Reader Response Essay

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    prose text may, to some extent, control reader response to themes within the text but the reader’s context may also influence the way the text is read. It is particularly evident in Margaret Atwood’s novel The Handmaid’s Tale that by examining the experience of women within the world it is evident that women are more repressed. The characterisation of Offred may control reader response to theme because her own personal experiences are projected onto the reader. In Gilead, women are repressed by male

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    Jake Foster Tantlinger Ap Lit Sept.18, 2017 Desiree’s Baby Reader Response Societal stigma and Family shape the enigma that is identity. Desiree herself was borne by a family with no prior knowledge of her ancestry, she existed outside of the stigma she would later face. Chopin, describing Armand’s love for Desiree, writes “The passion… swept along like an avalanche, or like a prairie fire…” (Chopin). His immediate love for her, though described to be strong, is written with a negative

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    Textual Analysis Rough Draft using Reader-Response The novel, 1984 by George Orwell, is a complex novel evoking many thoughts and emotions as a reader along with showing that the author was effective in conveying his message to the audience. In the first section of the novel, Orwell introduces a society that seems to be quite unusual to many readers completely in the norm for the characters in this novel. The individuals of this society or also know as party, live a life a strict rules and a protagonist

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    Reader Response Analysis In the book 1984 written by George Orwell, the author wanted the readers to understand the message he has created. The message that he has conveyed throughout the book was that the Party took away many of the individual’s rights and freedoms. Orwell has shown specific examples of how the peoples’ rights are taken away throughout the text. Some of these examples include the people do not have their own privacy in the homes, control over their own thoughts, as well as control

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    Participatory Response

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    According to Gerrig, participatory response is a process where readers encode the types of mental contents as they would encode them if they were the participants in the narrative world. Gerrig divides participatory response in the following seven categories, such as the emotional response, outcome preference, problem solving instructions, problem-solving assertions, self-projection, re-plotting and character evaluation. Immersion is a phase called by Victor Nell as “lost in a book” where reader’s

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    literary work, New Criticism is text centered with no consideration given to the author or the reader. The text exists in and of itself, and New Critics advocate methodical and systematic reading, focusing on the structure of the text to define its meaning (Definition, n.d.). Louise Rosenblatt’s groundbreaking work in Literature as Exploration (1938/1995) and later refinement of her original thesis in The Reader, the Text, the Poem (1978), rejects the idea of this single, fixed meaning inherent in the

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    Guide written by Lois Tyson, a reader-response critique focuses on an individual’s response to a literary text. Reader-response criticism “maintains that what a text is cannot be separated from what it does” (Tyson 170). There are several different approaches to reader-response theory that I would be applying, such as transactional reader response theory and affective stylistics. Firstly, transactional reader-response theory “analyzes the transaction between text and reader” in which the text stimulates

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    Implicit Bias Analysis

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    Implicit Biases in Reader Response Reading Jane Austen has never appealed to me. The combination of dated prose, a general aversion to plots I deemed to be “too romantic”, and my viewing of the film adaptations were enough to keep me away from her novels. When I was asked to read Persuasion for a class, I was hesitant and unwilling to fully engage with the material. This prevented me from enjoying the book fully. I didn’t quite know what was holding me back from enjoying the book, but I knew that

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    it make a sound?” A Reader- Oriented approach to Edgar Alan Poe’s The Tell- Tale Heart The Titular question is an old philosophical riddle for which a wide range of metaphysical and non-metaphysical solution has been offered. The answers differ based on the perspective of the interpreter. Judging these answers is neither possible nor desirable for us, but the riddle and the ensuing debates attest to the veracity of one of the most basic tenets of reader-response theory: If a text does

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    In Tim Parks’ Why Readers Disagree, the author suggests that people take the position developed within the family or community into a larger world, and when a reader’s position does not match with the writer’s, the reader would not favor the writer’s books. First, Parks displays his views on people’s position in the society as ‘system theorists see people as constantly taking the position developed within the family out into the larger world’. This highlights Parks’ theory of people takes position

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