Trumpet

chosen to provide a wide variety of trumpet literature ranging from major masterworks as well as transcriptions that translate well to the trumpet. A historical time line was also considered when selecting the following pieces. One of the objectives of this program was to display a linear progression starting with the Baroque era that show how art music evolve up until the 21th century. It also displays how the physical and musical demand change for the trumpet over a long period of time. Antonio

Even though the Cichowicz, Stamp, and Adam pedagogies come with disadvantages, they do come with many benefits. Each pedagogy takes a different path to the same goal, a high level of trumpet playing, which is why they don’t have to contradict one another. When studying the trumpet or teaching a student, combining the three methods can be beneficial. The three methods take different polarizing sides, occasionally refusing to accept the benefits from the others. Since all three methods lead to the

young African American male that was very talented. The trumpet player was a heavy set Caucasian male that looked

Looking at both instruments side by side, there are minute differences in their construction. However, the cornet did not start out looking like a shorter trumpet. In fact, in the 1800’s, the cornet looked something like a curly “q” made out of miscellaneous metal. Noted for its warmer, softer, and rounder sound, the cornet has evolved since the early 19th century. Evolution of the Cornet The late 18th century involved a lot of modifications to earlier models of horns. Beginning with the

woodwind instrument. As I was observing the musicians I saw my TA Courtney Pham on flutes. The conductor of this concert was Wes Kenny, who came on stage with fourteen years of experience. And also featuring performance by famous Caleb Hudson on trumpet. Beethoven 's Coriolan Overture, Op. 62 was the first piece played by the orchestra. The piece was nine minute long. Concertmaster “Frangel Lopez Cesena” comes out and sits in the first chair of the first violins. This music is all about a roman

On November 10, 2016, the jazz guitar ensemble at Palm Beach State College had their first concert for the fall semester with a special performance by the 2:00 Jazz Sextet directed by Neil Bacher and co-directors David Gibble and Stephen Scott. The Jazz Guitar Ensemble performed five pieces including “Bittersweet,” “On Green Dolphin Street,” and “Bill’s Bay” – Last two pieces very different in style had allowed the audience to enjoy the variety sounds of jazz music. “Bittersweet,” arranged by Mundell

worked so hard for. He was famous for his sense of humor. At a performance Dizzy asked the audience if he could introduce the band. The audience replied swiftly "yes". He than began introducing the saxophone player to the drummer and the trumpet player to the trombonist and so forth (Wastrous, January 17). He also expressed his incredible humor within his music as well. In his own interpretation of the spiritual, "Swing Low Sweet Chariot," Gillespie develops the song into "Swing

bongo solo that really caught my attention. The musician played so fast and kept a perfect beat.      Another song that I enjoyed was entitled “Humility”. There was also some mild humor in the introduction to this song. The trumpet soloist took off Mario Rivera’s jacket and put it on creating laughter when Arturo said it’s a good look for him. I too found his outfit rather funny. He was wearing leather pants, and chain wallet, and a nice button down shirt. He stood in the front

sports coats with dress pants. Our seats were located in the middle of the theatre on the edge of the balcony in front of the stage. Botti created an intimate atmosphere as he related the show to a Valentine's Day theme. The velvety sound of Botti's trumpet flowed into the air when

The Horn Player Walt?s teeth clack; his tongue contorts in his mouth. His voice is low, and in working at speech he labors like a man knee-deep in mud using his hands to dig at something he saw glimmering there. Walt sways on his feet; his undershirt sticks in his armpits and his stained sports jacket hangs from his scarecrow?s frame. ?listen, baby, but I bet I still got it. He is unintelligible to all but himself, and in a crowded bar no one thinks to listen to him. He stands by an open window,