Who Was Responsible For Lucifer's Downfall

Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is

In addition, here, as throughout much the poem, Satan continues to hedge the other side of the argument, insisting that he isn't forced to do evil by opposing God, but that "to do ill our sole delight" (160). This belief that he has a choice in the matter is tied up in the misconception that he was, and continues to be, equal to God, as "reason hath equall'd" (248) them.  Quite to the contrary, Milton makes it clear that "the will And high permission of all-ruling Heaven Left him at large to his own dark designs" (211-3).  And it is only Satan's perverted sense of reason that convinces him that "The mind is its own place, and in itself Can make a Heav'n of Hell, a Hell of Heav'n" (254-5).  He believes that his reason and contemplation will help him discover "How overcome this dire Calamity" (189), or failing that, change his will such that it fits his current circumstance.  This is the classic method of the delusional and disenfranchised, holding out hope for change, but at the same time putting forth the belief that the current situation can actually be beneficial.  The sophistry has shown through Satan's speech, as he declares that there is no way for God to beat him, in his mind, when we know he is already defeated.

In the Confessions by Saint Augustine, this great philosopher experiences many problems and emotions related to sin and evil. As a boy, he often felt darkness, blindness, and confusion while attempting to find rest in God. Augustine started out in childhood with a restless heart because he had to live in two different worlds. These worlds consisted of his mother’s Christian faith, and the world of everything else. These two worlds confused and disturbed Augustine as a child. Augustine’s father was pagan and his mother was Christian, and they both wanted him to be very successful in the world. As he became confused, he began asking questions that could not be answered such as, “Humans often feel restless, but what is it they need to feel at

An omnibenevolent God created a man with the capacity to sin; as Augustine has addressed, the evil in man resides from his will. Augustine, however, does not address how evil stems also from the human nature of temptation that was a consequence of the original fall from Eden. Augustine touches on this theme when accounting for the origins of his sin, but he never fully declares it. “I loved to excuse my soul,” Augustine begins, “and to accuse something else inside me (I knew not what) but which was not I. But, assuredly, it was I, and it was my impiety that had divided me against myself” (62). Here, Augustine admits to denying his own human nature to sin, and blames it on something beyond his will, such as a result of creation. Bonner,

Throughout Confessions, Augustine, in retrospect, rejects many of the texts he came across in his life. He first exhibits this when he describes how wrong it was to have reacted emotionally to the Aeneid. He “wept over Dido, who ‘died pursuing her ultimate end with a sword’” (Conf. 1.21), while at the same time he failed to realize he was “dying by [his] alienation from [God]” (Conf. 1.20). Here Augustine laments the fact he wept over Dido’s death while at the same time worsened his own condition by ignoring God and his own sinfulness. He is highly critical of himself in the way he approached the Aeneid as a child, describing himself as having “abandoned [God] to pursue the lowest things of [God’s] creation” (Conf. 1.21). Because the Aeneid leads Augustine further away from God it cannot have any significance in one’s life.

In Dante’s Inferno dante sees satan and see satan with three head and satan is trying to fly out of hell but his wing are making it where it is impossible to do so. Satan in the world now is known as the king of hell. Satan is different in this version of him. In our version he is the fallen angel from god and he looks like he has reds skin and has horns while the Dante version is like a big monster and is in his own prison and he is forced to eat so of the people that have went against god. In our version of satan he is cast of out heaven and rules the underworld and is the one that cause humans to be bad and make bad choices in life. In Dante version it seems that he is the one that is forced to have a punishment and pluto rules hades what

Throughout the passage, Milton inserts beautifully emotional words that describe Satan’s contrasting feelings: grief and joy, woe and bliss, loathing and delight. The positive feelings that Satan expresses, though describing Adam and Eve’s state, reflect the good nature in Satan. That nature is visibly small, as Satan describes himself as joyful or blissful. He merely observes this happiness in Adam and Eve; he even speaks the words with hints of regret. The negative words have a much more powerful effect: Satan uses these words to describe his own feelings and his own domain, Hell. The feelings of grief, woe, and loathing are his, not Adam and Eve’s, and thus

The cause of evil itself, according to Augustine, is the human will, and thus all blame for it rests on our shoulders, not on Gods. We willfully turn our souls away from God when we perform evil deeds. Even the punishment that God imposes on us for our evil is something that we brought on ourselves. Consequently, a first solution that Augustine offers to the problem of evil is that human will is the cause of evil and reason for divine punishment. A second and related solution is that the evil we willfully create within our souls is only a deprivation of goodness. Think of God’s goodness like a bright white light; the evil that we humans create is like an act of dimming that light, or shielding ourselves from it to create an area of darkness. It is not like we’ve created a competing light source of our own, such as a bright red light that we shine around to combat God’s bright white light. Accordingly, the evil that we create through our wills is the absence of good, and not a substantive evil in itself.

Augustine is our exemplar to human nature, as well as the guideline to what it means to be human. He demonstrates both the good and bad qualities that humans obtain and show that not everything can always be all-good. In the Confessions Augustine talks about how he knows about his own imperfections. He states “At one time in adolescence I was burning to find satisfaction in hellish pleasures” (Augustine, Confessions, pg. 24). Many of his imperfections have brought a new way of thinking about the human being. In the Confessions, Augustine focuses on his autobiography and how sin comes from inside us humans. From this we have learned about the term introspective conscience and how it depicts when someone is constantly looking at him or herself and looking at the motivation to sin.

This paper examines St. Augustine’s view on evil. St. Augustine believed that God made a perfect world, but that God's creatures turned away from God of their own free will and that is how evil originated in the world. Augustine assumes that evil cannot be properly said to exist at all, he argues that the evil, together with that suffering which is created as punishment for sin, originates in the free nature of the will of all creatures. According to Augustine, God has allowed evil to exist in the world because it does not conflict with his righteousness. He did not create evil but is also not a victim of it. He simply allows it to exist.

In Milton’s Paradise Lost, surely we have come to ponder upon the makeup of Satan’s attractable character—his rebellious, seductive, almost “bad-ass” attitude—a case of admirable evil. But let us not forget his ambition, his strive to weld the image of God. We have seen many moments throughout where we get Satan’s ground for imitating the image of God: “…In imitation of that Mount whereon / Messiah was declar’d…” (V 764-65). But why does Satan do this? What is it in Satan that causes him to “look up” to God? Is God a tyrant yet a role model to Satan? I propose that Satan’s drive is something more than just an act of pretending; maybe, it is rather a means of trying to grasp what he has been taken away from him. Or, we can say that Satan was more. Perhaps he came to existence not in the mold of angel, but as a divine tool. There must be a reason as to: why Satan was considered God’s “first and favorite angel”? This seems to suggest that Satan is, originally, at some level of divinity; an experiment of God’s that was put to the test (or is a test)—a divine prototype.

In this essay I will be discussing how St. Augustine ultimately solves the problem of evil, in a way that at times does go hand in hand with his religious views, however, at times contradicts what he is saying. In “ Confessions” Augustine who although does not in any way question the existence of God questions why God, someone who is all powerful, and all good still allowing people to suffer the way in which they are.

Milton, through Satan's soliloquies in Book 4, shows that Satan's idea of free will is a facade, and God carefully manipulates him to fulfill his plan of Adam and Eve's fall. While speaking, Satan inadvertently places doubts in the reader's mind that his will is free. Satan proves through his actions that God created him to act in a very narrow range, even though he himself does not realize this. The combination of pride, ambition, abhorrence of subordination, and ignorance of his own state as a puppet lead to perpetually diminishing stature and divinity.

One of these obstacles is Satan’s insecurity; he encounters moments of weakness along the pathway to glory, but he recognizes them and grows stronger in his resolve, like a true classical hero. For example, when Satan enters Eden he is amazed by its beauty. Again he considers repenting to God but he justifies the bitterness he feels as foretelling of evil actions he intends to commit on humans (and snakes). Additionally, he has to justify the reason he rebelled once again and convince himself that he is hell and, “in the lowest deep a deeper deep / still threatening to devour me opens wide / to which the hell I suffer seems a heaven,” he is happier now than he was in Heaven (4.1-78). He goes on to say that he will feel no fear or shame in doing evil because evil is his good (4.104-113). Satan accomplishes his goal of tempting Eve to evil against God, and so slithers victoriously back to Hell. When he reaches Hell, he is treated like a king by his followers.

As Satan later claims, “To reign is worth ambition .. /Better to reign in hell than serve in heaven.” (PL, I: 262-63, p.156) His statement suggests that his fatal flaw might be his ambition, his desire to become even more powerful than he once was. This image of Satan having a 'fatal flaw', something that drives him into destruction, connects him with the idea of Aristotle's hamartia, and connects him to the imagery of the other a 'good person' who has fallen from grace, but is nonetheless a hero. Satan is also connected to Aristotle's idea that “heroic virtue is superhuman, godlike, and divine”5, when he is described to be “stretched out huge in length” (PL, I: 209, p.155) across the lake, further imprinting the image of his heroic status.