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Waiting For Godot Essay

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In Beckett’s Waiting for Godot, one of the most prominent dramatic styles Beckett uses is the tragicomedy. This blend of the two classic forms of drama adds a sense of dark humor to the play. When it is performed, the play’s seemingly random acts of comedy are dispersed through the tragedy. which provides a physical act to be performed on stage, as well as expanding the depth of the ideas presented. Beckett uses the tragicomedy style to demonstrate how tragedy and comedy are two of the most important parts of life, and to provide a shocking and stark contrast between ideas presented in the play.
Dramatically, the comedic moments offset the gloom around the characters. The actors use the few props they have to mix the comedy into the nihilistic stance of the play. At the beginning of the play, Vladamir takes off his hat, and “knocks on the crown as though to dislodge a foreign body, peers into it again, puts it on again” (3). This action appears comical on stage, but also is able to symbolize Vladimir’s search for himself, which ends very tragically. His search in the emptiness of his hat is symbolic of his desperate attempt to figure out or at least find what is happening in his head. The play also indirectly addresses the audience to reflect their feelings about how boring the play is. Vladimir and Estragon banter back and forth, saying “It’s only beginning/ It’s awful/Worse than the pantomime” (26). These metatheatrical statements break the fourth wall, and address the

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