William Howard Coaldrake

“The ruined city had flourished – and had been an inviting target – mainly because it had been one of the most important military-command and communication ‘centres in Japan, and would have become the Imperial headquarters had the islands been invaded and Tokyo been captured.” (HERSEY, P. 107).

When people think of “Medieval”, they often relate this to Europe. However, there was once a Medieval Japan too, and this time stretched from 1185-1868 CE. During this period, Shoguns ruled Japan, and they defined it as “Medieval” because, just like Europe society in Japan at this time was feudal in structure. Medieval Europe lasted from the 5th to the 15th century, and was often referred to as Christendom, because most civilians were Christians. Although they didn’t have any direct contact with one another, there were many similarities and differences in these two times. The ones this essay will focus on are; castles, health and hygiene and the social structure.

The Japanese empire was in great power by this time period, and they thought themselves as the king of the East Asian race. Japan, the “old order”, also believed that some day Europe and America would take over their power and become the “new orders”(Doc A). Japan was one

The Tokugawa period or otherwise known as the Edo period has been recognised as an extremely significant aspect of Japanese history and left history changing effects on the country. In this essay, five primary aspects of the Edo period, which has helped produce present day Japan and had greatly impacted on the nation during this period will be addressed:

It is clear that Japan’s ‘three unifiers’ were beneficial to the development of Japan in three fundamental areas: social, economic and political. Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu are known for unifying Japan after the sengoku period (c. 1467 – c. 1603), a time of internal conflict. While each unifier had a different approach to developing Japan, the corroboration of each new policy resulted in an improved Japan which set foundations for lasting central rule.

The imperial palaces were built on a grand scale, sparing no expense to display the majesty and dignity of the imperial power of the time. Each successive emperor contributed grandeur to the structures, and today, these palaces stand for all to enjoy. Each imperial palace is a testament to the history and glory of Chinese culture. These glorious structures clearly demonstrate the creative essence and imperial traditions of the Chinese

Feifer, George. Breaking Open Japan: Commodore Perry, Lord Abe, and American Imperialism in 1853. New York: Smithsonian Books/Collins, 2006. pp. xx, 389 p.: ill., maps; 24 cm. ISBN: 0060884320 (hardcover: alk. paper). Format: Book. Subjects: Japan Foreign relations United States /United States Foreign relations Japan.

The foundation of Japanese imperialism, which eventually led to World War II was in the Meiji Restoration of the 1870’s. At that time, pro-war sentiment and desire for national strength and growth arose as the national attitude of the Japanese people. Certain groups, which advocated return to the traditional Japanese ways, began to grow in power. Shinto, the traditional religion of Japan, was revived with a new emphasis on emperor worship. By the time Emperor Hirohito assumed power in 1926, the nation was ready for a second restoration.1

In his 2001 journal article “Ise Shrine and a Modernist Construction of Japanese Tradition” of The Art Bulletin, Jonathan M. Reynolds examines the differing representation of the Ise Shrine through time, emphasizing on the changing cultural significance of the Ise after the second world war. Reynolds discussion of the Ise Shrine centers on its representation in texts and images. The texts and images in which Reynolds analyzes date as early as the 8th century with the Nihon Shoki, and as recent as the 20th century.

Japan is an unique oriental country in many aspects, especially in politics and economy, both western practices and traditional nationalism are coexisted in this country. The period 1890-1940 was just followed the Meiji restoration, and was typical in the history of Japan, at that time, Japan was on the way from a feudal country to a capitalistic country, called modernization. Many western practices were being more and more adopted, however, at the same time, traditional rules still had strong influences in Japan. Under this background, this report will discuss the Japanese cultural factors during 1890-1940 that influenced the disclosure

Gluck, Carol. Japan’s Modern Myths: Ideology in the Late Meiji Period. (Princeton: Princeton University Press, 1985), 73.>> The emperor, “as an embodiment of Japan’s sense of national identity, as a bridge linking traditional sources of legitimacy to the new state authority, as the father figure which justified his subjects’ self-discipline and sarifice [became] both a rallying point for his people and a means of concentrating authority behind the emerging national leadership; the emperor came to symbolize all the forces of self-control and enforced stability which combined to channel the prime energies of the Japanese toward meeting the foreign challenge and toward adopting essential social and economic reforms.” <<5

Avakian, Monique. The Meiji Restoration and the Rise of Modern Japan. Boston: Silver Burdett, 1991. 38-54.

Meiji Restoration was a significant historical event not only in Japanese history but also in world history. A study (Hunt, Lynn, Thomas, & Barbara, 2009) concluded that the word “Meiji” means “enlightened rule” and the goal was to combine “modern advances” with “eastern” values. This event restored practical imperial rule to Japan under Emperor Meiji in 1868 (“Meiji Restoration”, 2017). As a result, it led to the tremendous changes in political and social structure of Japan, and spanned both the Late Tokugawa period and the beginning of the Meiji period (“Meiji Restoration”, 2017). The main causes of Meiji Restoration can be analyzed from the following different aspects.

The two scenes were beautiful in a natural, traditional and exotic way, which was different from Yokohama’s beauty of modernity in picture 2 and 4. Yokohama was one of the seven treaty ports opened by the Kanagawa Treaty in 1854 and Harris Treaty in 1858. Under the intimidation of America’s steam-and-coal warships, Japan had no choice but ended its “close-country policy” and gave the U.S., later also Britain, the Netherlands, Russia, and France, the access to the seven treaty ports. After a decade, when the “globetrotter” tourists visited Japan and pressed the camera shutter, we can see how those treaty ports, especially Yokohama, were influenced by the West. Picture 2 depicted a main street of Yokohama. On the left side of the street was a printing office while on the right side of the street, there was a Cigar store. Cigar was clearly not a native product of Japan, but something introduced from the West. Another noteworthy detail was that the shop signs of the two stores were both written in English instead of Japanese. Picture 4 was a portrait of a railway station. Train was a symbol of technology development and signified Japan was stepping outside of the Biological Old Regime and start to use steam and fuel as the source of energy. In addition, in the middle of the picture stood a lampstand. It indicated the use of electricity, and gave viewer a

It is no secret that for centuries, the Japanese woman has been, to most observers, a model of elegance and graceful beauty. A picture of a kimono-clad, modest, and often silent woman has been plastered everywhere, allowing for the upmost passive subjection. If we look deeper into this image of woman, can we tell if this picture is complete? How do these women painted in representative images far in the modern world? The ideal woman in Japan is expected to be both a good wife, and a wise mother. Though these seem like reasonable expectations, there is a much deeper meaning to them that has shown signs of being outdated. During the 1800’s and 1900’s, women were subjected to society’s vision of them, and could not break free for fear of the