Sor juana

Feminism in Sor Juana In Estela Portillo Trambley’s play Sor Juana the main character Sor Juana Ines de la Cruz was considered to be one of the earliest feminists. Sor Juana’s eternal struggles to study and unshakable craving for knowledge and wisdom, from whatever source it may be, support this attribute. In my opinion however, there are also significant elements of the play that suggest that Sor Juana would not be considered a true feminist. Of these reasons, there are three major ones

Influences of Sor Juana and Julia de Burgos Most every human being has encountered a time in their life when he or she has felt suppressed. However, not every person has stood up against the people and forces that have kept them oppressed. It takes a truly extraordinary person to stand up for their self and to take a stand for the greater good of others. According to Clare Booth Luce: “courage is the ladder on which all the other virtues mount.” The Mexican writer, Sor Juana Ines de

Paz’s Account on the Life and Influence of Sor Juana on Spanish Literature Sor Juana, or, the traps of faith by Octavio Paz tells the story by, arguably, Mexico’s leading literary figure in poetry Octavia Paz, who is simultaneously the leading essayist of the nation. Paz’s subject of choice is fascinating because the character of Sor Juana has been lauded as the central figure in the Spanish-American literature and a vital cog towards its development during her time. For Spanish-American literature

The lack of inclusion of the work of Dominican women authors into the literary curriculum has served as one of the catalysts of my academic career, which began at the Universidad Autónoma de Santo Domingo (UASD), in the Dominican Republic, as I pursued a Licenciatura en letras. A concentration in Spanish and Latin-American Literature at CUNY’s Hunter College allowed me to delve into the works of writers from the Hispano-Caribbean. Nonetheless, the majority of these writers were men. As I near the

Sor Juana Essay Sor Juana Ines De La Cruz was a woman far beyond her years. Living in a time when society was dominated by men, she disregarded the fact that women during this time were forced to be uncurious objects, whose highest achievement in life was to give birth. Her relentless pursuit to attain knowledge and defy her culture's standards for women is illustrated throughout her writings. In the readings, ("Response to the Most Illustrious Poetess Sor Filotes de la Cruz, the three "Romances"

this research paper I will focus on Sor Juana’s ability to challenge the patriarchal rule in Colonial Mexico through her the patterns language, and the publishing of her work in order to find out how her writing empowered more women writers. In order to answer my question, I will focus on male authority and will work to analyze how patterns, rhetoric, and overall publication of Sor Juana’s work challenge the power dynamic..The question I want answer is how Sor Juana’s work was able to alter cultural

in organized religion, it also becomes controlling, as is the case in novels La Repuesta by Sor Juana Ines de la Cruz, and in The Autobiography of Malcom X as told to Alex Haley. Lastly, it is important to explore the relationship between Abrahamic faiths, and Eastern ones.

mental battles takes a great amount of mental and emotional strength. In Margaret Atwood’s “Sor Juana Works in the Garden,” Atwood uses gardening and poetry to represent the internal battle against society and fear for the future. In Mary Oliver’s “The Journey,” Oliver takes a different approach towards representing an internal battle, she writes about the battle of depression. Both “The Journey” and “Sor Juana Works in the Garden” address internal battles in similar and different ways. Poems can be

In history, Sor Juana Ines de la Cruz is famously known as a tenth muse. Her poems, essays and dialogues were inspiring to many people during this time. The two poems, Hombres necios and Sonnet 145 about her portrait portrayed her intellectual ability as a woman, during the mid-seventeenth century. The poem, Hombres necios reflect Sor Juana’s views on men.The poem has 16 stanzas, each stanza consists of 4 lines. Its rhyme scheme at the end of lines and consonants is abba, as each line contained

Poetic satire is used by Sor Juana Inés de la Cruz to critique societal norms and, as a result, the oppressive hierarchies that are formed. Sor Juana primarily focuses on the oppression of women and indigenous people by men and, as a renowned Mexican nun, poet, and dramatist, successfully does so through resistance via satirical poetry. Poetry would be a useful tool to protest in the 17th century as it was a way to communicate with those of a higher class in a non-violent way. Through poetry, an