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    When I first started reading this book I thought to myself “how am I going to read this book it seems so dry and boring.” Then I continued to read it and realized that it was hard for me to put it down. There was so much information on this topic of the War on Drugs that I am still wrapping my mind around it. It went into such detail about the war on drugs that are never talked about. We always hear “just say no.” I know that drugs are a very big problem in our society and even the whole world

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    Feminist literary criticism is an approach to literary criticism that is most concerned with the role of women within the context of literature. This includes how female characters are created and understood within any given text, in addition to the role of female authors and female readers. This paper shall focus on some of the theoretical concepts which have been contributed to the feminist literary discourse. It shall compare and contrast aspects of theory put forth by three prominent feminist

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    her book. She said, “Voice and speech are treated as almost identical, and speech as little more than spoken language… We raid speech for its semantic meaning, and then discard the voice like leftovers, detritus.” (Karpf, Anne. The Human Voice. Bloomsbury Publishing, 2006. Pg. 13). This opinion of hers seemingly challenged her readers to search throughout their everyday lives in order to pinpoint when and where this sort of obliviousness actually happens. Turns out, these sort of occurrences happen

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    to create something that accurately showed the world as it was. Nineteenth century Realism was a response to nineteenth century Romanticism, which caused many novelists to focus on the lives and suffering of middle class citizens (“Realism.” The Bloomsbury Dictionary of English Literature). Realism, though, is not just that simple, because there are different types. For example, the realism that existed in America was different from realism in Europe, but also literature in general. American Realism

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    After Montaigne

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    are thriving and can help us paint a clearer picture of the world’s present. Underrepresented, yet these creatures do seem to be getting more credit lately, a sign of growing interest. Robert Sullivan’s richly engaging, best-selling book, Rats (Bloomsbury USA 2005), remains popular but only profiles one of the creatures in my book. Richard Mabey’s much beloved Weeds (Ecco 2012) profiles and defends what you might expect, leaving the rest of misfit-kind to another author’s thorough engagement. Jim

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    completely misunderstood the woman because she disguised the true meaning of what she really wanted. In the article Languages from Bloomsbury Guide to Human Thought, it states “Language is a way of communication by symbols. Feelings, ideas, thoughts and wishes are encoded, sometimes manipulated and passed on by the utterer; the receiver then decodes them.” (Bloomsbury Guide to Human Thought)

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    the ideas that go along with this subject matter. What is Fiscal Policy?“It refers to the central government's policy on lowering or raising taxes or increasing or decreasing public expenditure in order to stimulate or depress aggregate demand”(Bloomsbury Business Library). This means the ability

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    In a world brimming with a wide range of dialects, they don't generally mean a similar thing. In the section Words Don't Always Mean What They Mean by Steven Pinker, he expounds on the way of dialect and subjective science. In his entry, he is systematic and clear with breaking down numerous cases of how code words are utilized and why. He generally makes his cases to demonstrate his focuses and by getting his crowd included and thinking by including non-serious inquiries. Words don't mean what they

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    Bibliography:Rowling, J.K. Harry Potter and the Philosopher's Stone. London: Bloomsbury, 1997. Rowling, J.K. Harry Potter and the Chamber of Secrets. London: Bloomsbury, 1998. Rowling, J.K. Harry Potter and the Prisoner of Azkaban. London: Bloomsbury, 1999.

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    Irony In Brave New World

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    In Chapter Ten, the Director uses Bernard as an example of an individual who displayed unusual behavior. The director says to the crowd in the Bloomsbury Centre, “...this man who stands before before you here...has grossly betrayed the trust imposed in him. By his heretical views on sport and soma, by by the scandelous unorthodoxy of his sexlife...he has proved himself an enemy of Society, a subverter...of all Order and Stability” (Huxley, 149). The Director is saying that unorthodox behavior destroys

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