Giotto

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    guarantees of salvation. Most large-scale architecture and paintings were religious in nature. Three religious works of art of this time period that best reflect the role of the Church are Giotto’s Arena Chapel, Duccio’s Maestà, and Masaccio’s Trinity. Giotto is considered the first artist to be fully immersed in the Renaissance, and the man who truly brought the Renaissance to Florence. He learned from the skills and progress of the artists before him and took their work one step further. By this time

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    Influence Of Religion On Italy

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    Italy Italy is an European country. Italian is its official language, and 93% of the population is native Italian speakers. Its ethnic background includes small clusters of German-Italians, French-Italians, Slovene-Italians, Albanian-Italians, and Greek-Italians. With various clusters of people come various beliefs in religion. Religion has influenced the culture, artists, and national treasures of Italy in various ways. Culture is one aspect of Italy that is highly influenced by religion

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    There are many ways a person can choose to express his emotions, poetry, dancing or choosing to express them through art. Painting is one form of art that provides the artist with an endless field of possibilities to put his thoughts into colours and figures, and placing them with relation to one another, with every space in the painting, even the empty one, representing an idea or a thought. Comparing between art works is a very strange and unusual thing, you're never sure what exactly the artist

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    Catholics reinvented some great religious pieces but in a more emotional way. Through these following pieces, the evolution of art and style is evident. The first piece comes from the year 1320 ,which is considered the Proto-Renaissance, and it is from Giotto di Bondone. It is call The Adoration of the Magi and it depicts the scene of Jesus' birth and how the three wise men came and paid their respects for the new king, Jesus. This piece helps you understand the switch in style of art because it allows

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    As I have come to find myself in this strange city called New York, I can not help but be amazed at such miraculous feats that men have accomplished. Such talent at the hands of their architects, that can only be seen if only in a dream. For we did not conceive of this new idea. I have been blessed with such an opportunity, to view the art of the “modern man.” I am taken to a location called the SoHo Contemporary Art Museum, where I am placed before a picture of a man by the name of Charlie Chaplin

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    A Renaissance Time Traveler As I have come to find myself in this strange city called New York, I can not help but be amazed at such miraculous feats that men have accomplished. Such talent at the hands of their architects, that can only be seen if only in a dream. For we did not conceive of this new idea. I have been blessed with such an opportunity, to view the art of the “modern man.” I am taken to a location called the SoHo Contemporary Art Museum, where I am placed before a picture of a man

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    Giselle is a 14 year old who leaves everyone speechless with her personality. Even her name story can surprise you, she was named after an actress on Despierta America! Her friends call her Gigi, and they all describe her as a loud, extremely talkative, funny, and a person who is shy at first. She loves listening to music and babysits in her free time. Talking about babysitting, she believes to have a talent at scaring little children into doing what they need to do. She truly desires to be gifted

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    2. INTRODUCTION Giza by Harvey Littleton (1999) is a medium sized print which is 42 inches by 30 inches. In this artwork, molten glass and acid-free paper are used to represent Giza, a series of pyramids found in Egypt. 3. RESPONSE The vitreograph seemed simple and boring at first, since there were repetitive geometric shapes and it contained the same colors throughout. In the print, one can see that the yellow orange, red, indigo, and blue are used continually. Additionally, the pyramids

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    Mr. Giblin makes it very clear from his text, "The Riddle of The Rosetta Stone," that in his mind, the scholar Jean Francois Champollion, is the greatest contributor to solving the riddle of the Rosetta Stone. He does this by letting the reader know how significant the discovery of the stone was and by providing in depth information on the life of Champollion both before and after his work on the stone. Giblin provides vivid detail about stone and uses strong language to emphasize to his reader

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    The works of art that will be compared in this paper are Giotto, Lamentation (c1304-5), and Rogier van der Weyden, Deposition (c. 1435). Although the two artists use different media and style, they share the same topic: the story of the lamentation of Christ from the Holy Bible. The story of lamentation of Christ can be summarized as following: due to the betrayal of the Judas, Christ was arrested and crucified. Both drawings illustrate the scene of the deposition of Christ. These drawings demonstrate

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