Transcendentalism In Ernest Hemingway's The Old Man And The Sea

The mast Santiago carries resembles a cross and his apparent suffering is likened to Jesus'.  However, the deep attunement with nature and what are, in effect, Taoist principles of balance of opposites illustrated by Santiago's character are quite different from the obvious Christian metaphors used by Hemingway (Waggonner 5).  The acute awareness that Santiago brings to his everyday life is much more in tune with Buddhist rather than Christian ideology (Waggonner 5).  He says, "I'll say a hundred Our Fathers and a hundred Hail Marys.  But I cannot say them now" (Hemingway 87).  These are definitely not the thoughts of a devout Christian.  His "religious" thoughts and prayers are a mere augmentation of his subconscious resolve and determination to choose a positive outlook at every turn.  Clearly, his inner dialogue illustrates these qualities.

The forces of the universe have crucified both Santiago and the marlin.  We see this when Santiago carries his mast cross-like to his shack and the author's description of his exhausted repose "face down on the newspapers with his arms out straight and the palms up" (Hemingway  122).  Yet, through this struggle, through this pride that made him go far out beyond all people, Santiago learns the meaning of life in a meaningless universe is humility and love.  We see this expressed most clearly in his mentor-like relationship with Manolin.  Human solidarity and interdependence may not make a man any more capable of beating the forces of the universe, but they are sustaining as much as the courage and dignity with which Santiago faces life "the boy keeps me alive, he thought.  I must not deceive myself too much" (Hemingway  106).  Before coming to shore, Santiago recognizes he has gained humility and he is loved.  He is appreciative the other fishers will worry about him.  They bring him food and newspapers to

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

‘I am a tired old man. But I have killed this fish which is my brother and now I must do the slave work’” (95). This relates to perseverance because Santiago has finally caught the fish he’s sought after for days. Most people would have been celebrating their victory, but not Santiago. Santiago surveys the situation and lays his head in his hands. He is tired and ill from his long battle. Santiago only takes a short break. He knows he still has much to do. Santiago now has to worry about bringing the fish home. He thought of the fish as an equal and can’t let his body go to waste. He has traveled at sea for a days and therefore has a long journey home ahead of him. He can’t stop until he makes it home. Finally, Santiago makes it home, “He unstepped the mast and furled the sail and tied it. Then he shouldered the mast and started to climb. It was then he knew the depth of his tiredness. He stopped for a moment and looked back and saw in the reflection from the street light the great tail of the fish standing up well behind the skiff’s stern. He saw the white naked line of his backbone and the dark mass of the head with the projecting bill and all the nakedness

SIMILARLY Moreover, according to Manolin, Santiago "has intentionally gone beyond the limits of mankind" (Wylder 205). Manolin believes that everything Santiago has achieved in his lifetime can never be attained by anyone else. Furthermore, believers of Christ agree "that the accomplishments Christ achieved in his mortality will never be equated by anyone else" (Wylder 209).

Throughout the whole book Santiago shows many signs of courage. In the beginning, Santiago gets in his boat and sails out into the sea. He usually stays near shore, like all the other boats. However, today “He elects to risk all by reaching beyond man’s reach by going ‘too far out”’ (a readers guide 192).   He is not a man with a lot of strength. He is very old and has to have someone help him do certain tasks. His hands are very brittle and there is times where he can not rely on them. They bleed and get stuck in the fist position when he does too much manual labor. Often times his left hand is what gives him the most trouble.  However, none of this ever stops him from doing what he believes in. Hemingway uses this quote to show readers that Santiago can still do anything he wants, “I will handle him with the right arm alone” (16). While his left hand is not much use, Santiago does not let that stop him from holding onto the line with only his right hand. In the end, after the fish dies he is finally on his way back home. With him being such full of courage “he did not need a compass to tell him where Southeast was. He only needed the feel of the trade winds” (Hemingway 27). He is not scared at all about getting lost. He knows exactly how to get himself home. He does not need anyone or anything telling him which direction he needs to travel. As he was relying on the trade winds he finally makes it back

The Old Man and the Sea was written by Ernest Hemingway in 1952. It won a Pulitzer Prize in 1953 and a Nobel Prize in Literature in 1954. It tells the story of an old fisherman named Santiago, who has the catch of his life after catching nothing for 84 days (Hemingway 9). Little is known about Santiago though. What the book does tell you is he likes baseball and Joe DiMaggio (Hemingway 19 and 21).

Despite his failures, he sets out in his boat after having caught no fish for eighty-four days. Nevertheless, Santiago never loses his confidence in his fishing abilities. Hemingway describes the humble Old Man with, “His hope and confidence had never gone.”(pg 13) Ernest Hemingway goes on to say, “He was too simple to wonder when he had attained humility. But he knew he had attained it and he knew it was not disgraceful and it carried no loss of true pride.” (pg 13)

Santiago kills, loves, and exemplifies the truth of what it means to be a human who somehow both loses and gains everything. Because of his love and unfaltering determination, he is able to redeem himself, just as Christ did, in the face of complete destruction. He is willing to die for what he loves, and kill for what he loves. Hemmingway shows us that man can gain love through suffering and relating to those who suffer. He shows us that some people are destined for certain lives, as Santiago is destined for a life of a fisherman, and that sometimes they let the love for these lifestyles kill them. Because of the passion and extremes that compose loving and killing they can easily become one, and maybe that is why we often suffer and die for what we love, and let what we love cause us to suffer and

     In conclusion, the hero figure of the novel is indeed the old man, Santiago. He is true, honorable and hard working. He takes nothing for granted and he takes a

The Old Man and the Sea was written by Ernest Hemingway and published in 1952. This is a captivating fiction story about a man named Santiago and his adventure when one day, he goes on a fishing journey to catch the big one. However, this adventure quickly becomes one of pain and suffering when things take a turn for the worse.

The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect

Over and over again he is remarked to be a strange old man, and he himself is the one to glorify that. He seems to struggle with the fact that he must prove himself to the other fisherman who mock him and believe him to be a fallen hero. He sets off to sea in his boat one day, but what he does not know that it will be the three most tiring days of his life. He first catches a smaller fish and instead of turning back, he decides to go farther out into the ocean to see what he can catch with that fish. He soon is dragged all over and back by a shiny purple marlin, that is two feet longer than his skiff. The response to Santiago’s poor decision or lack of creativity to harpoon the marlin instead of try to kill it another was as to not attract mako sharks was confusing. He is shown to be a man of intelligence and greatness, yet his decision to kill the marlin in this manner knowing what could happen proves that he had a distinct motive for harpooning the fish. By the words of Gery Brenner, “that motive is self validation-the need to prove himself”(Brenner 55). In the end, after the three day struggle, when Santiago returns to the dock, he is told by Manolin later that he was said to be lost at sea, and everyone was completely taken away by the length of the mangled carcass that he brought in. The take many get from Hemingway’s novel is

Many of Ernest Hemingway’s stories are either literally or figuratively based on his life experiences. The Old Man and the Sea is a novella written by the American author Ernest Hemingway in 1951 in Bimini, Bahamas, and published in 1952. It was the last major work by Hemingway that was published during his lifetime. Its writing was influenced by his life around him. This is shown through the way the novella is written and key events and parts within it. The Old Man and the Sea can be interpreted as an allegory of Hemingway’s life and career at the time he wrote it.

One of the predominate dreams that Santiago has during the book takes place on the coast of Africa with lions playing around with each other. The book tells us this is the only dream he has and the dream connect Santiago with memories of his childhood. Like the lions, Santiago is a hunter at heart with him being a fisher. But since his dream depicts the lions playing instead of hunting, the dream serves as a break from the real world.In the Old Man of the Sea, one of the main themes in the book is modernism. One of the characteristics of modernism found in the book is when Santiago is stuck on the boat while he is fishing. It is only him and his thoughts and the readers get to read everything. Through his thoughts we are able to understand how he feels. Despite the the fish Santiago