The poem, Valentine, by Carol Ann Duffy, is the epitome of how conventional love and events such as Valentine's Day is pure asinine and downright ludicrous. She illustrates this by utilising a myriad of literary techniques, such as symbolism, imagery and word choice; in order to reveal the realities of love. It can be disputed that Duffy allows her readers' to fathom the enigmatic feeling known as 'love' through Valentine. Duffy's coherent use of language features help depict and accentuate this in Valentine, by enabling her readers' to feel a sense of sincerity rather than the cliched ethereal facade which is masqueraded in sugar, spice, and everything nice.
Throughout the poem, Duffy utilises the use of symbolism to compare love to an onion. This symbolises, that although love is said to be euphoric, it can also provoke tears. An example of this can be seen in lines 7 and 8 where Duffy says, "It will blind you with tears like a lover." By this, she means that onions contain a strong chemical in which causes us to cry when we cut them; similar to when we are crying over
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This is especially evident in lines nine and ten where she says "It will make your reflection a wobbly photo of grief." This is implying that onions bring anguish and discomfort whilst being cut which causes us to cry. Their chemical compound causes tears and when crying, everything we see appears wobbly. From this example, the author makes the reader visualise a grimaced face of tears and grief whilst looking at their reflection which appears wobbly. The word photo implies an ephemeral moment that was captured, the word wobbling allows us to assume that tears were spilt causing their vision to become hazy, hence leaving behind a wobbling photo of grief. Yet again, Duffy has managed to make effective use of a language feature in order to change the readers' perception of
Since the beginning of human existence love has earned a meaning of pure bliss and wild passion between two people that cannot be broken. Through out time the meaning of love has had its slight shifts but for the most part, maintains a positive value. In the poem “Love Should Grow Up Like a Wild Iris in the Fields,” the author, Susan Griffin expresses that this long lost concept of love is often concealed by the madness of everyday life and reality. In the poem, Griffin uses many literary elements to help convey the importance of true love. The usage of imagery, symbolism, and other literary techniques really help communicate Griffins’ meaning
Throughout “Love Should Grow up Like an Wild Iris in the Fields” Susan Griffin provokes the readers to think twice about why they consistently enslave themselves with the burden of daily monotony, instead of enjoying the simplicity of love. Griffin uses two metaphors in her poem when describing love, as a flower, as well as the iris of an eye. Her comparisons are both interesting as well as accurate.
How do the Poets James Fenton and Carol Ann Duffy Present the Pain of Love in their Poems ‘In Paris with You’ and ‘Quickdraw’?
The distinctiveness of style and language represented in the poem are what identify the sorrowful and aggressive tone. From the opening of the poem we learn that the onion is pleading with someone to stop cutting him into pieces. The onion says “I don’t mean to make you cry. /I mean nothing, but this has not kept you/ From peeling away my body.” (lines 1-3) The attitude being presented is sorrowful. Pity is being expressed by the onion because it notices itself as being the reason why the person addressed is crying. At the same time, the person could be crying to get the onions attention and win the onions sympathy. Based on the context, the onion seems to represent a male who’s fed up with the way he has been treated and the person he’s addressing seems to be a female who’s hurting and seeking some kind of truth. They are in a dreadful relationship and the voice presented in the poem acts as a response to the previous conversation the two had before the onion spoke. Because the onion feels as though he is responsible for the persons tear s, he’s reassuring himself and her that he means no harm. The choice of words in lines 5-6 demonstrate the sorrowful tone I speak of, uttered by the onion. He says “all the debris of pursuit./Poor deluded human: you seek my heart.”(lines 5-6) In these lines, I see the onion as thinking he is above the human. Like a father looking down on his son, shaking his head, accentuating that he has so much to learn.
Hardy initially uses similes to illustrate the bleak landscape, referring to the “sun [as] white” and leaves as “grey”, to emphasise his sorrowful opinion of love. Specific diction of bleak words strongly communicates his message of love being hopeless and sorrowful. He also uses personification of “starving sod”, to allude that the earth is frozen and desiring nutrients which it lacks. This creates an undesirable setting and mood of despair and sorrow expressing how he perceives love. In contrast, Browning orientates an inviting, cheerful setting through the use of similes. The scene is vibrant with “little waves that leap” and “warm sea-scented beach[es]”, allowing the reader to perceive it as joyful. This illustrates how he regards love as an uplifting experience, which brings people together. He structures his poem with no stanzas, allowing for the reader to follow the radiant journey of love. In contrast, Hardy includes stanzas allowing him to express his message though new topics. They consist of the bleak setting, his former partners eyes, her bitter smile and his message of how all love disappoints. He includes an enclosed rhyme scheme, presenting the entrapment of love, expressing no freedom and joy in relationships. In opposition, Browning uses anaphora of “and” to express how the speaker’s mind is not in the moment, looking ahead to the future where they reunite with their lover. It is evident that Hardy conveys his message of love as sorrowful and full of despair, in contrast Browning message reveals love as gracious and
Continuing on from this, the monosyllabic line ‘does not rust’ is assertive as he emphasises the permanence of the father’s love; the internal rhyme ‘brightens as it tightens’ reflects not just the rhythm of the plaiting motion but also the fluidity of the movement as the wheat is burnished by the constant tightening and smoothening; as he shapes it into a halo-like crown with the luminescence of gold (transformation). However, the ‘throwaway love-knot’ is a contradictory/juxtaposition as the oxymoron suggests that it is both disposable yet also a cherished air loom.
“Love Poem” by John Frederick Nims is an excellent of example of an author using many types of literary terms to emphasize his theme of a love that is imperfect yet filled with acceptance. In, this poem Nims uses assonance, metaphor, and imagery to support his theme of “Imperfect, yet realistic love”.
Love is not always an easy adventure to take part in. As a result, thousands of poems and sonnets have been written about love bonds that are either praised and happily blessed or love bonds that undergo struggle and pain to cling on to their forbidden love. Gwendolyn Brooks sonnet "A Lovely Love," explores the emotions and thoughts between two lovers who are striving for their natural human right to love while delicately revealing society 's crime in vilifying a couples right to love. Gwendolyn Brooks uses several examples of imagery and metaphors to convey a dark and hopeless mood that emphasizes the hardships that the two lovers must endure to prevail their love that society has condemned.
Through the use of poetic devices such as repetition or alliteration, the author originally describes what love is not capable of providing and defines love as unnecessary but by the end of the poem, the author reveals that love has some value.
The use of the detached word “Lethal” in the final stanza suggests that this is the core to the emotion of love, and the surface to the surrounding layers is red roses and satin hearts.
Love can be quite a difficult topic to write about, expressing one’s intimate and innermost emotions requires a great level of dedication and honesty. If done correctly, the outcome is truly stunning. John Donne’s “A Valediction: Forbidding Mourning” and Katherine Philips’s “To Mrs. M.A. at Parting” are two masterpieces of this genre. These poems depict the concept of true love so meticulously that the reader cannot help but envy the relationships presented. Perhaps the reason that these works are so effective is due to the fact that they are incredibly similar to each other. Although some differences are present when it comes to structure and gender concerns, the poems share the same theme of love on a spiritual level and show many parallels in meaning.
The two poems “Magic of Love” by Helen Farries and “Love Poem” by John Frederick Nims are both poems with the central theme of love. The ways that these two authors express this theme differ significantly from each other and show two spectrums of love in literature. Through their use of syntax, diction, rhyme, and meter, these poets portray love in a unique and personal manner that illicit specific emotions from the reader for a variety of possible reasons, which will be analyzed in this essay.
The idealized image of love does not exist in real life. No matter the nature of the relationships, they have flaws and so do people. Robert Hayden’s “Those Winter Sundays” and John Fredrick Nims “Love Poem” both demonstrate the love we have for people regardless of their imperfections.
The following lines: ‘its fierce kiss will stay on your lips, possessive and faithful as we re, for as long as we are. Take it.’ Duffy suggests that love like an onion, it leaves a bitter after taste that lingers for a long time. It seems that Duffy believes that once you have had a taste of it you will remember it forever because it is that powerful. The ‘kiss’ suggests passion but the ‘fierce’ suggests that is a violent, urgent, desperate, and clinging sensation. She presents this as a metaphor for love in such a way that makes it seem disturbing and an altogether unpleasant experience. The line "for as long as we are" seems more realistic as it is very honest in the sense that the narrator has accepted that the relationship probably won’t last forever. This also relates
The middle-class ladies didn't work, and didn't have a life outside their homes. They dedicated all of their time, energies and passions into keeping their men happy and contented; and in return, were loved, pampered and protected from the harsh realities of life. Even though this idea of total subjection and passivity, wouldn't have a hope of success in today's society, the level of trust and commitment these two "Romantic Poets" apparently share, could be the ideal that all couples should aspire to. In sharp contrast to Browning idealistic and spiritual love poetry of the 1800s, Seamus Heaney's Twice Shy uses an altogether more contemporary and realistic style of prose too describe love in the 20th century.