Lady Godiva

“Stay still, my lady, please” commanded Travana, and Audra groaned. “But it’s taking forever to get these ribbons through my hair and they pinch.” Audra squirmed in her seat in front of the vanity. “Can’t I just leave the braids down? I like the way they look down.” Travana shook her head and continued braiding and pinning. “No, no. You must wear your hair up. And wait until you see our masks.” Audra brightened. “Masks? Samhain masks? Can I see them?” Faye jumped up from her nearby seat. “I’ll show

The days were definitely getting colder and shorter. Catelyn drew her cloak more tightly around her as she walked from the Great Hall back to the Keep after breaking her fast. She was to meet with Robb and Willas Tyrell in Ned’s solar this morning to discuss the letter which had arrived from King’s Landing bearing the royal seal. She had known it was coming, of course, but reading those imperious words which could barely be called even courteous and made no pretense of being anything other than

The Modern Knight Beep—Beep the alarm sound in a messy room. No one would imagine how messy the room is. A helmet bulkle on the chair, breastplate, vamplate, pauldron, all over the floor. There are few empty beers under and on top of bed. There are no electricity applicants, sofa, or phone. If you look at the book shelf, there is full of book, book that obsolescence, and broken on the edge. Nothing here like a modern home. Except the man on the bed. Tommy wakes up from hangover, rub his eyes and

(known as Daisy Miller) is portrayed as a young naive wild yet, innocent girl who want to do nothing more but have fun with the company she please. The story “Daisy Miller” is a lot like The Age of Innocence. In both the movie and the book the leading lady was shunned from society because of their behavior. Both Daisy and the Countess Olenska were misunderstood and out-casted because they were saw as different. These women did not want to conform to what the society thought was proper and good, they

Tyrion's fingers dug into the dirt as he tried to climb after Jaime. "Come on little brother! You'll be the tallest man in all of Westeros if you can just get up here." Jaime's bright white teeth and charming smile looked down at him. "I'm not Cersie. You won't win me over with your silly smile. Besides, I wouldn't quite call myself a man yet." "My smiles don't always work on Cersie," Jaime said as he bent down to help his brother up. "Well the sun has risen as it has every day since my first

behind them. His wife, Lady Macbeth, alongside. I couldn’t steer my sight away from her long, purple gown which was clearly crafted of silk and rich velvet. It was embroidered symmetrically with lace and gems, including a luxurious tunic rested effortlessly upon it. They lingered between the groups of people as they clapped. It felt as if hours had passed before they reached their destination at the front of the room. “Thank you!” Macbeth said graciously. He, along with his lady, seated themselves in

King by Sophocles, the spousal relationship between Macbeth and Lady Macbeth, and Oedipus and Jocasta, play a major role in the events that lead to the tragedy. Their love, respect, and determination for each other reveal the nature of the relationship shared by them. In Macbeth, the bond between Macbeth and Lady Macbeth is strong. For instance, when he first hears the prophecy from the three weird sisters, he immediately writes to Lady Macbeth informing her about the prophecies. Further, he addresses

The Relationship Between Macbeth and Lady Macbeth Macbeth and Lady Macbeth face an extraordinary situation involving a strong supernatural theme and murder and treason of the highest kind. However Shakespeare still cleverly manages to make Lady Macbeth and Macbeth relate to audiences of all eras and to convey a strong moral message within his play. The relationship between Macbeth and Lady Macbeth is fascinating to study. Shakespeare constantly changes their attitude

Science Fiction, Melodrama and Western Intersect in David Lynch’s Dune A genre is a grouping of works, in this context a grouping of films, that are somehow similar or related in content or style. Genres are not strictly uniform over a period of time and do allow for growth and adaptation of their definitive characteristics. As the film industry has developed through the past century, various genres of films have emerged and are still evolving. Aspects of genres have been redefined and intermingled

T. S. Eliot uses irony and symbolism to capture the reader's attention in The Love Song of J. Alfred Prufrock. The poem has a dramatic discourse. The percipience of life's emptiness is the main theme of the poem. Eliot exhorts the spiritual decomposition by exploring a type of life in death. T. S. Eliot, who in the Clark Lectures notes, "Real Irony is an expression of suffering"(Lobb, 53), uses irony and symbolism throughout the poem to exemplify the suffering of J. Alfred Prufrock who believes