American Art Project

Others have also chosen to alter the character of Hewes, even in a painting. The painting, which ordered by John Davis, president of the Massachusetts Historical Society and United States Attorney at law, depicted only one side Hewes. When the painting was finished it was hung in the Boston Athenaum described as “a place of fashionable resort.” Although the painting of Hewes was a nice gesture, it failed to show both sides of the story. He was a vital figure in the events leading up to the American Revolution but he was also a shoemaker for his entire life, which the portrait failed to portray. Additionally, the portrait failed to portray the real life characteristics of Hewes. For example, an indentation in his

At first glance, the painting above may seem very odd. There is a woman flying above what appears to be settlers on the open plains. However, after examining this image closely it begins to make more sense. The title of this painting is American Progress by John Gast. The title of this painting goes along with the painting itself very well as this painting depicts American progress.

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

Lorraine O’Gradys’ unintentionally historic performances, seemingly elevate everyday life to the status of art. In her ‘exhibit’ at the Studio Museum, her work is represented through photographs, in ‘Art is…’. Thirty years ago, O’Grady presented ‘Art is’ in the form of a float in the African American Day Parade right here in Harlem. Performers pranced with empty frames, metaphorically capturing fleeting pictures of the people and places that surrounded the route of the parade. By doing so, the trappings of high art were brought out of the museum, into the street, which promotes a new way people might begin to recognize this new art form in the celebrations of every day life. The

The painting depicts one of the most decisive victories of the American Revolution. Prior to the battle American morale was very low, even Washington was becoming doubtful. The continental army was forced out of New York and pushed across most of New Jersey on a desperate retreat induced by many British victories. The British troops that occupied the small town of Trenton were convinced that American morale was much too broken for any sort of attack… Washington had other plans. (Encyclopedia Brittanica)

My favorite era is the Contemporary Era. In history, the Contemporary Era is a time that had profound changes the modernized the identity of the development of many new cities. In the early modern era, people and cities grew through the spirit of modernism throughout all over the world. People were going away with cultural traditions and starting a new civilization future for the twentieth century. The founding on new discoveries cause new foundation trends to be expressed with a new understanding in believing and living.

Over the years, I have flirted with visual art. It started with pencil drawing, continued as an affair with marker illustration, then a dalliance with lettering, and I now have a relationship with photography. However, my favorite art will never be displayed in museums or galleries. It is not static and immutable. Rather, my chosen medium is fluid, living, volatile. No matter how well rehearsed, it will never be the same again. That’s the beauty of performance art.

The growth of the United States at this time created heightened nationalism. John Archibald Woodside’s painting, completed at the end of war of 1812, shows the US in defiance against what the American people perceived to be British aggression. On June 18th, 1812, president James Madison signed a declaration of war against Great

Leutze’s painting, Washington Crossing the Delaware, conveys that the people of America can overlook their differences and hardship when being unified by hope. He uses pathos in the color contrast in his painting to inspire feelings of hope in the unity of America. Dark color seems to loom, almost pushing upon the ships in the painting. Nevertheless, light surrounds the ships, seeming to flow from the American flag on the first ship. The American flag is a symbol of hope for the men on these ships, each of them being drastically different. The men gathered on these ships are all drastically different . George Washington himself is there, a highly respected general among common folk and even an African American man. Each of these men different in race, rank, and opinion are unified under a flag that represents each different person as a single people for the hope that they can earn their freedom. Despite the pressing darkness the flag shines a light of hope as a symbol of unity for the people of America. The pathos used in

The United States is built on the unity of its diverse people. In his Second Inaugural Address, Abraham Lincoln stated that the Union would “accept war rather than let [the country] perish.” This shows Lincoln’s, and the American people’s, dedication to preserving the unity of the United States. Lincoln uses this statement to appeal to the people’s logical and moral side by saying that fighting for unity was the right thing to do and that it was better than giving up on it, and the country as a whole. In the painting George Washington Crossing the Delaware, the different and diverse people represent the many types of people that fought for freedom. Emmanuel leutze uses the diversity of the people in the painting to connect with the observer’s emotions. This painting

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

This paper will describe the goals of the original negotiation between Peter and Catherine Smith, and the Midwestern Contemporary Art Museum. The discussion will involve the interpretation of the original BATNA and explain its value. Thirdly, we will discuss if interest align or oppose your position. Evaluation negotiation for a win-win solution will look at alternatives for mutual gain for both parties. Fourthly, we will identify influence tactics: which ones could you use on the Smiths?

Art is a very realistic aspect among the Native Americans. In fact, what we call primitive art is actually symbolic objects from the process of a sacred ceremony. This concept is one not easily understood. Furthermore, this concept by Sam Gill is explained in Native American Religions. Sam Gill shows that Native American Art is different in meaning because of its contents then what modern societies consider art. Nonliterate people produce objects of beauty through ceremonial performances and rituals that keeps the cosmos in order, while modern societies over look these factors.

On September 4, 2016, I visited the Matisse in His Time exhibit at the Oklahoma City Museum of Art. This exhibit is home to a plethora of pieces by many different European artists from the 19th and 20th centuries. While it is focused on Matisse and his extensive works, containing more than 50 of his pieces, there are many portraits and sculptures by other influential artists from that time period including Renoir, Picasso, and Georges Braque. Three of the most appealing works that I encountered in this exhibit are Maurice de Vlaminck’s Portrait of Père Bouju, Pablo Picasso’s Reclining Woman on a Blue Divan, and Henri Matisse’s sculpture series Henriette I, Henriette II, and Henriette III.

Many situations present the important synchronization of internal versus external negotiations. Many individuals have studied how each side in the negotiation is able to manage the internal opposition to agreements being negotiated. This can also be known as “on the table”, or what exactly is on the line in a heated argument. Each individual involve in an argument has a particular position to be managed, and often times own personal interests are widely expressed. This paper will expand upon the case of Fischer collecting needed funds from Smith with proposals and ideas for a manageable negotiation.