The modern world faces many problems like climate change, economic uncertainty, many recent terrorist attacks all over the world and increasing the number of deaths. These factors along with the ongoing struggle by indigenous people for being recognised as the original custodians of the land, education and health makes us really think about how we should act as a nation. Since 1788, artists have been describing our country in art. They have acknowledged the landscape, the people and the way of life. Two artists who really stood out are Emily Kame Kngwarreye and Rover Thomas. They both have similar ways of painting by using a dotting technique. Their artwork is beautiful, traditional and meaningful. Every painting had a place in the artist’s heart. They both portrayed Australia as a peaceful and beautiful place to live, as they lived out in the bush and away from the cities and people. There is an inequality between indigenous and non-indigenous people in Australia. This inequality includes; shorter life expectancy for indigenous Australians, poorer health and lower levels of education and employment. Non-indigenous Australians are now making an effort to make an equal society between the indigenous and non-indigenous people. In 2008, the Australian government made a formal commitment to address indigenous disadvantages. They came up with a program called “Closing the Gap”. This program is to turn inequalities into equalities. Aboriginal artists paint pictures of the land
The Australian Indigenous community hold extremely significant corrections to the land of Australia, of which they refer to as ‘Country.’ Indigenous people acquire deep meaning from the land, sea and the countless resources derived from them. This special relationship has formed for many centuries. To them ‘Country’ is paramount for overall wellbeing; the strong, significant, spiritual bonds embody their entire existence. Knowledge is continually passed down to create an unbroken connection of past,
Stan Grant’s speech ‘Racism and the Australian Dream’ (2015) effectively reminds the Australian population of the racism and harsh inequalities indigenous Australians have faced in the past and still face today. In reminding us of this reality, Grant engages us to discover issues of civic participation in Aboriginal people and in doing so perpetuates a need for social change. More?
For the last 200 years Indigenous people have been victims of discrimination, prejudice and disadvantage. Poor education, poor living conditions and general poverty are still overwhelming issues for a large percentage of our people and we remain ‘as a group, the most poverty stricken sector of the working class’ in Australia (Cuthoys 1983).
Australian government today recognises that educational policies regarding Aboriginal people cannot be made without considering social and economic policies aimed at improving outcomes for Aboriginal communities in general (TICHR, 2006). Main contemporary issues facing Aboriginal communities are proving land ownership, remoteness, health status, education and employment status and social attitude of Non-Aboriginal population towards the Aboriginal communities (Challenges facing the Indigenous communities today, n.d.). Tackling this issue is not a simple task: the document “National Indigenous Reform Agreement” (2010) which aims to improve outcomes for all Indigenous Australians recognizes that this process needs approach from different aspects, taking into account “seven key building blocks: Early Childhood, Schooling, Health, Economic Participation, Healthy Homes, Safe Communities, and Governance and Leadership” (as cited in DET Queensland,
The identity of Australia as a place comes from both its physical features and the atmosphere, which is often created by its physical appearance. Three artists who have depicted the Australian landscape in different styles are Arthur Streeton, John Olsen and Sally Morgan. Streeton’s works are in a realistic but lively style typical of the Heidelberg school. He was intent on recreating the light and warmth of the land. Olsen and Morgan’s works, on the other hand, offer more abstract interpretations of the land. During the 1960s and 1970s, Olsen captured the essence and the energy of the landscape with his bold and bright brushwork whilst Morgan’s work from the 1980s portrays Australia from an indigenous perspective, which she achieves through her use of Aboriginal symbolism and cultural imagery.
and the context during that time. Entrapment, displacement and suffering are accentuated by the use
Further, low income, unemployment, racism, lack of education further deteriorate their quality-of-life and well-being (Carson, Dunbar, Chenhall, & Bailie, 2007). Therefore “closing the gap” on indigenous disadvantage is crucial for archive equality in life expectancy, health status, education and employment between indigenous and non-indigenous Australians (Black & Richards, 2009).
Government policies authorising the removal of Aboriginal children have caused extensive and unrepairable damage to every aspect of Indigenous culture. It could be argued that the emotional turmoil which occurred as a result of this policy, is greater than any physical abused ever faced by the Australian Aboriginal people. The act of child removal would be a scarring experience for parents and children of any race or culture. This policy had a particularly damaging impact on the Indigenous people as their identity is based within a set of strong traditional guides and teachings. These lessons are not recorded, but can only be taught through speaking with elders and learning through a connection to others within the mob, connection to art forms
Through my life, I have seen several different approaches to Indigenous people’s rights and importance in Australia. I have been fortunate enough to visit Ayers Rock and undertake a tour which allowed me to see Aboriginal culture in art and drawings as well as hearing Dreamtime stories from guides. I have also witnessed family friends who have been severely racist and disrespectful of Indigenous heritage and history. I also was lucky to work with some Indigenous students who were in Reception during my Professional Experience 1, and I was able to see first-hand how a culture clash can affect a student’s behaviour. I feel that even before entering this course, I have had the privilege of being able to observe both positives and negatives
Education is fundamental to growth, the growth of the individual, and the growth of a nation. Anthropologically this can be seen from the earliest of developments of human societies where practices emerge to ensure the passing of accumulated knowledge from one generation to the next. In the centuries since the invasion and colonisation of Australia in 1788, colonist authorities and governments have dominated the making of policies regarding most major aspects of Australian life, including the lives of Indigenous Australians. The enactment of these policies and legislation, whether targeted at society as a whole or directly at education, has had significant and most often negative causal impact on Aboriginal and Torres Strait Islander peoples, resulting in not only poor educational outcomes, but the loss of cultural identity, the development of serious issues in health and wellbeing, and the restriction of growth of Aboriginal communities. Moreover, there has been an ongoing pattern of the adoption of ill-informed policies in Australia, resulting in these poor outcomes and cultural decimation. Aboriginal people have developed a wariness, a mistrust, and even an attitude of avoidance to engage with non-Indigenous officials and those who they associate as their representatives, i.e. personnel working within
The last twenty years has seen these themes played out in both policy and practice. Indigenous self-determination had played a big part in educational policy since the 1970s but by 2012 Marcia Langton in her Boyer Lectures attacked the concept as a “vaporous dream” (Schwab, R.G., 2013,p. 212)with critiques fuelled by the Little Children Are Saved Report. Langton saw Noel Pearson’s Cape York Aboriginal Australian Academy as an alternative model focused on outcomes but incorporating Indigenous art, culture and sport. This is actually a “top down”
The construction of Aboriginality in Australia has been achieved through a variety of processes, in various places and at various levels of society, giving rise to a complex interaction between the constructions. At the local level, the most striking line of tension may seem to lie between what Aboriginal people say about themselves and what others say about them. But crosscutting this is another field of tension between the ideas of Aboriginality (and non-Aboriginality) that people of all kinds construct and reproduce for themselves, and the constructions produced at the national level by the state in its various manifestations, the mass media, science, the arts and so on (Beckett, 1988).
This presentation will discuss Indigenous poetry and talk about one particular poem to celebrate contemporary Indigenous poetry. Poetry is powerful because “the pen is mightier than the sword”, it is emotional and is an aesthetic response to words. Poetry is used as a means of expressing issues and bringing attention to problems. Here, the poem brings attention to the old Australian mindset and talks about racism. Poetry can also bring changes in certain topics, because it encourages public discourse, it raises awareness, and lets people see things from other people’s perspective. Today, this presentation will talk about the poet, Charmaine Papertalk-Green, the poem, “A White Australian Mindset” and will discuss what ethical issue the poem is about. Then, this speech will analyse the main themes and messages which are shown through different poetic devices, and I will argue that the poem is effective in communicating its message.
“The land is my mother. Like a human mother, the land gives us protection, enjoyment and provides our needs – economic, social and religious. We have a human relationship with the land: Mother, daughter, son. When the land is taken from us or destroyed, we feel hurt because we belong to the land and we are part of it.” This quote was written by Djinyini Gondarra, an Aboriginal that is working to towards enhancing the health and well-being of his fellow aboriginal people. Over the years, aboriginal people have been mistreated and have experienced a large magnitude of discriminations that range from health to social inequalities, which have led to many health-related issues that have made it very difficult for Aboriginal people to break the stigma and prejudice they continue to experience.
After the Revolutionary War the big question of the age was how to form a government that would endure to protect the liberty and rights of the people. There was no president, no national court system and the fate of the Americans was yet to be decided. After the war, Washington retired to his beloved Mt. Vernon giving a whole new definition of what greatness was; he resigned to power and to a crown just to become a common man. His resignation left 13 little republics that were held together by what was called a loose alliance, and everything pointing to the inevitable, they would remain as states but not united. At the time, Massachusetts and Virginia were examples of separate states considered to be their own countries. There were those who talked about 2 or 3 confederations, or even no confederations, but the 1 separate government. The country celebrated after the war because they had received everything they asked for from the British, but to those who decided to remain loyal to the crown, the American victory was considered a disaster. ”When monarchy is ended, the sense of being a subject ends as well”. Alexander Hamilton said: “Peace! And a new scene opens. The object now is to make our independence work. To do this, we must secure our Union on solid foundations”. Alexander Hamilton was a delegate in the continental congress; he is truly convinced that he knows where the country should be heading to because he knew that the United States had