Tony's Dreams in The Sopranos Essay

Among other animal imagery, birds appear frequently throughout the story in times of crisis. The birds often foreshadow dangers that lie ahead. For instance, when Robert's team takes a wrong turn, "the fog is full of noises"(80) of birds. Then the birds fly out of the ditch and disappear. Robert and Poole know that "[there] must be something terribly wrong...but neither one knew how to put it into words. The birds, being gone, had taken some mysterious presence with them. There was an awful sense of void--as if the world had been emptied" (81). The birds return and when Robert nears the collapsing dike and "one of the birds [flies] up cut[s] across Robert's path" as if it is trying to prevent him from going any further. Robert does not heed the warning and almost dies in the sinking mud.

Tony, Wes's older brother, serves as his primary role model throughout his life. As a child, Wes looks up to the Tony, who holds his own street corner and sells drugs. "To Wes, Tony was a 'certified gangsta.' Tony had started dealing drugs... before he was ten. By the time he was fourteen, Tony had built a fierce reputation in the neighborhood. Despite his skinny frame and a baby face, his eyes were lifeless and hooded, without a spark of optimism" (27). All Wes wants is to be like Tony. He looks up to his older brother and is incapable of seeing his flaws with the drug dealing and violence in his life. By the time Tony is a teenager, the drug game has made him "lifeless". Wes decides to look up to this lifeless figure, even though Tony has barely any hope for his future. Wes respects Tony's "fierce reputation". Tony, instead of working hard to gain his respect, intimidates and threatens others for it. Wes is taught that this is the only way to gain respect, because there is no one else in his life who shows him the right

Q. "Anthony Eaton portrays the issues of the abuse of authority and power through chracterisation". Discuss this statement providing close references to the novel.

     Although the characters believed they lived a good life, in my own perspective I saw the exact opposite. The good life is demonstrated through success, success through a career, education, goals, and love. The gangs only had one another and without the support of that gang, these boys would not exist as individual human beings. The Jets did not want to have jobs, and they mocked the ex-gang member, Tony, for leaving the gang to make a future for himself. Life outside the gang was not an option for the Jets. None of the boys had any future plans or felt the need for anything else in their lives. Tony did not live the good life, but he did have dreams. He knew there was a better life for him out there, and parting from the gang allowed him to search for that life. He wanted to get away from the city, have a peaceful home, and a wonderful wife. His future was important to him; he wanted to be a successful man. Tony’s character contradicts the beliefs of the Jets, allowing viewers to see into the minds of the gang members and their beliefs about the good life.

The significance of the aforementioned dreams changes the overall outcome of future events that will transpire. For example, in Of Mice and Men, George is very cautious with his plans, as seen in “George was on guard immediately. ‘S’pose I do,’ he said. ‘What’s that to you?’ and “George said quickly, ‘Don’t tell nobody about

Topic of Choice: Cite and Analyze three specific characters or events which lead Tony 's’ revelations that would later foster his religious ambivalence

In addition, Tony’s mother Maria was a staunch catholic who desperately wanted her youngest son to become a priest to a small community of farmers. Her roots were in farming and living off the land (having a mutually benefiting relationship-being connected to the land). She prayed during times of family toil constantly. Tony has a dream after his brothers beckon him into a whorehouse to sleep with the women at “Rosie’s House.” He refuses the offer and affirms that he will preserve his innocence in order to become a priest in the holy catholic faith. His brothers mock him. They try to tell him that in being a man and the son of a vaquero his need for bodily pleasure will become stronger. Here is where I believe Tony accepts the destiny that his mother supplies for him as a man of god, but again his faith in this religion fails. He feels that his catechism will protect him from being corrupted and that god will reveal himself during this ceremonial rite-but nothing happens. He thought that when he partakes in this ceremony all will be revealed to him, but it is not.

“Tony was exhausted. Tired from the beating he just gave Wes. Tired from repeating himself. ‗If you won‘t listen, that‘s on you. You have potential to do so much more, go so much further. You can lead a horse to water, but you can‘t make him drink right?‘…That was the last time Tony ever tried to talk to Wes about the drug game.” – pgs.

Tony and Maria - more romantic love, idealised, though Tony has to agree with Riff,

Tony sped up, dodging traffic as he had so many times before, except this time it was different. The kid. Tony thought back, remembering everything he could, all the way to the very beginning.

Cleansing and rejuvenation are themes that are suggested by the author, and symbolized through the use of water. In one of his dreams, Tony refers to the waters of the river, " I must lift the muddy waters of the river in blessing to our new home!" (Anaya 26) The cleansing qualities of the river show Tony's desire to put the tragic happenings of his life behind him, and begin anew. His desire is to be washed clean from the haunting memories if Lupito's death. Another reference to water is the waters of baptism. In Tony's dream his parents argue about what water he was baptized in. "Oh please tell me which is the water that runs through my veins." (Anaya120) The waters of baptism represent cleansing, but in the dream his parents argue over whether he was baptized with the holy water of the moon, or the salt water from the oceans. This represents his parent's pulling him in two opposite directions. Later in this dream Ultima explains to both of Tony's parents that in reality both of their waters are the same. This shows that Tony is rejuvenated by the idea that he dose not have to choose between one parent or another, but can take the best of both of them. Because of the water Tony is able to

he runs away from and the mother (a drug addict) that has let him down. Big Tony takes him

From the very first dream in the novel, a stage is set for the ambivalent theme. Tony is witnessing a birth of a child who, barely out of the womb, is being fought over like the spoils of war. Would this child be "tied to the earth" as a Luna or "free upon it" as a Marez" (Anaya 6)? Only the strange woman who helped deliver the child "will know his destiny" (Anaya 6). This is Tony's central quandary, and the woman represents the feasibility of a middle road. At this point, however, Tony can only visualize two paths. As each successive dream is revealed, it becomes increasingly clear that Tony cannot simply fit into a specific niche. There seems to be a connection between his history and future, whereas he must either decide an 'old' way or create a new path that will unite his people.

One day, when Tony and Louis were together in Tony 's car, Tony shot Louis in the head and then shot himself in the arm. He went immediately to Tony 's mansion and told everyone that they had been shot by a group of gangsters. Everyone believed the story except Nick which still believed that something else had happened. Soon after, it was decided that Tony Montana was going to replace Louis. Tony had realized his goal. For the next 6 months, everything was perfect. He continued the drug business and moved to the mansion with his wife. Nick was his top dealer but he still sensed some bitterness from Nick 's part. Nick believed that Montana was the murderer but couldn 't prove it. Montana kept getting more money each day and Lady Montana was happy buying all the clothes and jewelry she could.

Freud’s theories have launched what is now known as the psychoanalytic approach to literature. Freud was interested in writers, especially those who depended largely on symbols. Such writers tend to tinge their ideas and figures with mystery or ambiguity that only make sense once interpreted, just as the analyst tries to figure out the dreams and bizarre actions that the unconscious mind of a neurotic releases out of repression. A work of literature is thus treated as a fantasy or a dream that Freudian analysis comes to explain the nature of the mind that produced it. The purpose of a work of art is what psychoanalysis has found to be the purpose of the dream: the secret gratification of an infantile and forbidden wish that has been repressed into the unconscious (Wright 765).