Mannerism

Mannerism and Baroque Western Governors University Literature, Arts and the Humanities: Analysis and Interpretation IWT1 May 8, 2013 Mannerism and Baroque If you study art history at any length, you will become aware of the many different periods and their individual characteristics. There are prime times throughout art history that the general populations can easily identify such as Renaissance or Impressionism. They might even be able to name a few of the artists or their artwork

The Renaissance: Mannerism In 1517, the Catholic Church split into two branches of Christianity: Protestantism and Catholicism. Martin Luther’s list of grievances, called the 95 Theses, listed the issues with the Catholic Church. These problems include the rigid hierarchy in the Church that ultimately promoted an elitist culture within the religion. Almost all Christian Bibles were written in Latin, meaning only the wealthy and educated could have a relationship with God. Additionally, Luther and

The artistic style of Mannerism began in Florence and reigned from the early 1520’s until about 1590 where it had been widely spread in Northern Europe. Early Mannerist period art is known for its anti-Renaissance style which over time developed into a more intellectual style designed to appeal to a more sophisticated patron. Artists of this time, such as Correggio, Fiorentino and Parmigianino, were followers of the Renaissance masters. Mannerism was an artistic approach that focused on the human

Mannerism and Realism are two periods in the history of art that did not born by themselves but were part of a greater movement or originate because they do not accept the convention of the previous movement. In these essay the main artists from these two movement will be compared in order to show how art has changed over three centuries of world changes. The first artist that will be analyzed is El Greco from Mannerism and the second one is Gustave Courbet, a representative of Realism. An interesting

Mannerism in Florence and Rome - considered to be more self- consciously "artificial" - derived from aspects of Raphael and Michelangelo - cold formalism was considered to be inner vision Rosso - (1494-1540), Italian painter, whose early works helped define Italian mannerism - later was a founder of French mannerism - was born Giovanni Battista di Jacopo di Guasparre in Florence - early work had odd perspectives, violent colors, and harsh lighting - 1523 Rosso moved to Rome, where

represented the most characteristic figure of Spanish Mannerism. El Greco was influenced by and became acquainted with the art of Titian and Jacopo Bassano in Venice where he studied in 1566. In addition to visiting Italy, El Greco made his way to Rome, Parma and probably Florence. On his travels he became more familiar with the work of Parmigianino and the work of Correggio. In El Greco’s use of form can be seen Florentine Mannerism. Venetian Mannerism can be seen in

Time, Mannerism art, and Manet’s Le Dejuner sur l’herbe, Realism art. Because these paintings were born in the periods when there was significant cultural and social changes, which influenced to their artistic style. The both paintings have nude female figures on the center of the paintings, but had received different criticism. Bronzino's Venus, Cupid, Folly, and Time is one of the most famous works of art of Bronzino. The characters in the painting embody the provocative and chaotic Mannerism style

Mannerists were influenced by Late Renaissance Master artists of Raphael, Leonardo, and Michelangelo who brought harmonious styles forward into the Mannerism period. The “Sack of Rome" was the defining historical event of the Mannerist period. The Mannerists did not learn and create from nature, live models, or mathematical theory. The Master artists of the Mannerism period chose to develop their own style and skills further by creating a stylistic art period between 1520 and 1600. Pontormo was a reclusive

During the Mannerist period, architects experimented with using architectural forms to emphasize solid and spatial relationships. The Renaissance ideal of harmony, gave way to freer and more imaginative rhythms. During the High Renaissance, architectural concepts derived from classical ancient times were developed, and used with bigger surety. The most representative architect is Bramante (1444–1514), who expanded the applicability of classical architecture to contemporary buildings in a style that

The painting "The Assumption of the Virgin" has a mannerism influence. Mannerism was a XVI century art style influenced by, and at the same time a reaction to, the harmonious ideals of the Italian High Renaissance. Mannerism is notable for its artificial ( as opposed to naturalistic ) qualities which favor compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. El Greco's artistic formation in Rome and Venice, reflects the influence of roman