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    Ms Trunchball Analysis

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    The film Matilda by Danny DeVito was released in 1996. Ms Trunchball is depicted as an evil and malicious character. This is shown through her appearance, personality and language lighting effects and camera angles. Firstly, Ms Trunchballs negative appearance depicts and shows how evil and malicious she is. Her appearance is very unflattering and what she wears makes her look even more scary and terrifying then she really is. She wears dark, harsh clothing which is unflattering and old fashioned

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    The first personal computer was released in 1975. This was the beginning of a new era. Technology has drastically changed throughout the years with so changing human behavior. The productions of modern technology has changed and affected every aspect of the way humans function. For example, the way one socializes with family and friends have significantly changed compared to the early seventies, with social media brought into the mix. Additionally, even using a paper map seems outdated and impractical

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    Camera Dehumanization

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    had a camera accessible, and they had the perfect timing. People use what they have and if they are dedicated enough the outcome can become stunning. To some people spend thousands on cameras and accessories can really be useful, to others a phone with a built in camera works fine. Every detail that is put into a picture can tell a story those stories can never be compared to something written. Despite the fact that living in the moment is a big part of this generation, carrying around cameras is also

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    Italian Cinema Paper

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    the corner. The jeep reappears in a wide street, young adults, painted as mimes, pour from the vehicle and flood the road. A small group passes by the protagonist Thomas, who hands one begging girl a crumpled bill from the back seat of his car. The camera attaches to Thomas, and the viewer stares down at him as he drives through a tunnel. Unlike L'Eclisse, Thomas is immediately depicted as a moving factor in the flux of reality. The viewer knows his landscape before they know him, and Antonioni tells

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    when each one dissolves into the next. A great example of a tracking shot is shown in Run Lola Run as we get to see actually how fast and with how much intensity Lola is running with. 5) Camera Movement is the overall motion of the camera during exposure. One example of this would be the speed of the camera around Lola when she receives a phone call from Manny in Run Lola Run. 6) Cross-Cutting is alternating one scene with another while editing a movie. Many great examples are in the film Run

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    Used camera film for sale: the idea of selling such an item strikes me as silly, yet somehow intriguing. All my Life offers a description of this item which paints a picture filled with adventure and the hope of images of exotic locations from the travels of John D Freyer. Contrast that to a very vague and bland description of a similar item on E-Bay, Lot of (50) Empty/Used 35mm Fuji Photographic Film Cassettes; hands down the offering on All my Life gets my bid. Objective descriptions, such

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    I've always imagined a photograph to be like a jigsaw puzzle, you have to find the various pieces that fit together to create something visually spellbinding. I like to set up my scenes; plastering bubble wrap and newspapers all over my house, covering absolutely everything or dragging my living room furniture into my garden. Transforming something, to create a conceptual set of images is what my photography is about. Other art forms can enrich Photography. Visiting Art galleries has inspired me

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    In Roger Scruton's Photography and Representation the author establishes the idea that ideal photography is not art. In the same breath he says that ideal photography is not necessarily an idea which photographers should strive, nor does it necessarily exist. Yet, he bases his argument upon the ideal. In reviewing his paper, I’ll take a look at why he painstakingly tries to make this distinction between ideal painting and ideal photography. His argument is based upon the proposition that photographs

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    Car Night Monologue

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    Scene 1 Int. car - night A hooded figure sitting hunched in the driver seat staring at the clock in his car while anxiously checking his watch every few seconds, not much can be seen of the individual. The camera is angled upward from the bottom part of the passenger seat. A fast food billboard can be seen through the driver side window of the car. After a few moments, the individual franticly steps out of the car and slams the door. Hard Cut to: Ext. MCDaniels - night The front door to MCDaniels

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    Pippin Analysis

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    On Sunday, November 5th, I viewed the W.T. Woodson production of the musical Pippin. The script for Pippin was originally written by Roger Hirson and the music and lyrics by Stephen Schwartz. It was first performed at Carnegie Mellon University and later on Broadway. The Theo Ending, which was not part of the original production, was written by Mitch Sebastian. Although the production itself was excellent, I think the idea of Pippin was slightly better than the scripting. The concept of Pippin having

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