Cultural mosaic

Byzantine Mosaics and San Marco Basilica Intro Mosaics have been present in Italy dating back to the Romans. They were originally used in palaces, temples, and other monumental structures as a way of decoration and paving of surfaces such as walls, ceilings, and floors, however they can also serve as pictorial art. Mosaics are pictures formed by marble, stones, and vitric tesserae of various colors, placed on a layer of stucco, putty or other durable building material. Then the surfaced is finished

The modern mosaic differs greatly from the medium’s ancient form. Once composed of uniform pebbles in unstructured compositions, it wasn’t until the 8th century BCE when the Greeks began developing mosaics to form decorative and artistic designs. Using the small pebble technique the ancient Greeks used strategic placement of the varying shades and colors to create geometric patterns and detailed scenes including depictions of a variety of flora and fauna. As the practice of art developed in the

The Alexander Mosaic is a Roman floor mosaic that dates from c. 100 B.C. It is discovered in the city of Pompeii which was preserved in ash after the eruption of Mount Vesuvius. It was found in the House of Faun, named after the bronze statue of a faun found there. It is thought to be possibly based on a wall painting done in 315 B.C.E., Hellenistic Period by a Greek artist named Philoxenos of Eretria because it matches a description of the painting written by Pliny. The mosaic is approximately 2

Makoto Emura 3/22/2015 The Destructive Effects of Iconoclasm during the Byzantine Empire In the 4th century, the Roman Empire underwent major changes, becoming the Byzantine Empire. The Roman religion was replaced by Christianity, specifically the Eastern Orthodox Church, as the new state religion. Artists helped to spread this new religion by building churches and producing manuscripts. The artists imagined what religious figures looked like to portray them in art. But the Church criticized the

Similar to modern society, a home in Pompeii presents your social status. Patricians live in large lavishly decorated homes while plebeians live in small modest homes or in apartment style housing. Nonetheless, any Roman home functions as a “refuge from the commotion of a hectic Roman life” (Zanker 135). Since a home is considered to be a very private place, the differentiation of magnitude, art, and architecture in Pompeiian villas enlightens us on how these artistic elements contribute to an aristocratic

favoriting glitter mosaic painting in the interior of a building, mosaic were very popular and hold a religious value towards the empire. The mosaic depicting "Christ as the Good Shepherd" from the Mausoleum of Galla Placidia in Ravenna with the other mosaics from San Vitale in Ravenna are excellent examples of the difference and similarities between Roman and Byzantine art. These images can also explain the representation of the natural world, difference in the art styles, and use of mosaics in church.

AS THE HIPPAGOGUS sailed into the harbor of Leptis Magna, Rubio got a good glimpse of the city and its people. It was a thriving Roman metropolis settled on the coastline of North Africa, and its market was one of the most flourishing; ships sailing the Mediterranean brought forth valuable goods, slaves and exotic animals. Immense quantities of olive oil also arrived in the country, as well as high-quality garum, and salted fish were brought in from the coast. This grand port, with its superb monumental

Monastery are about the history of the monastery and its foundation, the mosaics of magnificent art in Katholikon (Chatzidakis 2003) its architecture (Bouras 2006) and about the confraternity of the Comnenian era, eleventh century (Chatzidakis- Bacharas 1982, 105-106, 183-188). Both the Church of the Virgin Mary and the Katholikon are famous due to their decorative program, which is a milestone for the art of Byzantium (fig. 2-5). Its mosaic decoration is a major example of Constantinopolitan art of the 11th

Mosaic is the fine art of crafting photos, illustrations, or patterns by forming together little colored fragments of hard material – tesserae – such as stone, tile, or glass. The first known samples of mosaics were found in Mesopotamia during the third millennium BCE. Opus tessellatum – uniform sized tesserae – is a frequently mosaic technique used in the fabrication of Hellenistic, Roman, early Christian, and Byzantine art. This technique usually made the decorative borders around central figural

Final Exam Art 1010: Justinian & Attendants The Justinian and Attendants is a mosaic which was created by an unknown artist in the Byzantine period dating back to 547 CE. The work measures 8' 8" X 12' and is located in Ravenna, Italy inside the Church of San Vitale. This landscape format mosaic depicts an outdoor scene with eleven figures that are at least partially visible, if not entirely visible, within the scene. The figures are all very different from the stocky large-headed figures in the