skeleton hasn’t changed much as well. A damsel in distress, saved by a knight in shining armor, who falls in love with her and they live happily ever after. Does this sound familiar? This sentence might as well be a fairy tale. We’ve seen this over and over in Cinderella, Rapunzel, Sleeping Beauty and Snow White.
The old version of Snow White contains dark and violent stories and harsh elements that were not proper for kids. However, the Snow White that is familiar today is very friendly and well adapted for children. The original story of Snow White is written by the Grimm Brothers in the 19th century at German. In several of the Grimms’ stories, it contains various odd scenes and violent parts. According to the Disney version of Snow White the queen tells the huntsmen to bring the heart of Snow in order to check whether she is dead or not. However, in the Grimm version of Snow White, the queen, which is the witch, sells a corset to Snow and makes her try on the corset and squeeze her by tightening it. Also, in the original version, it is not the prince’s
Background: The history of Walt Disney, and the Disney Corporation, is one shrouded in admiration and accolades for the accomplishment of the American dream. Walt Disney himself is an icon for the American work ethic, i.e., hard work pays off. He is seen as a Horatio Alger, "rags to riches," success story. Beginning his work in animation in the 1920s, Walt Disney gained fame worldwide for his films and theme parks. But Walt Disney created more than films and theme parks. By infusing them with an ideological stance glorifying "the American way of life," his brand of democracy and conservatism, he created a cultural institution. The moralistic stance of his enterprise became common knowledge and it is said that his 1933 version of Three Little Pigs was the last of his cartoons in which the film’s moral messages were open to interpretation [3]
Disney makes over $3 billion on their Disney Princess products every year and now have over 25,000 items in their princess collection (Orenstein 2). Disney has played a big role in shaping not only societal viewpoints on what young girls should like, but also what little girls believe they should enjoy as well. Gender stereotypes have been around for a long time, but now with technology advancements, such as media in western society is able to play a bigger than ever role in influencing people’s perspectives. Not only do we see gender roles and stereotypes in television shows, but also in advertisements and in children’s toys. Although many readers of Peggy Orenstein’s “What’s wrong with Cinderella” have argued that the princess culture is corrupting today’s young girls and making them more dependent on men, a closer examination shows that many girls grow out of the princess phase with no negative repercussions and choose whatever passions they want.
Snow White and the 7 Dwarfs is a fairytale that reflects the good vs. evil in every story. I want to find out what characters fit the definition of sacred and why. Who is representing the good and who is representing evil. I want to look for rituals performed throughout the story and what moral patterns and consequences fit into the story. Does this story have any concepts that would fit or follow the Sacred Quest. Which character best describes me and my relationship to the sacred. Finally, how is this fairytale relatable to my own life and my own religious beliefs.
“Once upon a time in a faraway land, there was a tiny kingdom; peaceful, prosperous, and rich in romance and tradition.” (Cinderella, 1950) This is the ideology that has
Snow White and the Huntsman is an adaptation of the Grimm fairy tale Snow White and the Seven Dwarfs. However the focus is not Snow White and her interaction with the seven dwarfs, much like the popular Disney portrayal of the fairytale that viewers have come to know. This version of the fairytale is dark and sinister, placing an emphasis on the evil Queen’s agenda and the Huntsman who is sent to hunt down Snow White. This new action-packed spin on the fairytale includes large battles and fight scenes, while keeping many elements from the original tale like the poison apple and “mirror, mirror on the wall”. The film is directed by Rupert Sanders and features a star-studded cast that includes, Academy
Over the years, Snow White’s story has been told in numerous different versions then its original version in 1812 by the Grimm Brothers. The main basis of the story has remained the same. Only a few minor tweaks to the story have changed. The three versions of the story that are going to be analyzed are the original story “Little Snow White” by the Brothers Grimm, “Snow White and the Seven Dwarfs” by Disney, and “Mirror, Mirror” by Disney also. They each were created in very different times and the original story has changed over the years to appeal to the audience of that time. No matter how many versions there are Snow White is considered, one of the most cherished fairy tales of all time. They each use different methods to get their
He described a term that he referred to as “Disneyfication”, which he defined as “an idea of taking an environment and creating a fantasy world out of it by sanitizing it and making it devoid of any sort of impurity, Disney as a corporation tries to do that, and it affects children” (Stereotypes, 2013). While their parents are off running errands, or working their children rush home from school and turn on the T.V. to their favorite Disney channel movies, and get lost in the fantasy world of Walt Disney where all things can happen, characters are shown ideally and therefore unrealistically and there is always a happy ending.
Despite gender, living conditions or cultural backgrounds most people grow up reading or hearing stories of heroism and damsel in distress scenarios. Anne Sexton turns stereotypes on their head in her satirical poems of classic fairy tales, including Snow White and The Seven Dwarves and Cinderella. Snow White and the Seven Dwarves tells the tale of a young princess with hair as black as coal and skin as pale as snow, whose life is thrown into turmoil at the hands of her overbearing stepmother. Cinderella tells the story of a young girl who she spends her life is yearning for the prince’s ball, and similar to Snow White, Cinderella’s stepmother is influencing her life, however she is a positive character throughout the story. This sheds light on the stepmother in Snow White’s piece as despite the fact that Snow White’s stepmother clearly does inherently evil things, a re-reading demands a re-examination of why. It is throughout these tales’ where stepmothers are only trying to protect their children from the world around them, however in Snow White an outside motive, the beauty provided by the mirror and the pride manifested by poison, creates a barrier between the queen and her stepdaughter, thus giving her the title “Evil”.
Over time, many versions of common fairy tales have been released. Each one comes with unique differences, that separate them from the others. Snow White is an example. Commonly, what comes to the minds of many individuals when they hear the title “Snow White”, is Disney. They have the basic beautiful princess in a sticky situation, accompanied by their trustful sidekicks, in this case seven dwarfs. However, Walt Disney was not the creator of this story, or the evil queen constantly muttering ,¨Mirror, mirror, on the wall…”. It seems as though many in this world have fallen in love with this portrayal of the tale. Believe it or not, these ideas are based directly off a German version published by the Grimm Brothers. Both are very alike, and unlike too. Similarly, new versions, released in movies, have also changed the depiction of the common “Snow White”. These differences may be related to how society is beginning to view people, women, and heroes, or someone who is brave and courageous. This has helped shape these newer versions of the all-time classic.
In the 1937 film Snow White and the Seven Dwarfs, the tale revolutionized and began a Golden Age of animation. Snow White and the Seven Dwarfs was the very first full length animated motion picture as well as the first film to release a motion-picture soundtrack recording in 1944 by the Disney studio. (Backlots) Also, “it was the first to employ the use of Technicolor, and features the first large-scale use of the multiplane camera which became a signature at Disney for decades”. (Backlots)
Walt Disney had to make changes in the details and the plot of the original Snow White tale published by the German Grimm Brothers in Grimms’ Fairy Tales to fit American society’s interests. These interests during 1930s America that influenced Disney’s decision to change the tale included: the changing role of women in society, the people’s concept of romance, and popular political systems.
Throughout the animation history, people have been constantly striving to achieve perfect realism. Walt Disney’s Snow white and the seven dwarfs (1937) is one of the earliest attempts in capturing realism and achieving the ‘life like’, introducing new techniques such as roto-scoping in characters and multiplane cameras to create 3 dimensional depth. Therefore there are many flaws regarding techniques, style and narrative despite how much effort and care was put into its making. The scenes when snow white meets the dwarfs, sings into the well, and when the Queen transforms into the evil witch; clearly demonstrates how realism is achieved and why impact the issue of realism. With reference to Paul Wells’ conceptions of ‘hyper-realism’ and ‘orthodox animation’, the issues of realism within the film will be discussed in the latter.