Albert Camus Research Paper

The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.

Albert Camus’s novel, The Stranger is regarded to the philosophical ideas of Existentialism, yet seems to also incorporate Absurdist tenets throughout the book that show ideals of being a unique type of individual with different actions that society disagrees with.

The existentialism of Albert Camus is based on his view of life as the Absurd. This sense of the Absurd derives from the realization that man is destined to die, as if being punished for a crime he never committed. There is no reprieve, and this makes life absurd (Peyre). There is no God in Camus’s conception, and those who hope for an afterlife are thus to be disappointed. Camus understood that the fact that there is no God also means that there is no meaning or purpose to life outside of living life to the fullest, and that there is a destined end. The one saving grace in the world seems to be the fact that while there is no God on which man can depend, man can live as if he can depend on his fellow man, even though he and they will all die (Sprintzen). This is another absurdity, but it is based on the fact that the

The core idea of Albert Camus’ philosophy of absurdity centralizes upon the idea that humans exist in a meaningless universe, and follows that humans must simply accept this fact to live life to the fullest. In addition to this absurdist notion, Albert Camus also uses The Stranger to show how humans still strive to create superficial meaning to fulfill their own personal needs. Through the experiences and interactions in Meursault’s life, Camus illustrates that in spite of how events in life follow no rational order, society attempts to futilely create meaning to explain human existence.

For five of the passages below, write a 5-8 sentence interpretation (not a summary) of the significance in relation to Camus’s philosophical framework (moralism, the Absurd, existentialism, religion, hope, social judgment, fate).

In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.

artre and Beauvoir worked closely together, and laced ideas intertwine within their works; however, there was another writer who, though a colleague of Sartre, brought his own views on Existentialism. Albert Camus, a French writer like Beauvoir and Sartre, and one with a tangled relationship with Sartre, created the the philosophy of the Absurd. In The Stranger, Camus displays the Absurd and the indifference of life. In his later novel, The Fall, he discusses the guilt of all men, not only in their actions, but in their inactions as well. The Fall was written three years before Camus’ death. In it, he explores guilt and innocence, and claims that all men are equally guilty of something. This plays with the Post-War gloom of his time; and he

Albert Camus is considered one of the greatest existentialist writers of all time. However, although he was considered an existentialist writer, Camus never labeled himself as an existentialist. “No, I am not an existentialist”  (Albert Camus: Lyrical and Critical Essays, Vintage (1970)) Camus rejected in an 1945 interview, however in some of his literary works, some find that his writings are one of a true existentialistic thinker. Although many contrast these thoughts and believe that Camus was anything but a thinker of this philosophy, Camus is one of the main authors that people turn to research and read to understand the thinking of existentialism. One of his most famous books, The Plague, illustrates the need for a human to become an

In The Stranger, author Albert Camus involves the sun throughout the novel in order to display mans vulnerability. He presents the sun as a powerful, unfortunate influence on main character, Meursault and describes him as a simple minded, easily influenced, mellow individual. The Main influence in Meursaults’ life is the sun. Meursault is bothered by it however he does not make much of an attempt to stop or ignore it. He simply permits the suns heat, accepting it and affirms his personality. Becoming vulnerable is basic however with a more vigorous charisma, persuasion can be avoided. However an able source such as the sun, Camus establishes is a little more difficult to avoid.

Life is often interpreted by many as having meaning or purpose. For people who are like Meursault, the anti-hero protagonist of Albert Camus' The Stranger, written in 1942, the world is completely without either. Camus' story explores the world through the eyes of Meursault, who is quite literally a stranger to society in his indifference to meaning, values, and morals. In this novel, this protagonist lives on through life with this indifference, and is prosecuted and sentenced to die for it. Through Meursault and his ventures in The Stranger, Camus expresses to the reader the idea that the world is fundamentally absurd, but that people will react to absurdity by attaching meaning to it in vain, despite the fact that the world, like

Albert Camus is a famous writer who discusses a wide variety of topics in his works. His account of the myth of Sisyphus touches on a topic that most writers are either afraid of or unwilling to talk about. This is the issue of suicide and how to deal with it as an individual and as a community. The principal point in the story by Camus is the presence of absurdity in our very existence. The presence of life and all living things that we are aware of is an absurdity according to Camus, who questions the plausibility of some people considering suicide to be the best solution to this absurdity. Having an understanding of the elements of nature that make up our world does not mean that it will ever be possible to understand—and fully appreciate—the reasons why our world is as it is. Whether one believes in God and the creation account, in the evolution process or in the Big Bang Theory among others is irrelevant because of the underlying absurdity to all of these scenarios (Camus 3). He writes that it was his intention to find the relationship between suicide and the absurd. This essay by Camus leads the reader to make an assessment of life and arrive at a suitable decision. This paper will provide a further understanding of these thoughts. This paper will show that life is simply meaningless but must be appreciated nonetheless.

Albert Camus is known all over the world as a French philosopher who contributed to the ideas of absurdism. He is also known for his philosophical literature. More specifically I want to focus my attention to what some people may call a book that influenced many generations. This name of the book is called “The Fall”. In this book, the reader views a different perspective of life from a character called monsieur Jean-Baptiste Clamence.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.

ABSTRACT: After 350 years of continual social transformations under the push of industrialization, capitalism, world-wide social revolutions, and the development of modern science, what reasonably remains of the traditional faith in divine transcendence and providential design except a deep-felt, almost 'ontological' yearning for transcendence? Torn between outmoded religious traditions and an ascendant secular world, the contemporary celebration of individuality only makes more poignant the need for precisely that religious consolation that public life increasingly denies. People must now confront the meaning of their lives without the assured aid of transcendent purpose and direction. The

Albert Camus, born in colonized Algeria, a father to absurdism, and author of The Stranger confronts the philosophical themes of purpose, integrity, and passivity. The Stranger’s main character, Meursault, is a laconic man whose passive actions and brutal honesty lend to connections in his court trial. Those of which condemn him to execution. Meursault falls victim to his complete honesty, complete passivity, and disregard for the purpose of action. He is straightforward, and his actions usually follow his thoughts. Actions and decisions that most average people regard as serious, Meursault regards as arbitrary. Meursault’s exemplification of absurdism proves to not only lend to his characterization, but as a comfort in his death as well.