Sonnet Essay

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    Comparing the Beloved in Shakespeare's Sonnet 20 and Sonnet 130    In the hands of a master such as Shakespeare, the conventions of the sonnet form are manipulated and transformed into something unique and originally emphasized. Both sonnets in one way or another subvert the conventions of the base Petrarchan sonnet; though they are about love, the traditional topic of sonnets, whilst in Sonnet 20 the object of desire is unattainable and there is no evidence of the level of affection being

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    From the public life of humanist while at court to now private. The Petrarchan sonnet poetry with lines with rhyme schemes made up of eight lines of octave and sestet of six lines. Petrarch poetry deals with the rejection of unrequited love. The Petrarchan sonnets, flows by respond to each other with sexual frustration due to rejection. Petrarch elaborates figures of speech to express his emotions. Phillip Sidney is a noble who uses poetry for personal use. Sidney uses personae to establish poetry

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    ‘Sonnet 31’ is an attempt to capture the sorrow and desolation experienced in heartache, through the focal symbol of the poem, the moon. This acts as a metaphor for the narrator’s deteriorated mental state, evoking sympathy in the reader. Sidney’s sonnet offers us an insight into the narrator’s anguish, brought into the reader’s mind through his choice of form, rhyme and meter. ‘Sonnet 31’ forms a part of Sidney’s collection Astrophil and Stella, a sequence of 108 sonnets and 11 songs, telling the

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    Sonnet 130 is a parody of the conventional love sonnet, made popular by Petrarch and, made popular in England by Sidney’s use of the Petrarchan form in his epic poem Astrophel and Stella. When comparing the stanzas of A & S to Sonnet 130, the reader can clearly see that the sonnet does not use grandiose metaphors or allusions to build his beloved into a divine figure. Despite it being an obvious parody, it will be compared to the chosen lines from the Tempest. In Shakespeare’s day, metaphors that

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    Sonnet 42: Rationalizing Rejection Shakespeare’s Sonnet 42 is about a man, the speaker, who is contemplating the loss of his lover to his friend. The speaker is exploring the motive for his lover’s choice of betrayal; more notably he is attempting to explain why this betrayal has occurred with a series of different rationalizations. The speaker appears to believe that he will not be as pained by his loss if he were to rationalize why his lover betrayed him. Shakespeare notoriously wrote three

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    Petrarch Sonnet Unrequited Love

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    Petrified Petrarch Two hundred years had passed between the sonnets of Petrarch and the reign of Queen Elizabeth. As a form and structure for poetic life, the sonnet had grown hard. Fourteen lines of rhymed iambic pentameter remained pregnant with possibilities and vitality, but must the sense turn after the octave and resolve in the sestet? Love remained in some ways inexpressible without this basic verse form, but something wasn’t right. Too many rose red lips and too much snow white skin

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    In Rafael Campo’s sonnet “In the Form” the writer presents his perspective and feelings between his and his parent’s relationship. Campo struggles to approve their marriage because of the strain it puts on him. The poet describes himself as a sonnet when he introduces the first line of the poem by saying “A sonnet? Tension. Words withheld.” A sonnet is his question because the writer does not know who he is yet, he can only express what the relationship between his parents make him feel. The writer

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    “The Sonnet-Ballad” written by Gwendolyn Brooks is a combination of sonnet and a ballad, specially created by Brooks as a way to end “The Anniad” from her second book Annie Allen. Published in 1949, Brooks was the first African American female to win the Pulitzer Prize for this piece of literature. She was born in Kansas, but grew up on the southside of Chicago. She was an activist and a promoted more black children to join the arts. She work focused on “black life, black pain and black spirit”(Hougwood

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    Compare Sonnet 130 by Shakespeare and the Glasgow Sonnet by Edwin Morgan. Poetry has many forms and styles of which it can be written and emphasised in. A sonnet is one of these forms. They mainly consist of fourteen lines, but can be set out in two different ways. One of two styles of sonnet is Elizabethan. William Shakespeare is an example of a poet and writer of this time period, and possible one of the most recognised for his work. William Shakespeare wrote an astounding 144 sonnets

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    The topic I am choosing for the project is sonnets, with a focus on John Keats. I think that sonnets fit into the focus of this seminar because they are a form of a lyric. Like we learned in Jackson’s “Lyric” article, “"the early modern sonnet becomes the semi-official vehicle of contemporaneous lyric, and both theory and commentary respond to it as a given.” It also talks about the Romantic period was when “the lyric became a transcendent genre by remaining an idea that could blur the differences

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