Use of Allegory and Symbols in William Goldging's Lord of the Flies
William Golding's Lord of the Flies allegorically shows the good and evil that co-exists in every human being. Each character and symbol renders this possible by what it represents. Ralph and Jack allegorically represent opposing political forces: Jack as the dictator or fascist and Ralph as the prototype of a democratic leader. The island represents the archetypal garden and the conch shell represents power. Golding uses British schoolboys to show progressive degeneration and to prove that a little bit of evil exists in all of us. Each of these symbols aid in proving that we all have some evil in our hearts.
Ralph begins the story as a carefree
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The lamp of knowledge or fires of inspiration are familiar expressions throughout literature. Once Ralph realizes that he has the welfare of others to think about, he also realizes that the rational procedure, (which Piggy represents) has become a necessary and valuable tool. Piggy, the corpulent sidekick, symbolically allies himself to the leader of the boys.
Simon plays only one, but very important, allegorical figure. He takes on the form of a Christ-figure and resembles characters in many biblical stories and events. At the beginning of the story, we see him picking fruit for the littluns and resembling a carpenter by building huts. The other boys see Simon as queer or funny, but he has no offensive traits. He remains the one person on the island who seems to commune with the elements. For him the island represents a paradise.
Golding's descriptions of Simon are lyrical and poetic. They are in stark contrast to the harsh passages that tell of the clashes between Ralph and Jack. We can also contrast the gaudy bird, the harsh cry and the abyss of ages found in Jack's jungle to the honey-colored sunlight and bright, fantastic birds of Simon's jungle. With the possibility of evil or a beastie on the island, Simon's judgments on the whereabouts of the beast conclude: perhaps we are it.
When Simon
confide in the conch and when the conch is held up, it is a sign of
A character in a novel can represent a larger idea in society. In William Golding’s novel Lord of the Flies, each character is illustrated to represent a larger idea in society. Ralph represents democracy, Jack represents savagery, and Piggy represents a scientific approach.
Throughout the novel, Lord of the Flies, Golding illustrates Simon as the only boy on the island holding a good soul. Many of the actions and events that Simon goes through also contain a very strong link to the actions of
Jack and his chosen group of hunters all follow Jack and fail to follow Ralph’s command to keep civilization under control. Simon and his natural behaviors contrast with Jack as he sees the positive interests and goodness in civilization. Simon’s actions reveal his shy, yet kind, and non confrontational attitude which makes the importance of his character hard to notice. Simon is the mediator on the island, as he will never decline a request from the little children for food, an order from Ralph to help build shelters, and tries to keep the peace between the hunters and the civilized boys. Simon can be seen as the most compassionate character on the island as displayed in this quote: “Simon sitting between the twins and Piggy, wiped his mouth and shoved his piece of meat over the rocks to Piggy, who grabbed it. The twins giggled and Simon lowered his face in shame” (Golding 74). Jack, on the other hand, is most malicious towards Piggy as he eventually becomes consumed by evil and and will attempt to destroy all points of civilization and innocence left on the island. Innocence is bestowed upon nearly all the boys trying to keep civilization alive on the island and is despised by Jack and his highly influenced choir boys turned hunters.
Simon, one of the major characters in the story, is set as the allusion of Jesus. Christ always had an affinity with children; in Ch. 4, he shows his way with the ‘littluns’ by picking fruit for them. This shows his goodness by nature. Also, like Christ, he saw the atavistic problem of the hunters and tried to bring them back to good. As in the bible, Simon, like Christ, dies
Lord of the Flies has many meanings to it that are represented through the characters and their feelings. When comparing the characters in the Lord of The Flies, you can see the obvious change in most of them from the beginning of the book to the end. The two main characters are Ralph, the protagonist and Jack, the antagonist. Ralph and Jack both have different qualities and beliefs that define each of them completely and at times make them both alike in many ways. They both represent what we are and what they were, Civilized and Savage.
Simon is often referred to as the beast during this chapter, showing how the boys are only seeing him as an animal that they must hunt and kill. Found on page 153, Golding writes, “There were no words, and no movements but the tearing of teeth and claws.” This use of words with a very negative and animalistic connotation brings about a feeling that the boys have changed quite a lot whilst being on the island, and are no longer hunting for meat, but to satisfy an animalistic instinct inside of them, as Golding depicts in
Simon possesses a deep knowledge and understanding about the truth of the island and the beast of which the other boys know not. He also seems to posses many mystic qualities. He is the first to understand truly that the beast is not a physical or material being, but something that lives within the boys. Unlike piggy or Ralph, who are able to appreciate adult knowledge and understanding, Simon possesses the ability to see the darker side of knowledge. For Simon, the eyes of the Pig's head on the stick are "dim with the infinite cynicism of adult life", meaning that adults believe nothing is ideal, therefore his realisation in itself is cynical-- the beast lives within the children, making Simon distrust the human nature. He knows the truth but is unable to get it across to the other boys; "Simon became inarticulate in his effort to express mankind's' essential illness". Simon understands the truth behind the beast- that the
Lord of the Flies, a suggestive name for the Devil, a devil whose name proposes that he is devoted to decay, destruction, demoralization and panic, exactly what William Golding had in mind when using symbolism in this novel. The Lord of the Flies (1954), is a novel in which interpretating the symbols are a main key to not only understanding, but also enjoying the novel. After tying many of the symbols together, you can figure out more about what the author is trying to depict, the overall scene.
In Lord of the Flies the symbols of rational and irrational thinking show the boys decent to becoming uncivilized. Piggy's glasses are symbolic of rational thinking. The boys use them to light the signal fires in hopes of being rescued (Frost). The breaking of Piggy’s glasses is symbolic of irrational thinking and breaking the last tie to humanity that the boys have. The building of shelters symbolizes rational thoughts and actions that are part of a constructive society. The thought of hunting, playing and doing anything they want symbolizes irrational thinking. Jack uses Piggy’s glasses to start a fire to smoke Ralph out of hiding meanwhile, destroying the shelters and fruit trees symbolizing how irrational Jack is thinking. The symbol of rational thinking, Ralph and the symbol of irrational thinking, Jack are at opposite ends of the spectrum when talking about leadership. Ralph is not only a rational thinker, but a moral person, keeping fairness in his group. Ralph decides what is best for the group as a whole showing his leadership skills. Jack gives the boys what Ralph is not able to: fun and games, the thrill of adventure, and the excitement of bloody rituals as a result of irrational
Piggy’s spectacles, too, symbolize the weakness of intellect and (as a tool for making fire) the loss to humanity when intellect is quashed by superstition and irrationality. The beast, the parachutist, the fire, the killing of the sow—all assume symbolic significance in the novel, justifying the label of allegory that often applies to this work (Carter, 1).”
In William Golding's Lord of the Flies, Simon represents the innate morality of humans, acting as a Christ-like figure, while Roger embodies the all present cruelty and inherent sadism of individuals. Throughout the novel, Simon remains unchanged in terms of morality, as others slowly turn to savagery and hunting, as can be seen when Jack’s group become, “demoniac figures with faces of white and red and green.” Instead Simon finds a quiet spot “in a little cabin screened off from the open space by a few leaves.” By “holding his breath, he [cocks] a critical ear at the sounds of the island,” using his secret cabin to meditate. Coupled with his deep connection to nature, Simon is revealed to be a Christ figure. When left alone with the
"His head opened and stuff came out and turned red. Piggy's arms and legs twitched a bit like a pig after it has been killed" (217). This is what can happen to someone when all signs of civilization, order and power disappear and have no more meaning to members of a group or society. In the writing of William Golding's Lord of the Flies (1954), the symbol of power and civilization is the conch. Once that is lost, all bets are off. When the novel begins, two boys are talking about what has happened and why they are on this island. While walking on the beach, the main character Ralph then proceeds to find a shell which the two boys call the conch. Blowing on this shell Ralph calls a
Piggy was a stout boy who was different from all the other boys on the island because he had asthma and wore glasses. The glasses throughout the story were used to start a fire, but also
In William Golding’s Lord of the Flies, which is set during World War II, English school boys, escaping war in England, crash on a deserted tropical island. From the protected environment of boarding school, the boys are suddenly thrust into a situation where they must fend for themselves. In order to survive, the boys copy their country’s rule for a civilized life by electing a leader, Ralph. He promises order, discipline, and rules for the boys so that they form a small civilized society. This civilized society does not last. Struggling with Jack who wants to be the leader and the boys’ fears of the unknown, Ralph is unable to maintain control, and the boys fulfill Golding’s perspective that human