Wild-Wild West: Movie Analysis

In chapter two of The Cultures of American Film, the main focus is the establishment of studios. As demand for films rose in the early 1900’s, production companies needed to expand; this lead to the creation of large scale studios.

The Alamo is a 2004 American war film about the Battle of the Alamo amid the Texas Revolution; it is a motion picture that catches the dejection and fear of men sitting tight for two weeks for what they hope to be sure passing, and it some way or another succeeds in taking those popular society brand names like Davy Crockett and James Bowie and giving them human structure. The film was coordinated by Texan John Lee Hancock, delivered by Ron Howard, Brian Grazer, and Mark Johnson, dispersed by Touchstone Pictures, and featuring Dennis Quaid as Sam Houston, Billy Bob Thornton as Davy Crockett, and Jason Patric as James Bowie. The film relates to history, the Alamo looks exact, and, in reality, we find that San Antonio de Béxar was deliberately re-made with small saving of cost. In any case, a feeling of the way the occasions at the Alamo are joined with the national story of slavery, development, and the evacuation of Native American from the eastern United States in the 1830s and 1840s is missing. On the off chance that we incorporate this bigger story, we can maybe figure out the more extensive point of view that at first created enthusiasm for the venture.

The movie “Wild” is based on Cheryl Strayed’s autobiography about her trek along the Pacific Crest Trail in 1995. The story is set on the Pacific crest trail, including a wide variety of climates including: deserts, snow covered mountains, and tropical forests. Along her journey on the trail, the movie flashes back to several traumas that drove her into the wild, in order to reinvent herself as a strong independent woman once again, no longer bound by guilt, shame, and regret. This is a movie that embraces the healing values of nature and how it can help an individual gain a broader perspective on life.

At a very young age of eight, David Fincher’s passion for cinema grew when he was inspired by the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. During high school, he directed plays, designed sets, and managed lighting after school. One summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead was taught the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films followed by becoming a well-known music director until his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success from this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.

Film noir is a famous era of filmmaking that defined the cinematic experience in Hollywood for a whole decade. No film can correctly represent such a influential cinematic era like Gun Crazy directed by Joseph H. Lewis. Gun Crazy is a unique expression of film noir of the 1950s that utilizes many cinematic elements in unparalleled ways to tell its story in a distinct fashion. Lewis uses cinematic techniques such as lighting, composition, editing, music, and mise-en-scene of the opening sequence to establish the tone and character motivations of the story.

John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.

The film, The Last of the Mohicans is a historical drama that takes place during the French and Indian War (1754-1763), and is based on the remaining members of the Native American tribe, the Mohicans. The Mohicans are a peaceful and scarce group of Indians who have been living alongside the British colonies but want nothing to do with the war they are fighting in. Hawk-eye is a colonial settler who was adopted by the Mohican tribe and was raised as an Indian. Hawk-eye, Chingachgook, and Uncas are the lasting members of the Mohican tribe who have been asked to ally with the British colonies and eventually become a big asset to their defeat against the French. The French and Indian War soon became a combat of the British with the Colonial military and Mohican allies against the French military and Huron allies to decide who will control North

In early 19th century, in order to grow the cotton industry, white farm owners pressurized the government to encroach towards the south to incorporate more farm fields for increased plantation. The only barrier in their route was Native American tribes that settled the south eastern region. This land was home to the so called five civilized tribes Cherokee, Creek, Choctaw, Chicasaw and Seminole. These tribes were called civilized by the Anglo Americans for their efforts to assimilate into white American culture. This region inhabited by native American tribes was fertile and valuable to say the least. White settlers were cognizant of the value it was going to add to their wealth. Therefore, the government was going to do anything it takes to get the hold of the land for their

Ford’s Stagecoach is an epic and revolutionary approach that displays the desert terrain and western inhabitant’s struggles. Stagecoach follows the lives of seven strangers in their attempt to arrive to Lordsburg, New Mexico. Each of these characters reflects the various types of people found in the western world. The film is laced with many American ideals of the time such as xenophobia, chivalry, the conventional standards of women, and much more. Stagecoach defies the conventional western film because it is no longer just men in a desert terrain with rifles.

This was known to be “manifest destiny”. Not only did the individuals involved believe it would be beneficial for the state economically and politically to acquire the land from east coast to west, the believed it to be their “God Given Right To Spread The Values Of White Civilization”. This immediately brings to memory the relatively racist time period from which the United States originates. African American, Native American, and Hispanic people were looked at as inferior to the Caucasian people. This was the reason Caucasians used to justify their harsh treatment of these other races. It may be sad to admit, but it certainly is true. With this logic of “justification”, the Caucasian based government began its expansion from east to west by any means necessary. Furthermore, there were great political and economic incentives to pursue this goal. The central and western areas of the U.S. presented tremendous economic opportunity for use and development. In addition to the vast amount of land, these areas also presented natural resources which could be used in the growth and development of the United States (Calderon, 2014). The access and control of these resources with the resulting economic growth greatly enhances the political leverage of the institution. However, regardless of the benefits this move presented, the tactics used to achieve this goal were highly unethical.

The world of film has changed dramatically over the last fifty years, both in technology and perceptions on how the industry should work and how it is viewed by the public. The ending of the production code in Hollywood started the cultural change in the industry. With this restrictive institution gone, many directors chose to take advantage of this in many different ways. My favorite of these is Mel Brooks; he chose to break and push boundaries both socially and comedically. Brooks’ style often includes crude humor inlaid with deeper jokes and meaning, many fourth wall breaking moments such as the “We’re in now now” scene of Spaceballs, to stand out in the world of comedy. His masterpiece, Blazing Saddles, is one such film that did just that. Through its new found sense of humor in the post production code era and its twists on common genre tropes of the time, Blazing Saddles was able to find its place into the New Hollywood Cinema.

The western movie I pick is John Ford’s movie Stagecoach (1939). The movie is about a group of people traveling together by stagecoach from the town Tonto to Lordsburg. The people traveling together are a diverse group of people. All of them have the specific motivation for going, but they all share the same goal reaching to Lordsburg. The characters are Dallas who’s a prostitute, Mrs. Lucy Mallory who is the wife of the Army Cavalry officer, Ellsworth Henry Gatewood who is a banker, Hatfield who is a gambler, Samuel Peacock who is whiskey salesman, Doc Josiah Boone who is a alcoholic doctor, Buck Rickabaugh who is a stage driver, Marshal Curley Wilcox who is a marshal riding shotgun, and Ringo Kid who is an escaped outlaw.

Into the Wild is a documentary film by Sean Penn that follows the life of Christopher Johnson McCandless, a vagabond who tramped across the United States for two years before his journey led him to Alaska, where he lived in the wilderness, sheltered by an abandoned transportation bus, preceding his death. McCandless grew up with all the privileges of being raised in the suburbs by a middle class family, he later went on to graduate from Emory University in Georgia, and seemed to have his whole life stretched out in front of him. However, he did the exact opposite of what was expected, severed all ties with his family, and adopted a life of chosen homelessness, where his travels led him on wild adventures across the country. Many speculate that McCandless was pushed to do this in order to spite his overbearing and abusive parents who verbally and physically assaulted each other in front of their children, demanding they pick a side. Some say it was McCandless’s desire to free himself from all material constraints and the burden of societal pressures. Taking a psychological approach, McCandless

I have watched a considerable number of movies this semester so it was hard to choose which one to analyze. It came down to “Remember the Titans” or “Good Will Hunting”. However, the movie that I will be analyzing is “Good Will Hunting”. The reason I chose this movie is that it can be analyzed in many different ways. I will be analyzing different scenes of the movie and analyze them from different angles. I will be analyzing about the symbolism that is happening in the movie. I will be analyzing many different things about the movie. The first thing I will analyze in this movie is the symbolism of things, objects, colors, and

The Western film genre is typically set in a secluded village in the middle of the desert, normally in the American West. The setting includes wooden buildings, tumble weed, cacti, trains, horses and carriages. The storyline for western films is usually the same, namely, a hero travels to a remote village, usually on a horse, and brings peace to the warring villagers.