Troy In Clemence Mclaren's Inside The Walls Of Troy

It's interesting to see how your point of view is different from mine. I thought the opposite from you, in that Troy's dream, was denied because I viewed Baseball as his main dream; while rose's was deferred because she wanted a happy family and relationship. While I still stand with my point of view, yours is very insightful and enlightening. I never thought of viewing this in the aspect that maybe Troy's dream was fulfilled, because people can have more than one dream and baseball might not have been his main dream. I can see that troy did do as he wanted, while not exactly right, he went to look for his happiness. He got the promotion he wanted in his job and found happiness with another woman. On the other hand, rose did not go out to

In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.

The character I have chosen in the book, Downriver, is Troy. The reason for me to pick Troy was because he was the oldest and seemed to know what he was doing. Troy is the character who wants to be in control. There were three events that happened to him where I feel his character shined.

The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.

Narratives need to have well-developed characters. As authors and translators do revisions and translations, they often change things in a piece, most often how the plot runs and how the characters act. Greek mythology has a strong idea of what makes a hero as well as certain ideals of honor and war. This essay will be looking at the character changes of Paris of Troy -- his cowardice, unmanliness, and lack of spirit -- through the novel The Iliad, by Homer, and the movie Troy, directed by Wolfgang Petersen.

    Most people think of a hero as a strong, superior, good-looking person that could never make a mistake. However, in a story called The Odyssey, a connection to real life reveals imperfections to be common in heroes. Each person has their low points and highlights, regardless of their “rank”. The author and epic poet, Homer, exemplifies our main character, Odysseus, to take on this idea of a hero throughout his writing. The time period took place in Ancient Greece, allowing Greek culture to relate to the poem. Different aspects of such culture and history may have influenced the works and creativity of Homer as well. A major point includes The Trojan War because it focuses in on Odysseus’ journey to bring Helen back home by devising a plan to destroy warriors in the city. Acknowledge this factor when reading The Odyssey, for not only evidence of heroism, but also other major points of archetypes, in which the device reflects the insights of readers in modern time and what is seen from Ancient Greek culture.

    Homer's Iliad enthralls readers with its’ valiant heroes who fight for the glory of Greece. The Iliad, however, is not just a story of war; it is also a story of individuals. Through the characters' words and actions, Homer paints portraits of petulant Achilles and vain Agamemnon, doomed Paris and Helen, loyal Patroclus, tragic Priam, versatile Odysseus, and the whole cast of Gods. Ironically, the most complete character in the epic is Hector, enemy hero, and Prince of Troy. Hector is in many ways the ideal Homeric man: he is a man of compassion and piety, a man of integrity and bravery, a man who loves his family, and above all, a man who understands and fulfills his social

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

Homer’s epic, The Iliad, highlights the influence and jurisdiction that beauty provides. The prizes and glory a man accumulates from war measure his power, while beauty measures a woman’s power. Since conquering a woman is the ultimate prize to a man, her beauty represents ultimate power. Though the beauty of mortal women has the power to turn men against each other, mortal women have no influence over this power and are instead objectified by men. Immortal women, however, have authority over their beauty and are able to control men with their power. Helen, on the other hand, though mortal, has the beauty of a goddess. Yet, Helen is bound by her fate to Paris, making her power obsolete. By presenting Helen’s hopeless power and supplying the reader with insight on her suffering through her thoughts, Helen is portrayed as a tragic hero.

In “The Trojan Women,” there are four enduring women who dominate the play and only two men who say anything at all. Moving us with their rants and dramatic reactions, these women engulf the audience in overwhelming grief and irresistible pride. Euripides emphasizes these four women to help us understand one of his main themes. Hecuba with her pride, Cassandra with her virginity and uncanny wisdom, Andromache with her misery and heartache, and Helen with her powerful, seductive reasoning all represent superior illustrations of feminism throughout the play.

Homer’s epic poem The Odyssey follows Odysseus on his long journey home. The Epic also includes the stories of Odysseus’ family left behind: the travels of his son, Telemachus, and how plenty, of what we would now call “home wreckers”, suitors pressured his wife, Penelope, into marrying one of them. The characters are beautifully crafted and the story is truly epic. All the elements presented can bring in any reader from any century, the Cyclops, the Gods, the trickery of Penelope, and the disguises of Odysseus, are all legendary literary hooks . There are many things to learn—about writing, about the world around us, the world ahead of us, and the past behind us—from The Odyssey. (26) It is undeniably evident that this ancient text has

Sheryl Sandberg once said, “We need women at all levels, including the top, to change the dynamic, reshape the conversation, to make sure women's voices are heard and heeded, not overlooked and ignored.” The Odyssey incorporates an epic adventure with family drama. The book is staged in ancient Greece 20 years after the trojan war. The Odyssey is narrated by Homer, the first person to write down the adventures of Odysseus. The epic poem focuses on Odysseus’s journey home and what is happening to his family in Ithaca. Overall The Odyssey is a journey about gender stereotypes and how some women defy those gender stereotypes. Homer uses many traits of characters to address this everyday life topic. He specifically Athena’s wisdom, Circe’s strength, and Penelope’s cleverness to convey the theme though gender stereotypes often elevate men, women have prized traits as well.

Wolfgang Peterson tackles the job of bringing the epic of Homer's The Iliad to the big screen in his film Troy. Iliad being a lengthy text, it is impossible to include every detail in a movie. Therefore, there are obvious deviations from the book such as the length of the Trojan War, and the absence of celestial participation in the war. There is also an absence of mortal female characters such as Chryseis, Hecuba, and Cassandra in the movie. In contrast, though, the female characters who are included in the film are developed more elaborately than they are in the book.

Homer’s Iliad does not fail to portray the role of the gods in the Trojan war and it also includes several magical elements within the poem. However, in the 2004 movie Troy, these significant elements are rather neglected. In addition, some of the history of the characters are changed in the film, resulting in a change of plot. Nevertheless, the portrayal of the characters, gods and magical elements in the epic and the film differentiate from each other in a multitude of ways. The differences between the two are definitely worth pointing out and discussing.

Homer’s Iliad is undoubtedly focused on its male characters: Achilles, primarily, but also Hector and Agamemnon. Nevertheless, it seems that the most crucial characters in the epic are female. Homer uses the characters of Thetis, Andromache, and Helen as a basis for comparison to the male characters. Homer wants his audience to see and understand the folly of his male characters in choosing war over peace, aggression over kindness, and honor over family. While the behavior of these characters clearly speaks for itself, the contrasting attitudes and behaviors of the female characters proffer an alternative; in comparison, the reader can hardly fail to concur with Homer’s message that war, aggression,