Prior to the nineteenth century, western musicians and other artists generally strove to express universal ideas through their work in order to reach as many people as possible. That all changed in the early 1800’s, when composers began incorporating styles and melodies, and using traditional instruments, to represent a specific country’s landscape, traditions, and overall feeling of said country. Evidently, the people native to the country would find a sense of comfort and pride in the music, but outside audiences would also find it interesting to listen to because it was like catching a glimpse into an exotic culture.
As Germany, Austria, Italy, and France were sort of the superpowers of western music at the time, nationalism came out
Music defines our culture. As Americans, we listen to music while we drive our cars, are at work, doing housework, studying, etc. We have songs for special occasions: Christmas, Hanukah, birthdays, weddings, parties, etc. We have taken songs from the various cultures that make us diverse: Arabic, German, Mexican, Native American, etc. We have many genres: country, hip-hop, rap, pop, blues, jazz, rock, heavy metal, etc. And although we may think of music as simple and easy, looking at all this makes one realize how diverse and complex our music truly is. Two things that contribute to this diversity are theme and symbolism.
I don't think language is a reliable separation of musical style in Europe because even if people from different countries speak the same languages, they might have different types of styles. For example, Ireland and Scotland are grouped together but their music is a bit different. They both play
The adoption of Western music inspired new ways of viewing music and resulted in a transformation of Chinese music. It prompted “Chinese composers to either fuse Western music with traditional sounds or turn their back on traditional Chinese music [because they Westernized] their music modeled on the perceptions that Western music equates with modernization” (Lau 90). Additionally, because many traditionalists feared that traditional Chinese music would gradually disappear due to the modernizing Western music, “they began to focus on promoting Chinese music as a way to counteract the encroachment of Western culture and music. But they did it in a 'modernist' rather than preservationist sort of way. Many musicians experimented with new ways of composing music and modernizing traditional instruments” (Lau 92).
For as long as mankind has walked on this earth, music has been an important part of our culture and lifestyles. Each walk of life beats to a different drum. Different cultures use music for many aspects of their lives; for religious purposes, for celebrations, for comfort, for sorrow, for relaxation, for sports, for dances, for energy, for learning, for sleeping, and for sexual experiences. Everyone uses music for something. Music connects with people and reaches them in ways that words simply cannot. Music is a representation of what feelings sound like. It expresses emotion and brings that characteristic out from within us; it tells us a story. Every generation has its’ own sound and different music styles have emerged and become
Composers have been writing nationalistic works for years but not many people know that some composers are using nationalistic techniques for a completely different reason. In an article in the New York Times written by Richard Taruskin entitled “Nationalism: Colonialism in Disguise”, Taruskin explains how musicians these days are using nationalism, strong patriotic feelings toward ones’ country, as a disguise for colonialism in order to be recognized as a well-known composer such as Beethoven or Brahms. One American composer, Louis Moreau Gottschalk, can also be seen as somebody who uses nationalism in order to disguise his colonialist views. In this paper, I hope to prove how Gottschalk’s Bamboula is really colonialism in disguise and
Music is an art that has united people all over the world for centuries and centuries. Evolving throughout the years, music is split up into many different genres. These genres have derived from diverse time periods and cultures throughout the years. Jazz and Country music both originated in the early 1900s, but have had lasting impacts on completely different cultures. The detailed elements of each piece are dissimilar, but are equally effective in providing entertainment for each audience.
Music is a universal understanding of one’s culture. It allows people from all parts of the world to come together to appreciate and love one another for their differences. My mother is Filipino and my father is Mexican. Though both ethnicities are rich in history, I have chosen to specifically focus on the land of my father, Jalisco, Mexico. With lively rhythms, different vocalists, and historical dances, Jalisco’s music comes together to tell a story.
Though, in spite of waves of cultural differences causing ebbs and flows of the rising and falling of war and peace, the cohesive effects of music seems to ignore cultural differences by giving them reasons to celebrate their commonalities. And the almost infinite number of sounds that creates the musical kaleidoscope of jazz perhaps best embodies music’s cohesive elements.
According to Locke ““Musical exoticism” may be defined as the borrowing or use of musical materials that evoke distant locales or alien frames of reference ... Musical exoticism is a matter of compositional craft, of making the notes do something different from what they usually do" (Locke, 481). In the 16th and 17th centuries, the increase in Western trading was not only the trading of goods across cultures, but also merchants also began to share their cultures through various mediums. In terms of music, instrumentation, melodies, singing techniques, cultural settings, and sounds were traded. The respect for other cultures and the sharing of musical elements, not only had a drastic impact on the music of the time, but
Musical genres can be often analyzed from two standpoints: the way the genre approaches musical harmony and the genre’s stylistics. There is Country with its rudimentary melodic approach, which in a majority of times is merely a backdrop for stories that cover themes such as love, freedom, religion, and, unsurprisingly, the aspects of life in the countryside. A major part of Country’s aesthetics is reached with the use of very few recognizable instruments, such as fiddles and banjos. On the other hand, we have Jazz, whose most renowned contributors were quite often creating instrumental pieces exclusively, praising structural and melodic complexity as their ultimate goals. Throughout its history, Jazz was moving in all directions, experimenting with all sorts of instruments and musical movements.
The history of American music begins with a fundamental process of exchange through all different social lines, where diverse cultures meet, and mix. Music has and always will be defined as sounds that are arranged in a particular pattern that are played to be meaningful and pleasurable. The chronology of music began in the Medieval period, when chanting was introduced into the Church. Music has then moved its way through many stages: renaissance, baroque, classical, romantic and leading up to 20th century American music. American 20th century music is made up of a diverse number of styles that are reflected by cultural traditions and the era’s of the past. Immigrants from Spain, France, England, Germany and Ireland all contributed and brought their own unique styles to the forefront, hence creating American music. African Americans created influential musical traditions that include rhythm and improvisation that were later combined with European traditions and other indigenous music.
Music plays a significant rule in our lives. It’s a melody and rhythm we live in. It plays a very essential rule in our day to day to life when it comes to expressing feelings, passing time and for other uses as well. Though we in general may not think about how music has changed so much in the past few decades we must acknowledge the fact todays music is the outcome of the various change in the past. Today’s majority of music we hear is what we define as more as a “westernized” music. Considering other cultures in the world, a huge impact of western music is seen within them. Westernization and modernization are two different words with different meanings and they have two different impacts on a society. Modernization is used to define the improvements and show a progressive transition from one stage to another. Westernization is the concept of being influenced by the customs and techniques of the western society and reflecting them in a non-western culture. This essay will discuss furtherly about the impact of the western society on music cultures of North India and Korea by looking from both the positive and negative point of this impact.
So whilst some parts of the world stayed traditionalist, other parts were taking music to the next step. Western cultures have used music for almost every aspect of life. Music was used for entertainment, religion, war cries and important ceremonies. Some countries have unfortunately lost their culture and heritage thanks to more developed countries trying to expand their empires. A good example of this is when the indigenous Mexican people were murdered in their homeland by the invading Spanish – and replaced the traditional drums and flutes with more vibrant shakers and trumpets. It is no doubt that the way upper countries have acted has greatly affected the distribution of music worldwide.
China has long been the cultural hub of Asia, and has had the longest amount of contact of any Asian country with other Western countries. Ever since the Silk Road was established, China has been trading with other Western countries and exchanging aspects of their cultures with one another. One of these aspects is music. But how exactly has Western music influenced Chinese music? In order to understand this, we must look at the history of Western encounters with China in terms of music.
Music from all over the world presents a range of musical theories. Some of these are documented in writing whilst others are transmitted orally. Discuss and give examples with reference to both Western and non-Western music.