Intertextuality Essay

The area of study to be explored is genre and my investigation will look into ways we are able to clarify the vast genre of cult film. Speculated by theorists such as Sconce, Jancovich and many others, cult film is one of the most diverse and ambiguous genres of the past 60 years in motion picture history. Beginning in the 1950s with unconventional flicks like Plan 9 from Outer Space and The Blob, cult film as a ‘quasi-genre’ began to not only reject one set of stylistic conventions, but also started

John Steinbeck was born in 1902 in Salinas, California. After he graduated high school, he attended Stanford University, but never graduated. In 1925 Steinbeck went to New York to establish himself as a free-lance writer for a little while, but it didn’t work out so he went back to California. He published a few short stories and novels for a while. Then in 1935 he was discovered with Tortilla Flat, a series of humorous stories. Steinbeck’s novels are based on economic problems of labor. After the

Through the immersion of one in a variety of physical environments, the manipulation of genre, form and perspective presents a polysemic representation of a diverse range of landscapes, in turn allowing responders to develop complex understandings into the human psyche. Specifically, through the interwoven utilization of complex allusions and personalized outlooks Alain De Botton’s The Art Of Travel shapes humanities greater knowledge of traveling’s impact on the human behavior and perception. Likewise

her. For instance, I was thinking about her novel That Long Silence. I think in this novel the utilization of the pioneer figure of speech is extremely fascinating. The way in which Shashi Deshpande in this novel weaves together two sorts of intertextuality is likewise exceptionally

literature in Ray Bradbury's Fahrenheit 451 (1953) dealing with censorship, Brainwash, lack of individuality, the impact of technology abuse, alienation, search for identity, skepticism and media corruption through the techniques of symbolism, motif, intertextuality, stream of consciousness, flash back, ambiguity and imagery of the senses. "Unless a man is made perfect, the state could never be ideal" (Eurich 64). This statement crystallizes the concept of utopia which comes firstly to refer to an

How does the Sofia Coppola, in The Virgin Suicides, use a range of stylistic features (film techniques) to display the movies themes and with what effect on the audience? INTRO: Director Sofia Coppola uses a range of film techniques to display themes of obsession, the superficiality of vision and isolation from the real world in her film The Virgin Suicides. Through use of symbolism, characterization, setting and techniques specific to a film such a soundtrack, Coppola is able to construct

Though his plot isn’t entirely original, he purposefully used Philomela’s story to add depth and intertextuality to his play. Such a move was bold and impacted his audience in their understanding of the plot. Adding his own twists, he brought Ovid’s work of art to life, keeping it relevant to the times. Including allusions to Metamorphoses in his play makes

Atonement embraces the notion of literary delusion and great social awareness in the domain of contemporary literature. One of the most interesting aspects of a successful novel is its reference to events and texts beyond its immediate universe. Atonement, written by Ian McEwan, is a novel that transcends literary boundaries by commenting on the narrator’s egocentrism, while simultaneously exploring human sexuality and subverting Victorian Puritanical mores of sex. Atonement incorporates numerous

Explore the way in which different contexts affects the representation of similar content in the texts Frankenstein and Blade Runner. Mary Shelley’s Frankenstein and Ridley Scott’s Blade Runner, whilst separated by 174 years, feature very similar content which can be seen by comparing the two side by side. Coming from different contexts, they both express their anxieties about technology, which is shown through a man made creature, and they both exhibit a strong valuing of nature. However due

Additionally, when Melchior yells, “There’s no such thing as love! It’s all self, all ego”, he is using his knowledge of Freud and his Nihilist view on society to disempower Wendla, causing her to question her innocent views of love. McEwan utilises intertextuality to Nabokov’s Lolita, to support the power imbalance in the relationship between Paul Marshall and Lola Quincy. Lola’s name is a direct reference to Lolita which subsequently foreshadows her eventual rape, and the virulent relationship created