Alba Longa

Abstract: Federico Garcia Lorca was a widespread celebrated folk Spanish playwright, artist, singer, and the Andalusia poet. He gave his much attention to the field of drama by using his concept of Surrealism and Symbolism. Hence he has become famous and got popularity in the entire World of literature for his specific works. But his controversial assassination, having queerness, consequently he is fired by the Civil Government during the Spanish Civil War (1936). However, it has destroyed his career

and The Avant Garde poet was murdered by the nationalist sympathizers in the beginning of Civil War in 1936. He had written many mysterious and absurdities plays and poetic volume during his careers such as Blood wedding, Yerma, The House of Bernarda Alba, Mariana Pineda and the Butterfly's Evil Spell. Among them Blood wedding is based on Deuteragonists supernaturalism perspective and use of lullaby as a part of Folklore and legends activated in the Spanish Andalusian Culture. And his Butterfly's evil

The House of Bernarda Alba is the third play in the trilogy knows as the “Rural Trilogy” alongside Blood Wedding and Yerma by Federico García Lorca. Garcia Lorca was a Spanish poet, playwright, who was a member of the Generation of ’27. Garcia Lorca’s main themes include the tension between social responsibility and individual freedom as well as love and tragedy. After the death of her second husband, Bernarda Alba is locked up at home and imposes a rigorous and suffocating mourning for eight years

Federico Garcia Lorca's three plays, "Blood Wedding," "Yerma," and "The House of Bernarda Alba" share many symbolisms. Lorca (Short Biography) wrote about many subjects and objects that often have an unconscious double meaning. These unconscious symbols are known as archetypes, developed by the psychologist, Carl G. Jung. This paper will analyze these symbols using Jung's theory of the archetype. By doing so, the analysis will better explain some of the unconscious meaning and original thoughts behind

In 1930s Spain, the ritual of marriage became highly controversial as the 1931 Constitution allowed for divorce to be legal. This caused debate between older and younger generations. The elders of society still had their beliefs deeply rooted in the views of the Catholic Church-, which did not allow for divorce. Nonetheless, the younger generation was more prone to giving into desire and therefore was more open to the idea. The play Blood Wedding by Federico Garcia Lorca insinuates the strong importance

The work of Federico García Lorca, "La Casa de Bernarda Alba", is open to many interpretations due to its profound symbolic nature. It gives an interesting representation of a middle-class house consisting entirely of women. The plot takes place in a small city, a middle class house in a society dominated by men. It is believed that it was established somewhere in Spain in the 1930s. The work was written at a time when the suppression of women was still strong. Mother Bernarda, the head of the house

| Analysis of extract from ‘The House of Bernarda Alba’ | Act Three, pages 95 to 99 | | | English: World Literature: 2c Word Count: 1414 | BERNARDA: What does Pepe have to say? ANGUSTIAS: I find him distracted. He always talks to me as if his mind is on something else. If I ask him what’s wrong, he says: ‘We men have our own problems.’ BERNARDA: You shouldn’t ask him. And when you marry, less still. Speak if he speaks, and look at him when he looks at you. Do that and you

Federico Lorca's The House of Bernarda Alba and Isabel Allende's The House of the Spirits Society, and its influences upon the characters, plays a pivotal role in the development of the story in Federico Lorca's "The House of Bernarda Alba" and Isabel Allende's "The House of the Spirits." Though the characters in each literary work were influenced by a range of societal pressures, three major influences dominate both works. The Church, male dominance over women, and socio-economic status

Henrik Isben's A Doll’s House and Frederico Garcia's The House of Bernarda Alba The House of Bernarda Alba and A Doll's House, by Frederico Garcia Lorca and Henrik Ibsen respectively, are two similar plays written at different times. In 1964, Frederico's The House of Bernarda Alba debuted in Madrid Spain, thirty-one years after it's birth in 1933. It pioneered the style of surrealistic imagery, popular folklore and was written in prose. A Doll's House was published in 1879 and appeared on stage

Federico Garcia Lorca's “The House of Bernarda Alba” and Henrik Ibsen's “A Doll's House” both protest against the confinement of women of their days. Although the Houses are set differently in Spain of 20th century and Norway of 19th century respectively, both the plays relate in illuminating their respective female protagonists, Adela and Nora, as they eventually develop a sense of individuality and self-expression and emerge as free individuals from repression. The authors’ attempts allow the reader