William Blake Diction

“The Chimney Sweeper” (128): This version of the Chimney Sweeper is very upfront and saddening. The version that is presented in the songs of innocence is much more of a calm town and is not as straightforward, while this version is very short and to the point. In this version its very deep as the narrator basically just calls out the parents/church for doing these horrible things to the children. I really love all three stanzas of this poem because they all have a really deep meaning and Blake transitions through them very well. Reading this poem over and over I don’t know what to make of it other than it is an absolute horrible situation. I think it can be tied in to

The voice in this poem is one of pure happiness and innocence. In this state of joy, the infant is unaware of the world in which he lives and that awaits him. In these opening lines, we see Blake revealing the everyday modeling and structure that categorizes the world, but is absent in the simplicity and purity of childhood. The child has no name because joy needs no other name. Labeling and classification are products of organization and arrangement that the world uses to assimilate innocence into experience. Blake demonstrates that it is through this transition, that the virtue of child’s play is destroyed. Blake utilizes specific emotions such as “happy,” “joy,” “sweet,” “pretty,” “sing,” and “smile” to describe this uncorrupted state of being. There is no danger, darkness, or struggle for the infant. Instead, he exists in a care free state, free of guilt, temptation, and darkness. The birth of a child is celebrated by Blake and it stirs in us powerful emotions of peace, love, and hope.

Both “The Chimney Sweepers” poems were written during the industrial revolution. During the industrial revolution families were living in poverty, and times were challenging. Often times for families to survive they would sell their children to master sweeps, or master sweeps would welcome orphans and homeless children into the industry of menial labour. They used children between the ages of five to ten depending on their size. Parents would often sell their children younger, because their small frames were more desirable. Even though “The Chimney Sweeper” (1789) and “The Chimney Sweeper” (1794) were written five years apart they show many similarities and differences.

     Blake also uses startling irony in this poem. This irony shocks the reader into realization of how terrible life is for these small boys. Some of the verbal irony Blake uses lies in the first stanza. The poetic voice claims that “[his] father sold [him] while yet [his] tongue/ Could scarcely cry ‘ ‘weep! ‘weep! ‘weep! ‘weep!’'; (554). These words have a double meaning. They can mean that the speaker was not yet over mourning for his mother, or they can mean that he was so young that he was not yet able to sound out the s sound properly. In this case, he would stand on the corner and, instead of repeating the word sweep in an attempt at getting someone to hire him, he would repeat the word “‘weep!’'; (554). Another, more startling irony is that these young children hoped and lived for death because only in the after life could they become children. Blake emphasizes this with the

The idea of innocence loss is prominent in the last three stanzas because this is the part of the story where the child begins to understand the world. In order to make this transition, Thomas uses rhetorical situations such as tone and symbolism to convey the shift. In the fourth stanza, Thomas uses the child’s sleeping as a symbolism for the dark coming, meaning the idea of maturity and aging is hinted. This initiation equates the beginning of the world of maturity, and the end of youth. It also involves the loss of innocence, freedom, and purity. The loss of innocence also infers that the child’s unification with nature is no more, since the setting is referred to the Garden of Eden, the child’s ability to create and fantasize is no longer possible. Despite the clear transition where the child is starting to understand the implications of the world outside of his own, he continues to ignore its heavy presence. In the fifth stanza, the child continues to enjoy the paradise of youth, with the author describing his attitude as he “[runs his] heedless ways.” The author describes the child’s reluctant actions by using a rhetorical situation called register. Register helps the language of this poem to give it authenticity, and meaning to the themes. Thomas displays some of his Welch register in the poem, giving the poem a more genuine feel. In stanza five, Thomas uses a phrase “sky

William Blake’s “The Chimney Sweeper” in his Songs of Innocence is a literary masterpiece that is still relevant and impactful in the modern world. In lovely form and description, Blake explains the atrocities and hardships of the Industrial Age in a poem suitable for school-age children and with the beautiful simplicity that only a writer like Blake could produce. The Songs of Innocence is a look into the purity and wonderful outlook on life that children usually have. While in its counterpart, the Songs of Experience, Blake uses adults as protagonist. The Songs of Experience is a look at the effects that hardships and failures have on adults, therefore having a pessimistic outlook toward life. In his these two works, Blake produces a parallel universe between childhood and adulthood where the optimism of dreams of childhood and the bitterness and stagnation of adulthood never seem to know one another.

He would wake up the household when the house was warm and the children still spoke indifferently to him even though he warmed up the house and even polished the children’s shoes. The child describes the family as ungrateful for what the father does for them. The theme of Those Winter Sundays is hard to determine. Because there is more than one theme. The poem explores themes like ungratefulness and love. The love theme is not upfront and easy to identify because it is not really portrayed, one can see it in the father as he does these things for his family. Ungratefulness is easier to see because they do not thank the father for anything he does. The tone of this story could be regret because the speaker regrets not showing any appreciative towards his dad. The poem also comes with the elements of speech such as internal rhyme, imagery, and personification. Internal rhyme can be found in the first stanza line 5 when he says “banked fires blaze. No one ever thanked him.” The rhyme is in the words banked and thanked. Imagery is also found in the first stanza line 2 when he states “put his clothes on in the blueblack cold, then with cracked hands that ached.” And finally, personification is found in the second stanza the last line when he says “fearing the chronic angers of that house.” This is personification because they are giving the house the emotion of being angry.

The poem is sectioned into six quatrains, which follow the following pattern: reality, reality, dream, dream, dream, and reality. Through use of this poetic device, the poet presents the impression to the reader that it is inevitable that reality must always be returned to, and that the children will have no escape from their labour. Though the dream may present the impression that it is a welcome escape, it only serves to further emphasise the cruel conditions of the child’s life. ‘The Chimney Sweeper’ falls into the category of a lyrical poem, which presents it to the reader as a song of sorts, almost akin to a nursery rhyme. Traditionally, nursery rhymes are sung to young children, emphasising the narrator’s naive tone. The irony in this must also be noted, as the child ought to be protected by his parents singing to him as he falls asleep; he should not be partaking in the dangerous occupation he has been forced

Throughout the poems, us the readers, visualized the different techniques William Blake uses. As well as how different and similar both of them are. The Chimney Sweeper, in my opinion, talks about how the parents of a child don’t really want him or her in their lives because of how they are trying to get rid of them. Yet on the second poem, Blake went straight to the point by not using many stanzas. He uses several types of figurative language that guide us through both of the poems. Which made them sound more interesting and understandable to the readers.

Although William Blake died almost entirely unknown, his works influenced readers long after his death because he challenged important issues, such as religion. His works Songs of Innocence and Experience demonstrated the hypocrisy and corruption of the Church and State, by showing situations seen through the eyes of those that are innocent and those that are experienced. For example, in his two poems both titled “The Chimney Sweeper”, he brings attention to the cruelty of children being sold into slavery by their parents and the ideology that allows them to do so without guilt. The poem “The Chimney Sweeper” in the Innocence collection, ends when the boy Tom was visited by an angel who promised him a place in heaven and

Furthermore, Blake juxtaposes this to Tom’s dreams, where “down a green plain leaping, laughing they run” (14), where the connotations of the colour “green” conveys a sense of happiness and joy that is stereotypically associated with the connotations of childhood. However, the children eventually “rose in the dark” (21), where the noun “dark” indicates their gloomy reality. Therefore, Blake presents irony in that fact the magic of childhood as been destroyed and corrupted, ultimately highlighting the injustice that these children did not get to lead the lives that children should. In a like manner, Owen similarly employs juxtaposition to convey iron through the title of his poem itself, “Anthem for Doomed Youth”. There is a contrast between

     William Blake’s “The Chimney Sweeper” was mainly about the possibilities of both hope and faith. Although the poem’s connotation is that of a very dark and depressed nature, the religious imagery Blake uses indicates that the sweeps will have a brighter future in eternity.

In conclusion it is evident that Blake is writing this poem to bring to light a major calamity in England. The practice of young boys being forced to work and live in these types of conditions is appalling. Many western world nations passed child labor laws during the 19th century. Blake’s poem about the life of a child having to work and live in these types of conditions probably helped people understand the need for these types of laws. Reading Blake’s detailed poem about children who were chimney sweepers, leads one to believe that perhaps Blake may have had some personal experience as a chimney sweeper

The children are the ‘we’ of the first half of the poem. They “loved it” (5) when the mother kicked out their father and were “glad” (1) at the result of divorce. When their father lost his job they “grinned” (4) and were “tickled” (line 7) with pleasure as they watched their father’s world crash down around him. The sympathy conveyed through the narrative sits with the mother and children during the first half of the poem. As the daughter begins to speak in present terms, and the “you” (1,3) suddenly is now “father” (17), the poem undertakes a dramatic shift. Sympathy begins to surface, from the reader, for the “bums in doorways” (18) who begin to take on a victimized persona with their hands depicted as useless “flippers” (21) attached to their “slug” (19) bodies. It is not to say that the speaker has forgotten the cruel insensitive man that she recalls in the first part of the poem, but the father is now not the only villain and the mother and children are not the only sufferers.

“The Chimney Sweeper” is a poem written by William Blake (1757 –1827). His main aim is to expose the social defects in his age and the vices which afflict his society and to confront his readers with the dreadful suffering of the working paupers. According to Blake, the chimney-sweeping life is not a life at all; the labourer children have lost their childhood, their freedom, and their innocence. He criticizes the victimisation of children and the injustice of this oppressive labour. He shows how Tom; the chimney sweeper and other children suffer from long hard labour in addition to physical and psychological abuse. Blake insists that these children are living in abject and inhumane conditions of deprivation, misery and humiliation