William Shakespeare 's Romeo And Juliet

SAMPSON A dog of that house shall move me to stand. I will take the wall of any man or maid of Montague’s.

Approximately four hundred years ago, in 1597, the famous playwright, English poet and actor, William Shakespeare, wrote the well-known play, Romeo and Juliet. This dramatic, romantic story is set in the town of Verona, and is about ‘a pair of star-crossed lovers,’ who express their undying love for each other. In the end, their undying love for each other ends tragically, but it does have one good outcome – it puts an end to the family’s ancient feud. Furthermore, Romeo and Juliet’s tragic ending is not to be blamed upon completely themselves, as Friar Laurence, Tybalt and Lord Capulet were all somewhat involved in the deaths of Romeo and Juliet.

Love is like a flame, it provides you with warmth, but too much of it can also burn you. Such is the plot of the play, Romeo and Juliet by William Shakespeare. It is a tragedy about two lovers, Romeo and Juliet, who unfortunately, belong to families who bear an ancient grudge against each other. In the play, Romeo and Juliet fall in love and quickly decide to marry each other. At the end, Romeo and Juliet’s decisions cause their untimely death, but in reality, there were other people who also contributed to the lover’s death. Friar Laurence, the Nurse and Lord Capulet are responsible for the tragic deaths of Romeo and Juliet.

Misleading is defined as: “a person who is deceptive or sends someone in the wrong direction.” Sometimes misleading gets people out of trouble or helps somebody out in a case. In this case though the Friar mislead these kids Romeo and Juliet where they shouldn’t have been lead. In Shakespeare’s “Romeo and Juliet”, Friar Lawrence’s impulsive decisions contributes to the deaths of Romeo and Juliet.

When one thinks of the word “love,” the idea of romance often comes to mind.

Shakespeare probably lived in one of the worst times to be alive. Considering that majority of what was happening was not good, he used it to his advantage. Numerous diseases and sicknesses, natural remedies and herbs and most importantly witchcraft. He somehow incorporated all these things into Romeo and Juliet. Assuming his creativity got the best of him, he used all these things in his play and they also played huge parts in his story. All things considered these three important factors in Romeo and Juliet have more history than people thought.

Violence and death are inevitable parts of human history. However, they make for fascinating scenarios that many stories employ. One of those stories is William Shakespeare’s “Romeo and Juliet”. In this tragedy, Shakespeare carefully unfolds the conflict and builds up tensions until the final calamity: the deaths of titular characters Romeo and Juliet. The plot revolves around the star-crossed lovers who are forced to conceal their marriage thanks to the feud between their families. Ultimately, they die in the name of love after a series of unfortunate coincidences and rash plots. The characters most responsible for the deaths of the lovers are Friar Lawrence, Mercutio, Benvolio, and Tybalt. The four characters each play their own role in fanning the flames that terminate the couple’s bliss and prompt the final deaths.

Juliet knew that royalty life would be hard from the moment she was old enough to comprehend. She 's seen how her mother worked as Queen, making sure those of the 'lower class ' are pleased enough. How her father - the King - rules the kingdom, setting rules and suitable punishments. How her brother has to live up to the next heir of the throne.

In the past, it happened in important cities to have families quarrelling each other who wanted the ultimate power. Therefore, some fights happened because of this purpose. This anger could be transferred anywhere, whether in public life or private life. So, having a happy private life in a city where a fight between important families could always occurred anywhere is not an easy thing. To support this statement, with his play Romeo and Juliet, William Shakespeare wrote a fight between families (Montagues and Capulet) in which a love is hard due to this anger. In fact, the conflict between private and public life is one of the main themes. Otherwise, there is clearly a conflict individuals versus society in this play. Indeed, the public world of Verona affects the private world of Romeo and Juliet. They cannot do what they want; some things are forbidden. The rivalry made the lovers forced to hide and escape from their real identities too, finally, lead them to death.

Juliet Capulet’s courtship also takes place in form of a collaborative composition, but her age indicates a shift in Shakespeare’s work toward young women overall owning more assertive voices. In contrast to Silvia and Valentine, Romeo and Juliet’s initial flirtation in Romeo and Juliet approaches the same idealised love with the transformations that indicate Shakespeare’s growth as an artist toward more complex and active characters. Juliet, like Silvia, is a young woman who has no experience in love beside her interaction with the young man she meets at the beginning of her play. However, her experience differs from Silvia in that she is very young. At thirteen years old (Romeo and Juliet 1.2.9), Juliet is too young even by early modern

Love can be defined in many ways to many different people. It can be affected by their past experience, a romance novel they’ve read, or a love between two individuals they look up to. To most people it’s something they strive to experience, no matter the obstacles, heartbreak, or baggage that comes with it. Not too long ago I read an article about whether love is a choice or more than a feeling and it really made me wonder; wonder how can we tell if it is true love and when we’re ready for it. It lead me to ask the question, did Romeo and Juliet really love each other? Or was it just a simple feeling of lust?

Katie has a rehearsal for William Shakespeare 's, Romeo and Juliet. You 're sitting comfortably on the auditorium chair, admiring your sister 's play.

Many famous characters made their way into William Shakespeare 's Romeo and Juliet is a clever way. The most influential and important literary device in William Shakespeare 's Romeo and Juliet is allusion, Shakespeare uses it to bring the reader into the story and help them to make connections to other things, to give the reader something in mythology or scripture to help the them better understand the situation, to make the reader feel a connection with the play, and to add in interesting aspects into the play to keep the reader thinking and always aware.

Every human being dreams of falling in love one day, where you find the one that you’re destined to spend the rest of your life with. While we may experience this emotion sometime or another in our lifetime, it is very difficult for many to express it in words. Although many writers and poets have explored this theme, none have portrayed it as intensely as William Shakespeare has in Romeo and Juliet. The story of two star-crossed lovers that were doomed from the very beginning, with feuding families, poorly made choices, and betrothals to others, we still manage to fall in love with the young lovers every time we come across the story. Shakespeare brilliantly moulds the interactions between Romeo and Juliet in

Advanced popular society mediums, for example, melodies, books, and movies abound with references to William Shakespeare’s Romeo and Juliet as a notable representation of genuine hetero love. This theory intends to dig all the more profoundly into the issues of affection and sexuality in the play and investigate its inconspicuous underlying topics of homoeroticism and hazardous heterosexuality through a dissection of the film adjustments of Romeo and Juliet from the recent twentieth-century: Franco Zeffirelli‟s 1968 Romeo and Juliet and Baz Luhrmann‟s 1996 William Shakespeare 's Romeo + Juliet. Love and sexuality in these movies will be investigated by first breaking down the natural issue postured by the vicinity of Rosaline, who calls into inquiry the authenticity of the thought of intimate romance as to Romeo‟s affections for Juliet. The following circumstance that confounds affection and sexuality is Juliet’s great youth; Shakespeare essentially and deliberately brings down her age from the source writings to only a tiny bit short of fourteen years. In the wake of securing the issues that Rosaline’s character and Juliet’s youth stance to a perusing of Romeo and Juliet as a story of genuine hetero love, the center movements to the homoeroticism prove in the relationship between Luhrmann‟s Mercutio and Romeo. I contend that Luhrmann changes the play’s unobtrusive confirmation of homoeroticism into an outright and vital sort of affection in the middle of Mercutio and Romeo