Out of Sigmund Freud’s many definitions of the word uncanny, I found the definition of the uncanny as something hidden, not known, or withheld from others the most intriguing (223). In “The Sand-Man,” Hoffman purposefully keeps the audience in the dark through his use of the letter format and Nathanael’s ignorance and hallucinations in order to retain the reader's attention.
Upon starting “The Sand-Man,” any reader would notice the letter style narrative, which serves to drive the story onward through the reader’s curiosity. By telling the part of the story through the character’s correspondence, Hoffman limits the amount of information the audience can receive. Take, for example, the very first letter from Nathanael, it was only meant for Lothair, meaning Nathanael was trying to hide information from the other characters. Nathanael even ends the letter by telling Lothair not to say anything to Nathaniel's mother and that he will write to Clara when he has “a somewhat calmer frame of mind.” (9). This deliberate action of obscuring the truth is Freud’s very definition of uncanny. In addition, even if a character is willing to express his or her account, it will no doubt be influenced by his or her emotions and memories that may or may not be completely accurate. Describing Coppelius as “hideous,” “cat-like,” and “distorted” in surprising and suspicious detail, Nathanael seems like a rather unreliable narrator (5). Not only was this memory from his childhood and therefore
‘lord of the flies,'. In R. Matuz & C. Falk (Eds.), Contemporary Literary Criticism (Vol.
The expressions of the characters, caused by their surrounding, is also a factor that can alter the psychological traits in a character. The Man states “He does not trust his dreams, believing that they are "the call of languor and of death” (McCarthy 15).The man has a vivid
When a person experiences chills or goose bumps as a reaction to something strange or unusual, they are being affected by a sense of uncanniness. The psychoanalyst Sigmund Freud endeavored to explain this feeling of uncanniness in his essay entitled “The Uncanny”. Freud’s theory focuses around two different causes for this reaction. Freud attributes the feeling of uncanniness to repressed infantile complexes that have been revived by some impression, or when primitive beliefs that have been surmounted seem once more to be confirmed. The first point of his theory that Freud discusses in the essay is the repression of infantile complexes that cause an uncanny experience.
In the prologue of Ralph Ellison’s Invisible Man, the unnamed narrator says that he is invisible, for he is not actually seen—or rather recognized—for his true self but through the imaginations of others’ minds. As surreal as his life under this “invisibility” and, literally, the ground is, the Invisible Man convinces with vivid details and emphatic diction. But the passage detailing his hallucination seems out of place, as it has far more ambiguous language and moral. However, his hallucination, the pilgrimage into the “underworld of sound”, shouldn’t be discredited as merely a drug-induced episode, but a reflection of himself, revealing of his hidden character, one that’s likewise ambivalent and confused (Ellison 8). The dichotomy
The author did a good job of drawing personalities to different characters by the way and sometimes shocking things they would each carry. A good example of this would be the character Ted Lavendar, in " The things they carried". The intensity of war was too much for him and he used some kind of drugs and get dope to carry the things done. The reader can imagine his rattled nerves and mental state. As we can see in the story “ Ted levander, who was scared, carried tranquilizers until he was shot..” ( O'Brien). Also in “ A&P” we can perceive a drastic change in the personality when the main character saw the girls in that sexy bath suits. He was to be quiet doing his work, to be hypnotized and to change his attitude towards his boss negatively quitting his job thanks to the beauty of the girl as he said in the story: “ yes i quit” ( Updike).
Edward Scissorhands is a 1990 American Romance, Horror, Gothic and fairy tale hybrid film directed by Tim Burton and starring Johnny Depp. The film shows the story of an artificial man named Edward, an unfinished creation, who has scissors for hands. Edward is taken in by a suburban family and falls in love with their teenage daughter Kim. Supporting roles are portrayed by Winona Ryder, Dianne Wiest, Anthony Michael Hall, Kathy Baker, Vincent Price, and Alan Arkin.
This text is centered on discussing how the choice of objects in men is primarily dominated by fetish. However, the choice of analyzing men is not caused by men’s account on fetish. Even though a fetish is often is deemed to have a close connection to abnormality, men rarely feel that it is a symptom of an ailment which eventually comes with a lot of suffering. For most men, they find themselves satisfied with fetishes to the extent of praising how they make their sexual and erotic life easier. Therefore, Freud’s text is centered on analyzing a fetish as a subsidiary finding in men.
Sigmund Freud who was an Austrian neurologist believes that personality consists of three interacting structures: the id, the ego, and the superego. The Grinch was a very angry person, he had demonstrated so much aggression towards the who's which lead to the destruction of the who's Christmas. The fact that his desire was to ruin the who's Christmas proves that he is a heartless human being. The id demands immediate satisfaction and when this happens we experience pleasure, when it is denied we experience pain. The Grinch has had a rough childhood. As a child he did not fit in, because of his looks, as he was just different from others. His miserable childhood is the true cause of his aggression. This is where his id takes over. The Grinch
Characterization is closely intertwined with narration, because, through an author’s use of narration a character’s identity can be created. A writer would use indirect characterization to reveal the characters speech, action and appearance, then use direct characterization to reveal the personality. This method of describing a character was very common in fiction novels such as “The Great Gatsby” by F.Scott Fitzgerald. Fitzgerald was known for writing descriptive dialogue such as, “he smiled understandingly” (chapter 3, pg. 43) with regards to the main character Gatsby. The use of the verb “smiled” allowed Fitzgerald to convince the reader of Gatsby’s pleasant and welcoming personality, whilst the word “understandingly” revealed the intelligent part of the character. The concept of character’s existing through their narration is suggested in the essay “The Narrated Self and Characterization: Paul Auster’s Literary Personae” by Anner Marit K.Berge, however, Berge offers an additional insight into characterization. As she states that in postmodern literature, the “mimesis is toned down, and their narratives are often fragmented, contradictory and challenge the readers’ ability to perceive the character’s personae” (Berge, 101) This suggests that as the human condition develops through time the method of describing a character and revealing their appearance and personality has developed and become a method of criticism towards the human condition.
Sadness, guilt, and fear are some of the most negative emotions that humanity can experience, however they are also the strongest. Edgar Allan Poe, a nineteenth century author and poet, is known primarily for his use of these emotions, as well as the results that may come from these emotions, such as substance abuse, depression, and death. However, the ability to write such elegant, sophisticated works that delve into the very dark recesses of the human mind reflects greatly upon the author himself. Repetitive themes found both in Poe’s stories and in his life deliver insight on the inspiration for this author’s stories. Poe uses themes of death, illness, and depression in order to reflect his own experiences within his writing.
In Franz Kafka’s “The Metamorphosis,” Gregor Samsa deals with the alienation from his family stemming from both absurd and mundane circumstances. While Gregor’s transformation into a bug is the catalyst to his physical alienation, Gregor had for years been becoming more and more isolated mentally and emotionally from his family due to his displeasure at his having to work a job he hated due to his father’s failings and the lack of gratitude he received from his family for his hard work. It was not just his family who Gregor was becoming isolated from, but it was humanity in general that Gregor had been drifting apart from, as he had not mentioned having any friends or work colleagues which leads the readers to believe he had no social life
The comparison of The Sandman with Oedipus Rex made me think about the thematic resemblance of two pieces. Here the subject of reality-testing is also important. The levels of uncanniness vary depending on the style of the book. The reader’s sensibility to the text is adjusted to the style. If it is a tale, every uncanny seems “normal”. Fiction creates an uncanny effect only when actual conditions are being narrated. So, the reader in a way shares the perspective of a character experiencing the uncanny along with him.
In The Uncanny, Freud discusses the different definitions and claims that various theorists have made regarding the feeling of uncanny. He defines the different factors that provoke the uncanny in humans and demonstrates how these factors elicit that strange and seemingly inexplicable feeling. Similarly, in Vertigo, Alfred Hitchcock, adopts the various factors that cause the uncanny to alter Scottie’s identity and beliefs. Ultimately, when Scottie is transformed from a rational being to a psychotic obsessive, it serves to indicate the severity of Scottie’s mental instability and his detachment from reality.
Sigmund Freud's revolutionary ideas have set the standard for modern psychoanalysis in which students of psychology can learn from his ideas spread from the field of medicine to daily living. His studies in areas such as unconsciousness, dreams, sexuality, the Oedipus complex, and sexual maladjustments laid the foundation for future studies. In result, better understanding of the small things, which shape our lives.
While the woods of “Ulalume” seem to be haunted, they are full of quotidian characteristics—leaves, lakes, stars, and the moon. What does make the woods “uncanny”, however, is the narrator’s lack of knowledge at the time that he was indeed in a place that he admits, “once we had journeyed down here” (Hollander 245). This adds unfamiliarity to a familiar place. The woods are unrecognizable to the speaker because he has repressed the memory of his Ulalume. Further, Freud states that the “Uncanny” is “in reality nothing new or alien, but something which is familiar and old-established in the mind and which has become alienated from it only through the process of repression” (“The Uncanny 13). Thus, the narrator is not recognizing the woods because of the repression of his trauma.