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Haute Couture Influences Ready-to-wear

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Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the riches to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creator of haute couture, and how the following designers developed couture, as well as having leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers of the modern fashion industry.
Haute Couture
Haute Couture is the French term for high fashion, and it relates to the …show more content…

It wasn’t until Chanel started to create jackets which not only had the purpose of being worn closed, she created jackets that looked good opened, closed or hanging over the shoulders. She emphasized on this style by making blouses to serve the complete outfit. She was also the creator of the “Little Black Dress”, which was a relatively simple black dress made by elegant materials such as lace, tulle, weightless silk and even embroidery in a new, more tailored way. Chanel is today world known for its high quality designs and has women of the 21th century dependent on its classical style (Rennolds Milbank 120-121).
Elsa Schiaparelli was another star in the 30’s along with Chanel, but the contrast between them was nothing more but interesting. Their designs were different, looked upon as day and night, but still representing the extremes of couture, but they catered to the same clients.
Balenciaga, another well known high end designer once said: “Coco had very little taste, but it was good. Schiap, on the other hand, had lots of it, but it was bad”.
Schiaparelli created the color “shocking pink”. The House of Schiaparelli struggled after World War II as fashion had changed and Dior’s New Look was in, which lead to the closing of the couture house in 1954, but her visions still lives on in the interpretations of today’s ready-to-wear (Milbank 196).
A short moment after the end of World War II, as Europe was slowly coming

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