Philadelphia Art Museum Research Paper

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but

I visited National Gallery of Art, Washington DC on Friday, March 29, 2013 to see the exhibition “Pre-Raphaelites: Victorian Art and Design, 1848-1900”.

Sequestered away amongst the red brick buildings of Old Louisville lies a neighborhood of colorful mansions and old world charm. Wrought iron gates enclose the private stone courtyards, and small cottage gardens decorate the verandas. The bronze fountain of Venus fills the neighborhood with the serene ambiance of water, and the gentle flicker of gas lamps light the sidewalks at night.

Art is method of expressing a person creativity. Depending on the level of creativity and uniqueness makes the art valuable. The purpose of Chicago Art fair was to rejoice in the remembrance Christopher Columbus discovery of America, at that time 400 years ago. From modern time, 12 and half decades ago, Chicago was epic center of art. Millions of people came from all over the world just to be in attendance. Therefore, the fair needed additional time for preparation to accommodate those millions of people. Every major artist in America came to showcase their talent and unveil their exhibits. Each state had a monument of art that represented their state. In 1893, the culture was different, a lot of events was acceptable that should have not

I went to the Cantor Center for Visual Arts on Stanford Campus on 2/28/13. I saw a lot of sculptures and vases there. They are very beautiful and interested. The most interested one I think was Kleophon Painter, “Volute Krater”, ca. 430 BCE, Greece, red-figure terra cotta vase, size 26’ ¾” * 19’ *19’. Hazel D. Hansen Fund, 12, 1972 Cantor Arts Center at Stanford University. This vase is located in the Iris & B Gerald Cantor Center from the classical period between 479-323 BCE in Greece. The Kleophon Painter is an anonymous Athenian vase painter in red figure style. The name he is named because of a youth named “Kleophon”. He is also good at Achilles Painter; a number of “black figure” works in the mid-to-late 5th

The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.

The first dinosaurs were small, meat-eating animals that first arose over 200 million years ago. From such small beginnings evolved thousands of different species, including the largest animals ever to walk on Earth. At the Smithsonian, some of the most important dinosaurs known to science stand in our exhibit halls, from the ferocious Allosarus to eighty-foot Diplodocus. Learn more about our famous dinosaurs

When it comes to visiting famous cities in the world most travelers head to London,

This sculpture represents Bodhisattva Maitreya. Bodhisattvas are knowledgeable characters who defer their sanctification to support all sentient individuals (Rambelli, 207). Unlike other Buddha statues the Bodhisattva is an invented character, not a replica of an exact character to Buddha. Bodhisattvas have several of those attributes of Christian benefactors (Gresham and Dunham, 400). They are sympathetic characters who assist congregants. Contrary to saints; nonetheless, they are not affiliated with historical individuals, hagiographies, or suffering.

All over the world, art is used to represent many things, especially the artist's imagination

Contemporary art has evolved into many different forms and genres. The substantial amount of freedom given by the art educational institutions to the artist enables the practice of seeking new ways of expression and evolution. This open mode of creation is necessary for the practice to freely evolve, but the freedom brings a huge responsibility onto the maker too. There is also a question of whether there is a real freedom of expression, in the world governed by the social and institutional rule and order. Shall the artist seek to escape the expectations of the societal responsibilities and demands of the art institutions, and if yes, to what extent is it possible and meaningful for the avant-garde attitudes to exist within the contemporary

An example of a sculpture impacted by Buddhist influence is the Lion Capital (Figure 1). This sculpture was placed on a column in Sarnath, at the request of emperor Ashoka, who adopted Buddhism himself. The piece was made of polished chunar sandstone and full of Buddhist symbols. This large sculpture has four lions facing outward, sitting on top of a ring containing three additional animals, a horse, a bull, and an elephant. A wheel separates each animal, with four wheels in total. These animals may represent the four directions or lesser deities. The

I really enjoyed my first visit to the Brooklyn Museum. I am an art fan and i also love history. Our first exhibit we explored was on the third floor, Egypt. My favorite was the Sarcophagus and coffins that were made to bury the Egyptian royalty. The detailed artwork and everything else that went into the coffin, meant something. I like the little statues and figurines and I learned a lot about the Egyptians and how they lived. Egyptians were one of the worlds most advanced civilization. They also were one of the worlds first civilizations to keep household pets, They saw animals as incarnations of Gods. Especially cats, they somewhat worshiped them, mostly because cats were associated with the Goddess Bastet. Leaving there I wanted to learn

This new visual arts style first came to France right before World War I, and then began to grow across the world in the 1920s, 1930s and 1940s. People did not really understand the youth movement in Europe, because all they knew was jazz. But Art Deco found a way to make their design luxurious using simple materials like glass, plastic and ferroconcrete. They were inspired by Aztec Indian art, Egyptian art, Art Nouveau and learned from natural styles in the environment.