Ancient Greek philosophy

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    A tragic hero is the main character in a tragedy story. He is the main theme. He is the source behind the main issues of the plot and some major points maybe cleared by observing his actions and nature. The tragic hero is always larger than life, a person of action whose decisions determine the fate of others. He is a man who is superior then the average person, a character of noble stature and greatness. Though the tragic hero is pre-eminently great, he is not perfect. Otherwise, the audience

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    hero” of Greek drama. In his work, Poetics, he defines a tragic hero as “...The man who on the one hand is not pre-eminent in virtue and justice, and yet on the other hand does not fall into misfortune through vice or depravity, but falls because of some mistake; one among the number of the highly renowned and prosperous.” Aristotle’s definition of a tragic hero is clearly shown by the main character in the Greek tragedy Oedipus the King by Sophocles. Oedipus, the protagonist in this Greek tragedy

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    Advertisement: Greek Statue and Perfume While flipping through the pages of a fashion magazine, my fingers stop abruptly as my eyes catch an image of a nude man holding a clothed woman. The man has a muscular body and is effortlessly supporting the woman who's body is arched backwards, her arms hang in a swan-like manner. On the ground by her left foot lays a paint palette and her right hand is grasping a paint brush. The room that they are in appears to be a studio with press board floors,

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    It is known that in literature, a tragedy is one of the most popular genres. It always combines some story which discusses human sufferings with a certain sense of audience fulfillment. The roots of the tragedy are related to ancient Greece. A Greek tragedy is a sad story, which represents a character with a tragic flaw leading to his downfall. In addition, in traditional tragedy, the main character falls from high authority and often it is predetermined by fate, while the audience experiences catharsis

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    For Aristotle, the unity of temporality guarantees the unity of the plot’s action. The dramatic action, being the mimesis of representation, demands a certain magnitude to expand the temporality of the plot, “a length which allows of the hero passing by a series of probable of necessary stages from bad fortune to good, or from good to bad, may suffice as a limit for magnitude of a story” (Aristotle, 1450b45) Aristotle uses the subject of the Odyssey as an example of a tragic plot which encompasses

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    The opening scene of macbeth is a dark atmosphere, it is set in a dessert place, in the middle of a storm. In act one scene one the only characters that seem to appear in this scene are the three witches. The witches also seem to set the mood for the play. The atmosphere in the first act influences the whole play because it seems as dark and evil. Knowing things like witchcraft and supernatural adds to our understanding of the play that there is a supernatural darkness. It also is giving us an

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    what the class would entail; I enjoy a few stage productions, but I am not as emotionally invested in theatre as my peers. I expected this course to cover the fundamentals and origins of theatre, but I feared that these origins would lie in the the Greek and Renaissance periods. I had little experience in studying classic texts, leaving me trepid and uncertain of myself. However, the ways in which we approached both periods guided my studies, allowing me to overcome my anxiety and embrace the content

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    elements of the Greek architecture in their buildings. They became a common part of official objects. The Bank of England (Great Britain) and the Altes Museum (Germany) are good examples of this borrowing. These buildings appeared in different countries and periods of time, but still have some similarities. Both structures belong to the neoclassicism. The list of similarities includes pale frontispiece, columns in front of the entrance, inner arches and an overall impression of a Greek building. Rooms

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    Aristotle once spoke that "A man doesn't become a hero until he can see the root of his own downfall." A tragic hero can be defined in many different traits and definitions but what makes a perfect tragic hero? It also can have many different meanings and actions towards it. A perfect tragic hero must have a flaw of judgement leading to a tragic flaw also know as a Hamartia. Also a person who is a royal birth and holds a high place in society. Lastly a tragic hero must discover or recognize that

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    The Greeks had come up with the idea, Discoverer ProQuest stated, “The medical professions have formulated codes that date back as far as the Hippocratic oath, which originated on the Greek island of Cos in the 4th century BC. The Hippocratic oath includes a pledge like those taken when Greeks joined secret religious, philosophical, and scientific groups.” (Bioethics 1). This oath was used to reflect

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