Virgin Mary Essay

The painting, The Virgin of Chancellor Rolin (1435) by Jan van Eyck, shows Nicolas Rolin and the Virgin Mary dressed in fabulous gowns. Mary is holding Baby Jesus while an angel, hovering on the extreme right corner, is embracing a crown. The background features two outstanding figures, leaning over a banister. These two figures create a fairly relaxed atmosphere. The hovering angel crowns the Virgin as she presents Baby Jesus to chancellor Rolin. The setting of this painting depicts an Italian-style

religious home with her parents. She begins to see Virgin Mary everywhere and gets jealous at

Throughout history, there has been consistent production of images of the Virgin Mary, often with or holding the baby Jesus. Though the subject matter has remained the same, the methods and techniques of these depictions have been subject to change. Sculptures of the Renaissance featured similar structural and visual elements, even when created in different countries, several years apart. When Virgin and Child, a French sculpture from the 1300’s, is compared to Madonna and Child on the Crescent Moon

Stained glass was made during the Gothic period of art history. In the center of the program is the Virgin Mary, enthroned and crowned. The crown means that she is the Queen of Heaven. Cruciform nimbuses/halos frame the heads of both her and the Christ child. This is an indicator of their divinity. Mary’s foot is resting on a stool that is covered by a rug. The throne is held up by the pillars that are held by the angels beneath it. In the segment above Mary’s head is a dove representing the presence

The Immaculate Conception: “When discussing the Immaculate Conception, an implicit reference may be found in the angel’s greeting to Mary. The objection is also raised that if Mary were without sin, she would be equal to God. In the beginning, God created Adam, Eve, and the angels without sin, but none were equal to God. Most of the angels never sinned, and all souls in heaven are without sin. This does not detract from the glory of God, but manifests it by the work he has done in sanctifying his

Script:For the holy virgin church in Haret zuwayla Elements of the church Group Name: XO Credits: Reem Yasser: reem_abuqoura@hotmail.com Nouran Essam: nouranessam0@gmail.com Hiba El-Safwa: hiba_alsafwa@hotmail.com Reem El-Alfy: reemelalfy81@gmail.com Shorouk Ehab: tota_ehab@hotmail.com The Holy Virgin Mary Church, Haret Zuwayla Christianity is one of the most common heavenly religions where Christians tend to have certain beliefs that may differ from other religions. Copts, to

Italian Renaissance, by Michelangelo in 1500. It is the representation of the body of Jesus after his death on the cross in the arms of the Virgin Mary. The Pietà is carved in a single block of Carrara marble. It is of the best works of Michelangelo, the Pietà is a representation of Christ in the arms of his mother. It represents in particular the pain of the Virgin Mary facing the death of her son. Europe emerging from the Middle Ages the arts are mainly focused on religion. The period of great discoveries

typically spoken with rosary beads, and directed towards the Virgin Mary. Personal devotions became an increasingly common practice during the late 1340’s, following the proliferation of the Black Death especially within populated Italian cities (Gardner, p.406). Responding to the growing fervor for the Bible, artists receive many commissions to conceive biblical legends into reality. The Madonna and Christ child in both Strauss Madonna and Virgin and Child convey an allegorical and symbolistic representation

divine gods and regular people. Fig. 1-3 Virgin and Child Icon- Vladimir Virgin (early 12th century) tempera on wood, 30” x 21” The Byzantine era is the continuation of the Roman Empire and as we, all know they were influenced by the Greeks. Around the 11th century “the clergy began to display icons in hierarchical order Christ, the Theotokos, John the Baptist and other saints” (Kleiner 279). The Virgin and Child Icon is tempera on wood, 30x21 inches. The virgin and her child have been an inseparable

depicting sacred subjects. Yet, how they worship and disseminate their religions and deities is quite similar. When looking at Virgin and Child in Majesty (ca. 1175-1200) and Yashoda with the Infant Krishna (12th Century), one immediately establishes a connection between them due to their visual similarities. The first (Fig. 1) is a sculpture made of walnut that depicts the Virgin Mary and Jesus Christ as a child. The latter (Fig. 2) is a depiction of Krishna and his foster mother Yashoda made of copper