Feigned

Sr. and Hamlet, Hamlet decides to put on an antic disposition. But thereafter he decides this, Hamlet 's actions embody someone that is truly mad. This is how Shakespeare makes it difficult to determine if Hamlet is truly mad. Although through his feigned actions and the reactions from others the real madness of Hamlet can be revealed. There are some instances where Hamlet 's madness can be view as real . As Hamlet makes a pass through the arras and kills Polonius Hamlet says, "How now! a rat

mask of madness, both Hamlet and Ophelia can speak freely” This is a quote often used to explore the reasons as to why the characters: Hamlet and Ophelia use the element madness. In the play, it is believed that Hamlet is both feigned and real mad. The meaning of ‘feigned madness’ is defined to be “assumption of a mental disorder for the purposes of evasion, deceit or the diversion of suspicion.” Whereas ‘real madness’ is defined to be “the state of being mentally mad; insanity”. Both of which is

leaves no firm proof of many of his character traits. Yet on Hamlet's antic disposition, meaning his obviously absurd temperament or madness, Shakespeare leaves plenty of reason to believe that it is feigned, meaning that it is simply a ploy to help Hamlet carry out his plans for revenge. It is feigned, meaning that it is faked, merely put on as a façade. This is denoted in various aspects of his antic disposition. Hamlet's antic disposition is self imposed, meaning that he himself

through his real madness, feigned actions, and the reactions of others towards his madness. In some instances, Hamlet 's madness can be seen as real. For example, Hamlet states as he makes a

Throughout the development Shakespeare’s play he is building before the readers a character with a complex mind endowed with a peculiar personality, an emotional state altered by the loss of his father, and a “double madness” (feigned and not feigned). The unfeigned madness of Hamlet that progressively highlights the text is very similar to the clinical picture that some characters have called as complicated grief with depression and psychotic love symptoms. To this insanity described by the playwright

In William Shakespeare's Hamlet, the theme of madness, both real and feigned, intertwines with the overarching exploration of rationality. Through the character of Hamlet, Shakespeare delves into the complexities of human psychology, challenging conventional notions of sanity and irrationality. Hamlet's apparent madness serves as a mechanism for him to navigate the treacherous world of Elsinore, allowing him to uncover truths and fulfill his quest for justice. Hamlet's behavior is characterized

incident and possesses a complex plot, with not only subsidiary action, but also a play with in a play. There is a great deal of suspense and a fair amount of sensational matter. There are elements like supernatural visitation, incestuous marriage, and feigned madness. The story line of Hamlet follows a vein of madness that begins with Claudius murdering king Hamlet and ending with the tragic killing of almost every main character.

essentially serves as an excuse for Hamlet to express his anger and avoid his fear. Throughout the process of acting crazy, Hamlet has turned into true insanity multiple times when he is in great despair and anxiety. A camouflage created by the feigned acts of craziness has been an essential part of Hamlet’s revenge since the beginning of the play. However, Hamlet can turn into true insanity instantly when he is anxious and despairing. Hamlet is a naive and impulse teenager, but he still has a clear

reveal the truth. Another character who seems to show signs of madness is Ophelia. Her madness is portrayed as real and that is what the character’s think drove her to her death. In Shakespeare’s Hamlet, it appears that the madness Hamlet portrays is feigned; Shakespeare does this to create a dramatic effect for the characters and audience to react to. Hamlet shows signs of madness, and then there are other

In William Shakespeare’s tragedy, Hamlet, Prince of Denmark, we, as readers, increasingly question the sanity of the protagonist, Hamlet, as the play continues. His seemingly psychotic banter with the other characters of the play begins to convince us that Hamlet is, indeed, insane. Hamlet, however, states, “How strange or odd soe’er I bear myself, as I perchance hereafter shall think meet to put an antic disposition on” (1.5.171). He specifically tells Horatio and Marcellus that he will be acting