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    After I logged in I noticed Matt was already setting up, thinking nothing out of the ordinary I went back to finding a long, but not tedious quest that hopefully would take us most of the night. I thought a language quest might be the key, one with lots of puzzles and wordplay for Matt and then some foreign language and classic English for me. What struck me most looking back now is that something was not right as Matt set up. ~•-•~ "Crap," Matt whispered under his breath. "Everything all right

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    My First Day

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    bag full of money and a solid, black till that looked well used. ‘Count this,” he said in a frantic manner as I heard a loud crash take place across the store. He rushed over to the scene, leaving me by myself as I began to count. I was confused. “How am I going to count this?” I said sarcastically. I asked around for a piece of paper, but no one had a piece on them. I counted all the money in my head, trying not to lose count. It was hard to focus while listening to a coworker of mine talking

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    Possession in “My Last Duchess” and “Andrea del Sarto” The poems “My Last Duchess” and “Andrea del Sarto” by Robert Browning are both dramatic monologues, consisting of men talking about their wives. Both speakers are similar men of different background; both have their confidence depend on outside factors (wife, title), they both want to possess their wives, and they both mistakenly think that they have achieved this goal. Andrea del Sarto and the Duke of Ferrara are both men incomplete without

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    The Last Duchess

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    He at last says that the audience is a hireling of the Count, the father of the lady he is wanting to wed next. He says the extensive endowment that he wouldn't see any problems with tolerating, clearly arranging the terms of another marriage understanding. As they move in the opposite direction of the representation

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    The unforgiving cold wind blew throughout Himmel Street, making way for the entrance to Frau Diller’s shop. Inside, you could see Frau Diller standing inside her shop with cold dead eyes, listening to the Nazi propaganda on her new radio. She began to hail along with the radio as she rearranged the newspaper display with the latest printing of Der Stürmer, her favorite newspaper of the week. She dusted her portrait of Adolf Hitler, heiled to it, and began to open shop. She walked to the front of

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    appreciated him just as she appreciated everything and everyone else. 2. How many characters do we find in this poem? In this poem, we find six individual characters. There is the duke himself, the person he is speaking to (who is servant to a count), the count, “Fr Pandolf”, “Claus of Innsbruck” who has “cast in bronze” a statue of “Neptune…Taming a sea-horse” for the duke, and the duchess herself. There are also some other people that are spoken of, such as the “officious fool” who brought the duchess

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    accidental votes for the other candidate, voided votes, and a great inconvenience for the candidates that were meant to be voted for. Every single close election that has ever occurred was essentially decided by a coin flip because humans cannot possibly count with an accuracy greater than

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    "The final count is correct" is a statement that operating room (OR) nurses use on a daily basis. Their belief in the count being correct does not change the facts. The incident of a retained surgical item (RSI) was the most frequently reported sentinel event from 2010 through 2012 and again in 2014 (The Joint Commission [TJC], 2012, 2014). Counting of surgical items is necessary to ensure maximum protection and safety of the patient. One of the most important aspects of the OR nurse 's job is the

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    the importance of paying the bill. Finances and class are at the center of the character’s relationships and dynamics with each other. In chapter 7 of the novel, a conversation takes place between Brett and two of her suitors, Jake and Count Mippipopolous. The count, whose steady disposition in this narrative can only be matched by Jake himself, gives him a piece of advice. Brett says, “isn’t it wonderful . . . we all have titles. Why haven’t you a title, Jake?” and Mippipopolous interjects, “I assure

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    Joseph Harris, teacher and author of the book rewriting, brings a technique in the academic writing that talks about how we can rewrite an author’s opinion by being generous and not steal their credits. He names this technique countering. To counter is simply a different way of thinking; how we can use one author’s idea to show another point of view not by dishonoring their way of thinking but by giving them credit for what they wrote. Countering is a significant movement which is not easily created

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