Bloomsbury

Virginia Woolf and Annie Dillard are two exceptionally talented authors who wrote two comparative pieces. In response to Woolf's essay, “The Death of the Moth”, Dillard wrote a companion piece titled “Death of a Moth”. With vivid imagery and creative diction, both authors wrote themselves into the narrative and became a character within their own story, giving them a unique point of view. As they each recounted the moments leading up to the symbolic end of their moths’ life, it becomes clear both

In ¨The Death of a Moth¨ by Virginia Woolf, Woolf writes about how she observes a moth´s death. Throughout the essay Woolf had a complex attitude towards the moth. In order to establish her depressing, hopeless, and desperate tone, she uses symbolism, imagery, juxtaposition, and syntax. Virginia Woolf utilized imagery to make the reader comprehend that the moth´s battle with death was homogeneous to her battle with her bipolar tendencies and depression. In the fourth paragraph, ¨He was trying to

Bibliography Guiguet, Jean. Virginia Woolf and Her Works. Harcourt Brace Jovanovich, 1976. Thoroughly examining a handful of Woolf’s critics and works, Guiguet offers extensive character and whole novel analysis proposing her view of the works. Guiguet harmonizes her analysis with her predecessors by building off their work and recognizing their skill and limitations in reviewing Woolf’s work boosting her credibility and strengthening her viewpoint. This presents a unique perspective and allows

The Adverse Effects of Obsession: Solid Object by Virginia Woolf The Solid Objects by Virginia Woolf similarly encapsulates the prevailing modernist conception of the impulse to collect, and the author conveys her strong disapproval of the protagonist, John’s collection by describing the negative effects. Implies by Woolf, John raises the lump of glass to the light and holds it “so that its irregular mass blotted out the body and extended right arm of his friend” (11), prefiguring the way in which

Virginia Woolf takes the life of the seemingly insignificant lifeform, the daymoth, and expands it into a beautifully written poem-like essay. Rather than write simply concerning the phenomena she feels, Woolf symbolizes the moth as both the strength and futility of life and death. Her vivid narration style, energetic language, and the somber yet intriguing tone she uses, gives the reader deeper insight into the author’s fascination concerning the wonders of life and death. Narration is one of

Woolfe is communicating to us about mortal death through her observation of the “Death of a Moth” that the moth itself represents the inevitable demise of an individual life and how insignificant their life can be. The moth itself allows us to see what it’s like dying by taking out the human element. When Woolf writes “conscious of a queer feeling of pity for him…only a moth's part in life, and a day moths at that, appeared a hard fate, and his zest in enjoying his meagre opportunities to the full

Researching Edward Albee’s scandalous play Who’s Afraid of Virginia Woolf (1962), my case study will focus on the adaptation from stage to film, outlining the issues faced with both the original artists and my own group as artists. This specific piece of work from playwright Edward Albee is “arguably the best American play of the 1960s” (Leff 1981, p. 453), which encouraged Warner Brothers’ to gain the screen rights and recreate it as a film starring Elizabeth Taylor and Richard Burton. On Broadway

Virginia Woolf was an extraordinary author that was born in London, 1882. Woolf wrote many novels during her lifetime such as “Mrs. Dalloway” and “The Waves.” She was considered one of the greatest twentieth-century writers that wrote non-fiction. Virginia Woolf committed suicide in 1941 at age fifty-nine due to severe depression. One of Virginia Woolf’s most well-known novels “The Death of the Moth” is very unique. Woolf was distracted by a moth that was fluttering around her house and explained

Despite any futile resistance, each living creature eventually succumbs to the forces of death. Ultimately, death is a part of living. Death is inevitable. Likewise, although a diminutive moth may appear to be insignificant and pathetic, it can symbolize the true connections between the duality of life and death and human beings. For instance, Annie Dillard and Virginia Woolf illustrate similar, universal messages about the value of life through the metaphor of a moth. However, the manner in which

1. Who’s Afraid of Virginia Woolf begins with a very tranquil stroll home from a party, before the viewer is aware of Martha’s drunkenness and George’s exasperation. These several shots of the couple holding onto each other and moseying their way down the sidewalk help concrete the statement that despite what occurs between these two characters, they are still very much companions who have no one else to turn to. Despite this, “their conformity to the pre-packaged values of their culture obscures