Audience theory

This training plan addresses key areas of focus for creating the communications culture. The goal of this plan is to create effective training for the Mobile Division management team. Target Audience Since the underlying communication issue is related to internal business processes, the target audience is limited to employees at BOLDFlash. Due to rapid expansion of the Mobile Division, the demographics of employees have changed greatly over the past few years. Increased hiring and expansion

just obscene for the prime time television market. The commercial begins with “the host” Denese Sinclaire a attractive brunette, who comes onto the set of what looks like a infomercial to advertise an new Axe product. The camera places you in the audience facing the set, in the background there is a huge Axe neon light sign, and a island table in which a series of sport equipment is placed on. Denese introduces Monica Blake who is played by Jaime Pressley. Monica is a former tennis champions. Already

The story is told largely with Satan being favorably portrayed and God having little presence other than cursing things, which convinces the audience that Satan’s view of God as a tyrant may not be too far off. Still, Satan is portrayed as the villain of the story. However, he has characteristics of a classical hero; including flaws that make the audience relate to and feel sympathy for him. By using part of the black-and-white Genesis story which paints Satan as evil and juxtaposing a narrative

which is happening because of the “audience effect”, he then goes on to say that anything we write changes the way we think, and finally he talks about how the internet builds connections, which is essential to the spread of new ideas. Thompson’s purpose is to inform readers about how the internet is a tool being used to advance our society in order to encourage more people to partake in online, public thinking. He adopts a contemplative tone for his audience, the readers of The New York Times,

I. INTRODUCTION While several of his works dwell considerably on voyeurism, Hitchcock’s 1954 film Rear Window addresses it most directly. Not only does the film comment explicitly on ‘rear window ethics’, it also forces audiences to identify with the characters who violate them. No character in Rear Window is morally clean, and through several cinematic techniques, Hitchcock compels viewers to sympathize with nearly all of them. More than anything, Rear Window is a film about the audience’s complicity

quickly find useful and updated information. Let’s start with ethical appeal, or ethos. By glossing over OHSU’s website, you can see that this is both demonstrated and well-used throughout the various pages. Each page has been tailored to its’ intended audience, the language and vocabulary utilized are appropriately adjusted, so that it can be read and understood effortlessly. As both a University and a Hospital, ethical appeal is immensely imperative, whether for prospective students, patients, doctors

Monkey King, animals have played an important and influential role in stories and folktales in various parts of the world. Yet having animals in these stories also comes with the difficulty in representing and presenting these creatures to various audiences. One important animal in performative literature is the lion from Yvain, or The Knight with the Lion. The unique combination of human-like gestures and beastly actions in the lion presents interesting issues for the performer of the story. Throughout

to for honor (Owen). The two are distinct in the sense of their nature. The first piece by Gibney is a documentary film while the second one by Owen is a poem. For this reason, they apply different strategies to put across their themes to their audiences. Despite the clear distinction between the two, there exist clear similarities in trying to analyze the true facts behind a dream. The documentary directed by Gibney, analyzes the true facts of the gap between the poor and the rich in the America

Content generated by the media is vastly changing with time. Alongside, how the audience wishes to view content is changing as well. In the earlier times, only televisions and radios were used to transfer information. Nowadays, new platforms and websites are using different techniques to deliver content to their respective audience. On Netflix “Nobody Speak,” by Brian Knappenberger is one of the many information and knowledge packed documentary, that redefines the way viewers learn about the different

qualities of the White City. Larson’s use of lucid imagery produces a clear image in the audience, allowing one to interact with the text and truly imagine the wonders of the fair. Chicago itself was frequently described as a “blighted hellish place” overwhelmed with “smoke and garbage” (123, 247). Even the sight chosen for the fair was “one square mile of desolation” (95). These revolting descriptions leave the audience with a picture of destruction and filth, making the completion of the fair seem almost