Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less…show more content… Art deco included luxury items as well as mass-produced products, but both wings had the intention to create modern and anti-traditional designs that illustrated wealth and elegance.
Part 2 Comparison 1:
Figure 1 created by Paul Poiret, and figure 2 created by Coco Channel were both designs based on art deco style. Both of these designers came about in the early 20th century as the role of woman in society was changing. In figure 1 Poiret created “ The Fancy Dress costume” in France for his “The One Thousand and Second Night” party in 1911. This resplendent design included his signature Lampshade tunic and harem pants as well as a jeweled buster using metal, silk, and cotton. Most of this design was created with sea foam green silk gauze, which then was interwoven with silver and blue thread, and then turquoise, pink, and peach beading that was symmetrically placed. Both designers diverged from the confining and tight-fitting corsets and aimed to create comfortable yet elegant clothing that mirrored the free and self-sufficient attitudes rising in woman. Both of the designers’ designs have dropped waste lines. However, Poiret’s radical design uses opulent and luxurious fabric and materials and is focused on the decorative aspect. His design is created to be “one-of-a-kind” and uses many vibrant colors, rich embellishments, and embroideries. Poiret resisted the practicality, rationalization, and stylistic simplification that Chanel adapted to create. In figure 2