Franco Zeffirelli Essay

productions of the play, Kenneth Branaugh’s Hamlet and the Zeffirelli’s Hamlet, each show a different fatal flaw in Hamlet. Branaugh shows his fatal flaw to be that Hamlet over thinks everything. Zeffirelli accentuates the Oepipus Complex in Hamlet meaning that Hamlet is jealous over his mother. Branaugh and Zeffirelli both use different methods to

were based off of this play and a very popular one is Hamlet directed by Franco Zeffirelli. This drama film was produced on December 19th, 1990 and was around 134 minutes long. This movie based off of Shakespeare’s most famous work was a hit, raking in approximately $20.7 million in the box office. Zeffirelli’s motive in making the movie was to make Shakespeare available and interesting to younger viewers. Franco Zeffirelli was successful in recreating the play Hamlet, as the movie added extreme

Techniques Used to Direct Two Film Versions of William Shakespeare's Romeo and Juliet Having watched two different film adaptations of 'Romeo and Juliet', it is clear to see that the two directors, Baz Luhrmann and Franco Zeffirelli, have used a number of different techniques, quite differently at times, to put across their particular interpretations of the play. These methods and different interpretations are very obvious if you should study the same scene as portrayed

both portraying one of the most famous speeches of all time, Hamlet's “To be or not to be” soliloquy. Kenneth Branagh’s version is approximately three minutes and ten seconds, while Franco Zeffirelli’ is about three minutes and thirty five seconds. Branagh chose himself to be the star of his own play, while Zeffirelli chose a young Mel Gibson. This soliloquy occurs in Act 3 scene 1. Both of the directors takes on this scene could not have been more different. In the two versions, the physical appearance

different styles to their pieces to invoke different moods. These styles change as time progresses; predominant in the comparison between Franco Zeffirelli's and Kenneth Branagh’s direction of William Shakespeare's’ Hamlet act 3 scene 1. Zeffirelli's interpretation of Shakespeare's Hamlet act 3 scene 1 is more effective than Branagh’s interpretation. Zeffirelli centralizes the play around a dark setting and dark clothing style which puts emphasis on the sadness certain characters are facing. Whereas

(1.prologue.6) in the Italian city of Verona. Throughout the play, Shakespeare intertwines various themes, emotions and characters traits. Franco Zeffirelli’s 1968 film adaptation strongly mirrors many of these attributes. One of these key themes is predetermined destiny. Shakespeare explores this theme through his use of foreshadowing and coincidence. Zeffirelli omits and includes certain parts of the original story to emphasise the theme of fate. The theme of fate is very strong throughout the play

presented in the text. In contrast, Franco Zeffirelli conducted his 1990 production of Hamlet in a much more liberal direction in which lines, scenes and characters were omitted from the film. I argue that from the perspective of an individual with moderate knowledge in Shakespearian literature, that the best film versions of Hamlet are those that take the most liberties from the text. I

really good graphics and im not comparing it to every movies out there just one in specific and that’s the Franco Zeffirelli which does not have good graphics the other version. The Luhrmann had better raster graphics and looked way smoother. I don’t blame it though cause the other version was made little later than the Luhrmann version so it kind of had some advantages to it. But the Zeffirelli was not all that bad cause

This is one of the most important scenes in the play because it is the turning point of the story, and thus should have a mood that is emotionally and tragically dramatic. In two of the most famous adaptations of the book, the films directed by Franco Zeffirelli and Baz Luhrmann, there are different takes on the

Comparing Opening Sequences of Romeo and Juliet In my essay I am going to compare the opening scenes the two versions of Romeo & Juliet. One is by Franco Zeffirelli, which was made in the late 1970’s. The other one is by Baz Luhrmann and was made in 1996. The Zeffirelli version stars Leonardo Whiting as Romeo and Olivia Hussey as Juliet. This version was more authentic and traditional. It was filmed more in a way Shakespeare would have illusory it. It was set in Italy