Life. Death. Existence. Oblivion.
Good evening ladies and gentleman. It is my absolute pleasure to have been granted the opportunity to present my fellow Shakespeare fanatics with the ramblings of an ambitious and budding theatre critic. I implore you to bear with me as I pose the question, to be or not to be… an existentialist? There truly is no contest; to be human is, in fact, to be. “You have always been playing Existentialism. Up until now, you were very good at the game. You are now playing Existentialism. You are about to be very bad at the game. You will always be playing Existentialism.” As I’m sure you’re all aware, Shakespeare is renowned for his unorthodox presentation of ideas, challenging beliefs, controversial commentary and social critiques. Though it would be inaccurate to label Shakespeare an existentialist, his works heavily involve recurring themes and characteristics of an existential nature, and Hamlet was no exception. Hamlet as a revenge tragedy was unconventionally brilliant in its multifaceted portrayal of moral, intellectual and obligatory confliction, resulting in significant psychological consequences. I would now like to acknowledge the reception of Hamlet by esteemed German writer and politician Johan Wolfgang von Goethe. You might be familiar with Goethe’s old gem likening Hamlet’s characterisation to a delicate pot struggling to contain a tremendous tree. Goethe describes an almost comical fragility in his analysis, deeming Shakespeare’s
To be, or not to be, or maybe just to pretend to be – Hamlet - make up your mind already! Before discussing Hamlet’s hamartia, please let me say that Hamlet is one of my all-time favorite plays. Yes, it is tragic. Yes, they all fall in the end. But, good lord, what action!
Quintessentially speaking, revenge is a thing that many have sought in response to a tragic event unfolding. Typically, as a result, vengeance is contemplated upon by the victim as a means of retribution, a way of making things right and seeking justice on the behest of the victim, if the law will not grant justice through due process due to corrupt forces stemmed deep within it- corrupt seeds of a corrupt plant. Therefore, revenge become an apparent option for those willing to walk that path [of no return]. However, instances of revenge not being attained in the “clear cut” way it is ordinarily acquired have occurred from time to time throughout history. One of the most prominent examples of unconventional revenge attainment can be found within the play Hamlet by William Shakespeare, entailing the revenge path walked by its eponymously named main character, Prince Hamlet. Specifically, his intentful delay in attaining his revenge against his uncle Claudius for his direct role in the death of his father, King Hamlet. This literary conundrum has dumbfounded literary critics for over 400 years and counting- due to the fact that a universally accepted consensus amongst them as well as the general public as to why Hamlet delayed his revenge has not yet been reached.
Supporting characters are often looked at as impractical and unnecessary, however they are just as important as major characters. Supporting characters help influence the way the main characters act and what they do. Minor characters not only make the main characters more meaningful, but they also help to develop and drive the plot. Ophelia, falling victim to the neglect and abuse of the other characters and depending solely on the men in her life, becomes the only character who truly becomes mad. Polonius’ concern with how others perceive him, along with his selfishness ultimately leads to him driving his children further away from him thus leaving Claudius with more power. Claudius uses manipulation, corruption and destruction of the lives of the innocent to stay in power, and in doing so; he is the epitome of all evil events that occur. In the tragedy Hamlet, by William Shakespeare, the plot of the play obtains added mystery and dramatic appeal due to the complexity of the supporting characters, which propel the play to move forward.
Many can feel lost at times because, but the confusion only allows them to see themselves. Individuals lose themselves in the state confusion, but can learn things that they never knew. Characters in Hamlet and Rosencrantz and Guildenstern are Dead lose themselves in confusion but realize something new about themselves. Different characters face realization through different feelings, such as uncertainty, distraction, and agitation. Even though confusion leads an individual’s thoughts into turmoil, confusion will allow the individual to change in a positive or negative way. Individuals will react differently to situations and have different outcomes, but they will all go through the same process of battling against their own minds in order
Hamlet is a complex story that uses many literary devices to help develop the characters in Hamlet. One dominant device is irony. The main plot of the story revolves around irony. Hamlet is a witty character and loves to use irony. Hamlet’s use of irony displays how he insults people, discovers useful information, and reveals his true character. The use of irony in this story helps to add depth to each character, which is why Hamlet is one of Shakespeare’s most complex stories.
In William Shakespeare’s tragedy, Hamlet, it is clearly evident Prince Hamlet is overcome with “madness” due to his father’s murder and other malicious actions taken against him. Throughout the play, there are many examples of how Hamlet displays his insanity due to certain situations he experiences and how he handles them. Hamlet shows his madness through the killing of Polonius, his treatment of Ophelia, his thoughts of suicide, and the treatment of his mother Gertrude.
The play Hamlet, written by William Shakespeare, is set in an anti-feminist era. Women traditionally have been seen inferior to men. This was an intellectual as well as a physical issue. Women were to raise a family, cook, clean, be pretty and not be smarter than any man. The main characters Ophelia and Gertrude are both depicted with these characteristics as powerless and frail people. This illustration of helpless women affects one's understanding of what their true selves could be.
Seeking revenge can cause a person to turn insane and blindly seek retaliation. Shakespeare’s Hamlet contemplates revenge throughout the story. Madness and revenge are similar themes in the movie, The Lion King, where the main character, Simba, is faced with the death of his father, leading him to do whatever it takes to seek revenge. This is where madness usually is introduced as a problem within a character, and this problem leads to the character doing things that they don’t usually do, sometimes dangerous things. The fathers of both Hamlet and Simba die, and the only one to blame is someone trusted amongst them. They seek revenge for their father’s unjust deaths. Betrayal, love and loss drive both characters to seek revenge. The death of their fathers leads them to go mad, and this mental state leads to them questioning the motives of close people in their lives.
Throughout the play, Shakespeare begins to show the basics of Hamlet’s mind, striving to show, as to why he remains inactive and unsure throughout majority of the play. Firstly, “…but know, thou know noble youth/ The serpent that did sting thy father’s life/ Now wears his crown” (Act I. v. 39-40). As the Ghost tells Hamlet his father’s real murder, Shakespeare begins to show the reader, that the protagonist is encountering the Shadow archetype, which represents unknown characteristics of the main character. The reader is shown with the presence of the Shadow archetype, that Hamlet’s concealed suspicion regarding the death of his father, which was considered as an accident, turns into an urge to seek revenge. This archetype reveals to us Hamlet’s inner desires to kill his Uncle Claudius. Furthermore, “…your noble son is mad:/ Mad call I it, for, to define true madness,/ What is’t but to be nothing else but mad?” (Act II. ii. 92-94). Polonius tells the Queen and King that Hamlet is insane for Ophelia, as a result, the Anima archetype is represented by a member of the opposite sex. As for Hamlet, it is a sign of feminine desires he once had for Ophelia, who were once lovers. However, he ignores the affection he has towards Ophelia, in order to focus on his pursuit for vengeance. Moreover, “I have some rights of memory in this kingdom,/ Which now to claim my vantage doth invite me” (Act V.ii.379-380). Fortinbras and Hamlet’s motive is to avenge their
4) In the text spoken by Horatio it seems to follow the idea that fear is pervasive. Horatio claims that all ghosts are bad in the city, who talked bad about one another after the death of Julius Caeser was assassinated. Evil diction is present in the passage as
Hamlet is considered to be Shakespeare’s greatest work, and the soliloquy to be or not to be is equally as famous. Hamlet is one of the greatest dramatic characters of all time and the role of Hamlet is one that many actors strive to play. Shakespeare wrote the character Hamlet in a very specific manner and it is because of this that few have found success in performing this role. Moreover the soliloquy to be or not to be has been one that has defined the level of success of an actors role of Hamlet. Famous actors like Lawrence Olivier, John Gielgud, Jude Law, Mel Gibson, Kenneth Branagh, David Tennant, etc. have stepped into the shoes of hamlet and into the world of Shakespeare. However, only Tennant, Gibson, and Branagh have
In William Shakespeare’s Hamlet, Hamlet is a unique character due to his unpredictability. He is attempting to discover the truth in a way that no other character of Shakespeare’s has done. We find Hamlet in a state of deep melancholy due to the death of his father, as well as the very sudden and lewd marriage of his uncle and his mother. Hamlet is inspired by the player giving the speech about Hecuba witnessing the massacre of her husband, Priam. He goes off on his own, and he is bewildered at how this player can show an enormous amount of passion to something that doesn’t exist. Hamlet contemplates on the reason of how he has not been able to act yet, and he feels like he has stalled for far too long. Hamlet’s main issue isn’t that he is a coward, but a truth seeker. He is skeptical about what is true, and that is what plagues him with his duty to avenge his father.
Often, and justly, referred to as the greatest story to have ever been told, Shakespeare’s Hamlet never ceases to cause debate amongst two individuals. The complexity within the play’s characters allows every individual to perceive a different variation of them, instigating these endless debates. Consequently, one of the most famous debates, questioning Hamlet’s antic disposition, has split the population into those that believe he was not mad, merely acting, and others who believe he had gone completely mad and his occasional “sane” episodes were just a coping mechanism to deal with the insanity. Standing with the latter side, my perception on the play is somewhat different as I believe that Hamlet’s vulnerability had exceeded not just to
Quintessentially speaking, revenge is a thing that many have sought in response to a tragic event unfolding. Typically, as a result, vengeance is contemplated upon by the victim as a means of retribution, a way of making things right and seeking justice on the behest of the victim, if the law will not grant justice through due process due to corrupt forces stemmed deep within it- corrupt seeds of a corrupt plant. Therefore, revenge become an apparent option for those willing to walk that path [of no return]. However, instances of revenge not being attained in the “clear cut” way it is ordinarily acquired have occurred from
William Shakespeare was an English playwright, widely regarded as the greatest writer in the English language and the world 's pre-eminent dramatist. Shakespeare is perhaps most famous for his tragedies. Most of his tragedies were written in a seven-year period between 1601 and 1608. One of these tragedies is his famous play Hamlet. The age of Shakespeare was a great time in English history. The reign of Queen Elizabeth saw England emerge as the leading naval and commercial power of the Western world. Shakespeare lived during a remarkable period of English history, a time of relative political stability that followed and proceeded eras of extensive upheaval. Elizabeth became the Queen of England in 1558, six years before Shakespeare 's birth. During her 45-year reign, London became a cultural and commercial center where learning and literature thrived. Shakespeare was a great tragic playwright. A tragedy was a drama in which the main characters are brought to ruin or suffers extreme sorrow like his famous play Hamlet.