The Importance Of Being Earnest By Oscar Wilde

Gwendolyn and Cecily act as friends until they learn that they are supposedly engaged to the same person. Then they learn neither of them are engaged to anybody named Ernest, and are friends again. In act three, we discover Jacks history, including that he is Algernon's elder brother. In the end, despite several lies, arguments, and much turmoil, everybody gets married.

Oliver Parker’s (2002) film adaptation of Oscar Wilde’s play ‘The Importance of Being Earnest’ is sadly completely consumed by the romantic comedy style, masking Wilde’s key concerns and detracting from important comic elements of the play. This can be observed through the varying representations of characters, the film’s lack of contextual jokes, the more prominent sub-plot between Dr Chasuble and Miss Prism, the addition of music and the way in which dialogue, while remaining true to the play, has lost meaning in the film.

A comedic work of literature is often just one that was meant as pure enjoyment for the reader. Other times, comedy is meant to shed light on a serious situation or instance the public refuses or is uncomfortable talking about in a non-comedic setting. However, the greatest type of comedy is one that makes the reader think, one that provokes “thoughtful laughter” from them. “The Importance of Being Earnest”, a satirical play written during Victorian Era Britain by Oscar Wilde, is such a piece literature. By poking fun at the time period in which his characters live in during one particular scene, as well as illustrating the unsubdued hilarity of a character during that scene, Wilde is able to elicit thoughtful laughter from his audience, ultimately showing them that life is far too serious and needs to be taken more lightly.

Daniel, A. M. "Wilde the Writer: Wilde's Plays." Palgrave Advances in Oscar Wilde Studies. Ed. Frederick S. Roden. New York: Palgrave Macmillan, 2004. 54-71.

insinuates the importance of being honest and truthful, while playing on the male name, Ernest. The pun in the title is a case in point. The earnest/Ernest joke strikes at the very heart of Victorian notions of respectability and duty. Gwendolen wants to marry a man called Ernest, and she doesn’t care whether the man actually possesses the qualities that comprise earnestness. She is, after all, quick to forgive Jack’s deception. In embodying a man who is initially neither

In an age of social registers, Lady Bracknell laments that even the Court Guides have errors. In the next breath, she discusses bribing Gwendolen's maid to find out what is happening in her daughter's life. In Act III she also reveals that her aristocratic brother's family entrusted their most precious possession — Jack — to a woman who is more interested in her handbag and manuscript than in what happens to the baby in her charge. Wilde seems to be

In the play, The Importance of Being Earnest by Oscar Wilde, there is a lot of humor that can be found. Specifically, developed behind the characters in this play that display many instances of irony and how important it was to fit into the “status quo” of this time period. There are specific behaviors from the characters of Lady Bracknell, Gwendolen, and Algernon that portray Wilde’s opinion of society during the Victorian Age. The attitude of these characters is snobbish and their manners display double standards and superiority. The play’s use of mockery and irony of these satirical situations is meant to publicly ridicule the self- loving attitude of the upper class while exposing their true absence of intelligence which causes their absurd social behaviors

Wilde uses a deceptively flippant tone and irony to criticize the hypocrisy of the upper class in Victorian society in relation to living an earnest life. Earnestness as a virtue was of paramount importance during Victorian Society, with people constantly striving to live an earnest life, that is, a life of honesty and seriousness in intention and purpose. The Victorian society was passionately obsessed with the ideals of earnestness, that individuals in the upper middle class were pressured to go to any lengths to lead such a life, even if it meant a difference between what they said, how they acted in public and what they honestly thought. "My dear fellow, the truth isn't quite the sort of thing

Jack: “If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won’t want to know Bunbury” – This shows that Jack does want to settle down and is very much in love with Gwendolen. He feels that if he has her in his life, he will no longer need to escape out of where he lives to have fun and be wilder, as he won’t want that anymore.

The relationship between Jack and Gwendolen undergoes a parody. Gwendolen laughs when Jack asks how she might feel if his name is not Earnest. "Ah, that is clearly a metaphysical speculation", she says, "and like all metaphysical speculation, has very little reference at all to the actual facts of real life, as we know them."(18) This remark of Gwendolen exactly fits the general theme of the play, but in fact the joke is directed to her. Yet at the end of the play, Gwendolen's conviction that she will marry an Earnest and her faith in the name are justified- we understand that Jack's true name is Earnest. The effect

Gwendolen and Cecily are both fixated on the name Ernest because the superficial society surrounding them unconsciously causes them to gravitate towards men that they believe have earnest dispositions. Gwendolen asserts her fondness of the name Ernest declaring, “my ideal has always been to love some one of the name of Ernest. There is something in that name that inspires absolute confidence” (Wilde 980). Cecily also admires the name Ernest and makes a statement almost identical to Gwendolen’s when she admits, “it had always been a girlish dream of mine to love someone whose name was Ernest. There is something in that

One thing that Jack and Algernon have in common is that they both have these false faces. Algernon’s alter ego Bunbury is a version of himself used in the country but he uses Ernest to marry Cecily. The story deals with Ernest, this immorally imaginary man that both Cecily and Gwendolyn become engaged to, it exemplifies the irony within the name. Most of the irony comes from this character. One of Wilde's satiric targets is romantic and sentimental love, which he ridicules by having the women fall in love with a man because of his name rather than more personal attributes. Gwendolyn said “No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces

Later, when Lady Bracknell and Gwendolen enter, two more ideas of marriage are brought to the forefront. Lady Bracknell portrays the aristocratic Victorian view of marriage but to a more extreme extent. According to Ziegenfuss, marriage in the Victorian era was not romanticized or fairytale-like. Love actually played a very minor role in the majority of matrimonies that took place. Engagement was entered into as one would approach a business deal, with rules and guidelines (Ziegenfuss). This is blatantly obvious when Lady Bracknell interviews Jack to see if he’s fit to marry Gwendolen. She attacks Jack with questions about family, fortune, and even place of residency and his answers need be appropriate for a union between the two families. (Kupske, Souza, 122). Even when Algernon wants to marry Cecily, Lady Bracknell voices, “I think some preliminary inquiry on my part would not be out place.” (Wilde, 46). Gwendolen, however, has the same view of marriage as Jack but, still has strong ideals about social protocol. This is seen when Jack tries to propose, she replies, “Of course I will darling…I am afraid you have had very little experience in how to propose!” (Wilde, 11)

By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies

Cecily and Gwendolen were perfectly happy to become attached to something that appears to be true and real rather than taking a closer look to expose the genuine nature of Jack and Algernon proves that the two young women were more attached to the name of both men, and did not consider their actions and words to verify them not being earnest – exposing both women as superficial. Algernon’s occupation with his outer appearance and Lady Bracknell’s need to look good in the eyes of others proves them both to be superficially committed to their external manifestations. It is possible that Wilde was revealing what the upper class life resulted in, and that as one rises higher in status one loses themselves, becoming preoccupied with what others want and what others think, forgetting one’s true