Diego Buñuel

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    A DOG NAMED BUTTERFLY SAPPHO, STOP THE BULLYING CHILDREN’S BOOK Page 1 I knew I was born different when I was shorter than everyone in my classroom. I knew I was born different when I couldn’t pronoun words clear like my classmates. I knew I was born different when my body size was different than everyone else in my classroom. I didn’t like class

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    Guns bursting all around me. Soldiers lying in pain screaming out in pain. Artillery raining down, dirt flying everywhere. Then I hear a bomb whistling down on my position.¨ John?! John?! Are you okay?¨ I come out of a daze to find out it was my boss William asking me if I was alright. ¨Yes Sir. I am fine.¨ I said. ¨Alright then get back to work.¨ William said. So I continued my work until the final work whistle rang. As I walked to my home in mist, I see people on the streets asking for change

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    Blanche Monologue Essay

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    Monologue of Blanche. Scene 8.5 Everybody and all that I have adored I have lost. How unfortunate. My father and mother, Belle Reve, and now Mitch. While it isn't last I comprehend what will happen, for I have no fortunes with regards to love. To start with my poor, dear, youthful spouse. Why, goodness why, did his passing need to happen? On the off chance have he not kicked the bucket, I would not need to confront this cold blooded and revolting world alone. The main way I know how to survive

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    Ralph's Monologue

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    Hope I knew I had to do something as Ralph knocked Phil over. So I pulled my dog whistle out of my pocket and blew as hard as I could. It hurt to see Ralph in pain, however, it hurt even more to see the light in his eyes change to evil slits as he grasped Richard's arm. He halted, suddenly, and shook his head heavily. That's when I charged at him, swiped the chain from my bag, and flung it around Ralph. I could tell he was becoming dizzy as I constricted it, but I kept going. I knew I had to make

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    Un Chien Andalou

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    Un Chien Andalou is a 1929 surrealist film directed by Luis Bunuel, and written by himself along with Salvador Dali. The film has lived in infamy for its bizarre, dream-like atmosphere, gory (by 1929 standards at least) imagery, and sexual allusions. Typically, film analyses like this one, start by offering a synopsis of the plot. In the case of Un Chien Andalou, this is a difficult task, as it really has no plot. It jumps backward and forward in time, place to place, character to character, and

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    Land Without Bread by Luis Bunuel There are numerous ethnographic surrealist films that have an intriguing relationship to aesthetics and politics. A film that exemplifies this relationship is “Las Hurdes: Tierra Sin Pan” (Land Without Bread). This film is only 27-minutes and is directed by the infamous Luis Bunuel in 1933. Bunuel was a Spanish filmmaker of the 1920’s to the 1970’s. He is often attributed to being one of the major contributors to the surrealist movement of the 1920’s. “Ethnographic

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    Literature often has a meaning that is not expressed outright to the readers. While the Lord of the Flies by William Golding and the Blood Wedding by Federico Garcia Lorca may be understood as a rollicking tale about shipwrecked school boys and a tragic play about an entangled love story between four youngsters, the two works in fact implicitly criticize the societies in which the stories are set that are directly related to the social contexts of their production. While both the Lord of the Flies

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    The 2004 film Voces Inocentes directed by a Mexican filmmaker Luis Mandoki, seeks to tell a story about embattled childhood of the co-writer Oscar Torres. This embattled childhood is portrayed in the film regarding the civil war that occurred in El Salvador in the 1980s. The account of what took place in the civil war is told from the perspective of an 11 year old boy named Chava played by Carlos Padilla. According to Chasqui 2007, The El Salvador civil war commenced when the farmers who were a part

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    Regina Jose Galindo was born in 1974 in Guatemala. She currently lives and works in Guatemala. Regina practices her art works with her own body. Her works are based on violence or any cruelty caused by certain political events and personal disgrace. Those works are open to the public and to whoever relates to what is being depicted in the art work. (Regina Jose Galindo Portfolio, 2014). Galindo won the Golden Lion award in 2005 as the best artist under 35 at the 51st. Venice Biennale. Two years later

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    Bernal Diaz del Castillo view of Doña Marina was a loyal, passionate and forgiving person. Doña Marina story talks about how she was given away by her parents to some Indians and was claimed dead by her parents. The reason for all this trouble was because her mom and stepdad preferred her stepbrother and her parents wanted him to be inherent in their fortune. Without knowing they gave Doña Marina better life because those Indians gave her to Cortez who took care of her and made an important woman

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