Use of Fantasy in Langston Hughes's On the Road
Langston Hughes's short story "On the Road" begins and ends realistically enough: his protagonist, Sargeant, enters a strange town one winter's night during the Depression and finds himself without shelter, as many did during this era. Hughes gives Sargeant the additional burden of being an African-American in the "white" part of town; therefore, he faces the perfectly plausible obstacles of shelters that "drew the color line" and racist police officers who beat and imprison him. But despite the realistic beginning and ending of the story, Hughes places an elaborate fantasy segment involving Sargeant talking to a stone Christ who has "broken off the cross" in the story's middle.
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In the fantasized conversation, Christ confirms for Sargeant that people like those in the town have kept him "nailed to a cross for nearly two thousand years," and that he is glad that Sargeant has finally liberated him. Christ's meaning here is clear: that many Christians have reduced him to merely a symbol of suffering rather than having allowed the spirit of what he taught to roam freely. While they may claim to revere Christ's image on the stone crucifix, the townspeople have completely failed to heed Christ's message of brotherhood and love, as proven by their reaction to Sargeant's attempt to enter their church. The white townspeople have proven as cold and unresponsive as the snow which blankets their town. The newly-liberated stone Christ may not know where to go next, "but I'm leavin' here," he tells Sargeant. Christ feels that going anyplace else would be preferable
Cormac McCarthy’s The Road, is an enticing, but soul-wrenching novel that perfectly conveys the precise conditions of a cold, desolate world, in which one feels utterly isolated. McCarthy does not hesitate to go into detail about powerful or foul events within the plot. He says exactly what he means, and can effectively incorporate forceful interactions between the characters and each other, as well as characters and their given environment. By using the literary devices of symbolism, imagery, and theme, McCarthy handcrafts a novel with such eloquence and grace that such a bleak and miserable world is perhaps a seemingly beautiful one.
In “Liberating Christ: Sargeant’s Metamorphosis in Langston Hughes’s “On the Road,” Carolyn P. Walker talks about what she feels the story “On the Road” is about. She does make some interesting points, but I feel like some of them are not correct. Walker’s main points support the opinion that the story is based on racism and also claims that it is a “Reenactment of the Biblical story [Samson and Delilah]” (749). While racism may be touched upon in the story, I feel that the main point of this story is to show the influence of money in Christian society.
Langston Hughes was one of the great writers of his time. He was named the “most renowned African American poet of the 20th century” (McLaren). Through his writing he made many contributions to following generations by writing about African American issues in creative ways including the use of blues and jazz. Langston Hughes captured the scene of Harlem life in the early 20th century significantly influencing American Literature. He once explained that his writing was an attempt to “explain and illuminate the Negro condition in America” (Daniel 760). To fulfill this task, he wrote 15 volumes of poetry, six novels, three books, 11 plays, and a variety of non-fiction work (Daniel 760). He also edited over 50 books in his time (McKay).
Langston Hughes clearly connects with a wide range of audiences through the simplicity that surrounds his poetry. The beauty of this manner in which he wrote his poetry, is that it grasp people by illustrating his narratives of the common lifestyles experienced by the current American generation. His art form expresses certain questionable ideologies of life and exposes to the audience what it takes to fully comprehend what being an American truly means. Each individual poem describes and illustrates the strength and hardships the African American community was experiencing. Through his literature art form of poetry, Hughes was able to convey the common assertions of
People always listen to music, watch movies or plays, and even read poetry without once even thinking what is could be that helps and artist eventually create a masterpiece. Often times, it is assumed that artists just have a “gift”, and people just do not consider the circumstances and situations that gradually mold a dormant idea into a polished reality. This seems to be the case with nearly every famous actor, writer, painter, or musician; including the ever-famous Langston Hughes.
In Langston Hughes, "On the Road" the Sargeant is a homeless Black man that is desperate for food and shelter. In his desperation, Sargeant goes to the church to refuge, but there is no one at the Church to help him get refuge. Although Sargent is living in a time where the depression is in existence amongst all people, Black and White, he finds no one to help him. Sargent goes to the Church because the Church helps people. However, because Sargeant is Black and the Church is populated by a White congregation, he is rejected. In the story " One the Road", one of the people: A big black unemployed Negro holding onto our church... "The idea"! This represents that Sargent wants the benefits of the white
Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black
The Road portrays the journey of the father and son across a black and white world that is analogous to my experiences of the quest of survival in Afghanistan and the refugee camp in Pakistan. Where many have abandoned their beliefs and morals to survive the hellish situation. Those who survive with their beliefs and values still in intact are constantly challenged on a day-by-day basis. Their survival must be persevered to keep the fire burning, however small for their own children. There must be some goodness that remains for their children to carry into the next generations. They must always remain
Langston Hughes is a famous poet known mostly for his contribution to the Harlem Renaissance. He wrote many inspirational poems that are still read and used for educational purposes. Many of his poems were inspired by his life and his story. One of his many poems entitled “Theme for English B” talks about how his teacher instructed him to write a page about himself and it will be true. In a “Theme for English B”, Hughes uses tone, and characterization to display a relationship between race and writing.
Jazz music is often associated with long, lazy melodies and ornate rhythmical patterns. The Blues, a type of jazz, also follows this similar style. Langston Hughes' poem, "The Weary Blues," is no exception. The sound qualities that make up Hughes' work are intricate, yet quite apparent. Hughes' use of consonance, assonance, onomatopoeia, and rhyme in "The Weary Blues" gives the poem a deep feeling of sorrow while, at the same time, allows the reader to feel as if he or she is actually listening to the blues sung by the poem's character.
Langston Hughes uses beautiful symbolism and imagery in his literary work “On the Road”. Hughes offers up the idea that if one is to open ones heart; life will provide unlimited abundance. In this literary work, Langston Hughes uses nature to demonstrate and symbolize the unwillingness of his main character, Sargeant, to participate in life. Hughes also demonstrates the use of a person’s anger and instinct to survive and how they both can be used as powerful forces in breaking down racial barriers. Another more impacting symbol Hughes uses is Jesus Christ as a metaphor. Hughes uses this to show how people experience life and how the traditional church values contradict each other when it comes to the acceptance of human beings. Therefore
One noticeable mark of African-American culture in "On the Road" was the significance of the white reverend in the short story. His oppression towards the black man was an example of the same oppression experienced by the African-American in that era. The doors--which hold him back--in the short story also served as a model of the oppression the African-American endured. Increased slavery in the south, the slave trades that began in the early 1800s, unemployment in black urban areas, substandard educational provisions, and rise of racism were among the many oppressive aspects of the African-American's life (Blacks in America 81, 83, 85-6). These oppressions were represented by the doors mentioned in the short story.
After poetry is written, published, and circulated, analysis of the poem must take place. It unveils and discusses the themes, figures of speech, word placement, and flow of the piece, and "A Dream Deferred," is no exception. In Langston Hughes's poem, A Dream Deferred, the theme is that no really knows to dreams if they are not reached, and very realistic figures of speech help convey this idea; the poem can be surprisingly related to Mr. Hughes's life through the subtitle and quotes from Langston himself.
According to Biography, James Mercer Langston Hughes is considered to be an African American poet who is college educated and comes from a middle-class family (Langston Hughes Biography). He attended college in New York City and became influential during the Harlem Renaissance (Langston Hughes Biography). Although Hughes was a talented writer, he faced some challenges early on and it was stated that his “early work was roundly criticized by many black intellectuals for portraying what they thought to be an unattractive view of black life” (Langston Hughes. American Poet). They believed that his work helps the spread the stereotypes of African Americans. “Hughes, more than any other black poet or writer, recorded faithfully the nuances of black life and its frustrations” (Langston Hughes. American Poet). Langston Hughes’s poems “The Negro Mother”, “Let America be America Again” and “The Weary Blues” were influenced by his life during the Harlem Renaissance and the racial inequality experienced in the late 1920s through the 1960s.
“On the Road” is a short story written by Langston Hughes, whose major themes are of race, religion, and subjective nature of fiction. An influential African-American writer, Hughes was born in 1902 and primarily raised by his maternal grandmother (Meyer 1032). Over the course of his illustrious career, he would go on to write poems, novels, short stories, essays, plays, opera librettos, histories, documentaries, anthologies, autobiographies, biographies, children’s books, translations, and even radio and television scripts (Meyer 1034). “On the Road” is one of these works. The story tells of a man known only as Sargeant, who has been left homeless and out of work thanks to the Depression. Despite visiting numerous shelters and relief centers, he is left tired, hungry, and with no place to stay as the snow continues to pile up on and around him. Seeking shelter, Sargeant is turned away from the parsonage of Reverend Dorset, and thus decides to seek shelter in the nearby church. Finding the doors locked, he begins throwing himself against the wooden barriers in the hopes of breaking them down. As he does so, however, he attracts the attention of the white citizens and eventually the police, who attempt to pry him away from the church. In the struggle the church collapses, and as Sargeant walks away from the rubble, he discovers that Jesus is walking alongside him. After walking together for some time, Sargeant decides to spend the night in a hobo jungle, while Christ continues on his journey. In the morning a train came by, and Sargeant began to pull himself aboard, only to be met by cops with their clubs at the ready. At this point Sargeant realizes that he is in a jail cell, and both he and the reader discover that he was arrested at the church and his meeting with Christ was just a dream (Meyer 574-576).